The Magnificent Ambersons
You asked a pretty question; I've given you the ugly answer.
Fasten Your Seatbelts….
It's Going To Be A Bumpy Night!

Your so welcome, Zolotoy. And I only saw it once when it was first released, but I remember being very impressed by
The Hospital
. In addition to the Chayefsky connection, it was directed by Arthur Hiller, who also directed
The Americanization of Emily
.
And if I get a chance, I'll watch
Uncle Buck
. But for the record some friends have been pressuring me to watch
Planes, Trains, and Automobiles
for a long time, which I still haven't done, so that has to come first. I'll do my best, but I can't promise anything.

Much thanks, Spiderwort. I am now very curious to see
The Hospital
(1971), with George C. Scott, screenplay written by Paddy Chayefsky (for which he won an Academy Award for Best Original Screenplay).
BTW, take a look at
Uncle Buck
someday, too, if you have time, and let me know what you think… was John Hughes just "letting it all hang out," directorially speaking, with this one??
This silent version of
Othello
I saw was certainly "okay," but now I'm interested in seeing some of the other film versions of this Shakespeare tale - not least of which would certainly be the 1951 version by Orson Welles, which has quite a history.

Oh, I'm so glad you enjoyed
The Americanization of Emily
, ZR! I thought you would. And you're so right about Chayefsky's compelling script. It's based upon a William Bradford Huie novel, who also wrote some other novels/books that were turned into significant films, including
Wild River
(1960) (one of my all-time favorites) and
The Execution of Private Slovik
(1974), which became a powerful TV film.
Haven't seen any of your other titles, though the silent version of
Othello
sounds quite interesting. I don't know the director, but I'm a big fan of Emil Jannings. I may give it a look, if I can find the Kino version. Thanks for the recommendation.

Agree with you there about Uncle Buck. It is a very flawed movie if one were to break it down. Hell, I don't care and I love it. John Candy is very funny and dark. Really amusing relationship between his character and Amy Madigan's, and his handling of the oldest daughter.

The Americanization of Emily
(1964) - Directed by Arthur Hiller, written by Paddy Chayefsky, starring James Garner, Julie Andrews, Melvyn Douglas, James Coburn. First-time viewing for me (thanks,
@spiderwort
, for the recommendation), this very off-beat war film was full of surprises, not least of which was the script by Chayefsky, who seemed to be hell-bent on making biting statements about love, war, international relations, and a lot of other stuff, just about every other minute of the film. Nothing wrong with that, but it sure makes you perk up your ears as the movie rolls along (also, I feel a distinct need to re-watch this one at least once, maybe even twice, to make sure I got it all straight).
Uncle Buck
(1991) - Dir. John Hughes's early-90's comedy, with John Candy as the clumsy but well-meaning uncle pressed into house-sitting for his brother and sister-in-law as they are called out of town on a family medical emergency. Seen it before a very long time ago… I remember I liked it a lot better then, but over the years I've gotten a lot more savvy and discerning about what is presented on screen, and this time around I found myself noting things that, to me anyway, made the film seem very flawed. Still, it's good mindless fun if you don't let your "film critic" side get in the way.
How to Beat the High Cost of Living
(1980) - Light-hearted but sometimes dark and edgy heist comedy about 3 middle-class women trying to cope with late-70's inflation and other financial as well as personal woes in Eugene, Oregon. Directed by Robert Scheerer with Susan Saint James, Jane Curtin, Jessica Lange, Dabney Coleman, Richard Benjamin. Not great, but certainly a fun flick and a good mood lifter.
Othello
(1922) - German silent film adaptation of the immortal Shakespeare play. Directed by Dmitriy Bukhovetskiy, with Emil Jannings as Othello, Werner Krauss as Iago, Theodor Loos as Cassio, and Ica von Lenkeffy as Desdemona, Othello's wife. This was the 2001 Kino International restored version, with new soundtrack and all-English intertitles (they're in English, but can be hard to decipher at times, because it's all Shakespearian English). The print I saw looks very good.

Agree with you 100% about THE GODFATHER II, Rufus. I like it much better than the original. And, like you, I really enjoyed 23 PACES TO BAKER STREET, for all the reasons you mention – and William Wellman's excellent direction. Haven't seen any of the others, though I'm familiar with some, and several of the others sound really interesting.

The Long Goodbye (1973)
https://www.imdb.com/title/tt0070334/
Private detective Philip Marlowe (Elliott Gould) got into some sticky water after helping his friend cross to Mexico. This is very enjoyable Robert Altman adaptation of a Raymond Chandler detective story. The mumbling and the complaining of Elliott Gould was amusing. The middle part of the movie was a bit confusing when he was asked by a woman to find her missing husband. The story tied up at the end. One criticism is they played the mediocre theme song in all sort of different ways like begging for an Oscar nomination. It did not get the nomination.
The Godfather (1972)
https://www.imdb.com/title/tt0068646/
A movie I love before I knew how much this was also loved by so many others. It's been a while since I watched this. Since the trilogy is on Amazon Prime, so I plan to go through the movies. The arc of Michael Corleone's character is one of the best character depiction in movie, going from a clean cut youngest brother to a cold blooded mob boss. Marlon Brando won the Oscar as the Godfather Vito, but I thought Al Pacino as Michael is a co-lead even though the Oscar considered him a supporting role. I never get tired of of rewatching.
The Amazing Mr. X (1948)
https://www.imdb.com/title/tt0040829/
A woman (Lynn Bari) living near the shore heard her late husband's voice calling her name from the sea. With the help of a psychic, she tried to resolved the call. This is a mystery, with a strong tinge of horror. Turhan Bey was very good as the psychic. Cathy O'Donnell was very cute as the younger sister. She can really widen her eyes when being alarmed. Many twists and turns, though the last part was not that strong.
The Godfather Part II (1974)
https://www.imdb.com/title/tt0071562/
How could a sequel measure up to The Godfather? It did. What a brilliant idea of telling in parallel the rise of Vito Corleone and the fall of Michael Corleone. The transitions between the story were perfect. The dialogues were just as good as the first movie. Possibly my favorite is the exchange between Tom Hagen and Frank Pentangeli outside of the compound.
Slightly Scarlet (1956)
https://www.imdb.com/title/tt0049769/
A woman has a sister who kept having legal problem, is a girlfriend of the mayor candidate, and fell in love with a mob member who is influencing the mayor campaign and taking over gang behind the mob boss. A lot is going on, yet there were plenty of drawn out campy drama too, especially between the woman and the mob member, played by Rhonda Fleming and John Payne respectively. Both who held up the movie well. The sister, played by Arlene Dahl, was being naughty and sexy throughout the movie stirred excitement. Overall enjoyable.
23 Paces to Baker Street (1956)
https://www.imdb.com/title/tt0048919/
A depressed blind writer overheard in a pub a dialogue which may imply a woman in danger. He decided to take investigate into the situation even after reporting to the police. He was helped along with his devoted butler caretaker and his girlfriend secretary both who wanted to help him out of his depression. My thought at first was he is being very nosy. Then on second thought his situation make sense that he wanted to feel some importance by checking things out. Of course it got him into trouble. Van Johnson played the blind writer. I am generally not big fan of him, but he was excellent here. Same with the butler played by Cecil Parker and the secretary played by Vera Miles. Such devotion to him. This is a beautifully handled suspense mystery with good colorful city scenery. It felt a good Hitchcock movie.
Framed (1947)
https://www.imdb.com/title/tt0039396/
A truck driver driving a malfunction truck rammed his way into a small town and met up with a beautiful waitress. The waitress is much deadlier than she looked. Glenn Ford ws very good playing the truck driver. The movie did feel very low budget, with the quality very mediocre. The movie was saved by a very good climax and by Glenn Ford's cool demeanor.
Farewell, My Lovely (1975)
https://www.imdb.com/title/tt0072973/
This time Philip Marlowe was played by Robert Mitchum. An ex-convict (Jack O'Halloran) wanted to find his wife who he hasn't seen in 7 years. Marlowe kind of went through hell to fulfill the service. The movie was not as exciting as it may sound, and could have been better. There were some good scenes though. Note that Sylvester Stallone appeared briefly before his Rocky days.
Beyond a Reasonable Doubt (1956)
https://www.imdb.com/title/tt0049006/
An original to the 2016 film that I saw recently. Same storyline, but not much better than the remake. The remake focused on a corrupt prosecutor. This one is focus on against the death penalty, which failed to do in the movie. Starring Dana Andrews and Joan Fontaine, both were not that good. I usually like both. Considering it is directed by Fritz Lang, it is a disappointing movie.

I didn't find it very intriguing. Really it just seemed sort of stupid.

Blue Velvet has an intriguing story. The explicit stuff was not necessary. David Lynch can't help himself. I am not a fan of him.

Oh, yes! I did see and loved The Straight Story, too! I thought I'd be safe with that one, and I was. Excellent film, without any of the stuff of Lynch's I usually despise.
Interesting side-note, if you're not already aware: Mary Fisk, the sister of Sissy Spacek's husband, production designer Jack Fisk, was once married to Lynch.

Besides The Elephant Man, I also recommend The Straight Story. Surprisingly inspiring movie by David Lynch. He couldn't make that pornographic either.

I would definitely recommend
Blue
! I
hated
Blue Velvet
with a passion. I thought it was disgusting, and I've never seen another Lynch film except for
The Elephant Man
, which I saw on Broadway and knew that he wouldn't be able to (or wouldn't be likely to) make it pornographic.
As for Powell and Pressburger, I love their films! I've seen so many, several just in the last two years:
The Life and Death of Colonel Blimp, 49th Parallel
,
I Know Where I'm Going
and
A Canterbury Tale (1944)
.
And I've loved
The Red Shoes, Black Narcissus, A Matter of Life and Death
, and
The Peeping Tom
for decades. They were real artists. And there's a Powell film he made on his own that I also love,
The Edge of the World (1937)
. Worth a look if you can find it.

I was deciding between
Blue
and
Blue Velvet
earlier this week, but decided on
Blue Velvet
. I didn't go very much for
Blue Velvet
and would give it a 6. I liked Lynch's 1990 film
Wild at Heart
. Perhaps, I should have watched
Blue
.
I have been enjoying a number of the Powell and Pressberger movies on TCM this month
The Spy in Black : U-Boat 29
1939
The Red Shoes
1948
Contraband (Blackout)
1940 - watched this on filmboards actually
One of Our Aircraft is Missing
1941
Black Narcissus
1947
I have seen a number of their other movies over the past year already:
The Life and Death of Colonel Blimp
1943,
49th Parallel
(1941),
I Know Where I'm Going
(1945).

Yes, I agree with you about the Maisie films in general. They're not great but are enjoyable for those of us who are fans of Ann Sothern, which I am.
I haven't seen the films you've listed, but will keep an eye out for them. And I love Mankiewicz's
A Letter to Three Wives
and Sothern in it.
You might also want to check out
The Whales of August
, for which Sothern won her Oscar. But it's really Lillian Gish and Bette Davis who are amazing in the film. I was surprised they didn't get nominated.

I noticed watchTCM had a bunch of Maisie movies up. I watched "Maisie was a Lady" several months ago. I thought it was alright, but not outstanding, so I wasn't in a hurry to watch the others. If I get a chance I might watch "Maisie" as I like Robert Young. Ann Sothern, plays one of the 3 wives in
A Letter to Three Wives
(1949), which is a pretty good movie.
Sothern's movie
The Party's Over
(1934) sounds interesting but it is apparently a bit hard to find.
The Hell Cat
(1934) also sounds interesting:

First viewings:
Three Colors: Blue / Krzysztof Kieslowski
(1993). A Frenchwoman (Juliette Binoche) tries to withdraw from life after her daughter and composer husband die in a car crash. A brilliant, haunting film with a great script, direction, and performances, especially by Binoche, who in this film is a master of subtext. I think it’s an absolute must-see, and I’m really looking forward to seeing the other two in the trilogy. (Available on Max)
Sherlock Jr. / Buster Keaton
(1924). A meek movie projectionist who dreams of being Conan Doyle's master detective must put his amateur sleuth skills to use when he's framed for a theft. One of Keaton’s great comedies, only 45 minutes long, it’s an absolute a joy to watch. What a talent that man was! (Available on multiple streaming services)
Broadway Melody of 1938 / Roy Del Ruth
(1937). A Broadway producer (Robert Taylor) bankrolls his musical with the horse winnings of his star (Eleanor Powell) at Saratoga. Not great, but very well done and entertaining with a wonderful cast, including Judy Garland in her feature film debut singing to Clark Gable, and lots of good music and dancing, too.
Re-watches
Maisie / Edward L. Marin
(1939). A stranded Brooklyn chorus girl (Ann Sothern) goes to work as a maid for the boss (Ruth Hussey) of a Wyoming ranch foreman (Robert Young). The first of the Maisie series, out of a total of nine, and although it’s not the best of the lot, it’s a good beginning with a very good cast, especially Robert Young and Ms. Sothern. She’s an underrated actress in my opinion. Forty-eight years later she received an Oscar nomination for
The Whales of August
.
Maisie was a Lady / Edwin L. Marin
(1941). Once again, Maisie finds herself out of work and is hired by the son (Lew Ayers) of a rich family to be their maid, in the process sobering him up and helping their daughter (Maureen O’Sullivan) with her romantic woes. One of the best of the series, I think. More substantial in many ways, and the cast is a definite plus, with Sothern in some scenes able to give a more serious performance.

I have just enjoyed the Gloria Swanson version of Sadie here on Filmboards Spiderwort. It's very good despite the series of still shots at the end to replace the lost footage. The rain scenes are great and Gloria Swanson mixes the vampishness and playfulness of Sadie very well. I'll be watching your recommended Joan Crawford version soon.

Haven't seen THE RELUCTANT DRAGON, Edward, but I have seen and enjoyed MISS SADIE THOMPSON, although I confess that I prefer the earlier Joan Crawford version called RAIN (1932). And I haven't seen it, but someone recommended the silent version, SADIE THOMPSON (1928), starring Gloria Swanson. He said that was the definitive one. It's on my list.

1941 THE RELUCTANT DRAGON - An immature children's story writer goes to the Walt Disney studio to sell one of his stories. He discovers what animation is and how it's made. His story is of a non-combat dragon. This movie ends with that story done in animation. It has the quirky Robert Benchley and his motherly wife Nana Bryant. Ace moment is Clarence Nash doing his Donald Duck voice before our very eyes. (IMDb 6.7)
1953 MISS SADIE THOMPSON - Somerset Maugham has been relayed as having enjoyed Rita Hayworth's performance in this 1950s update of his story. I'm not surprised. I like her as the bar girl with a racy past who has to quarantine on a Pacific island. I enjoyed the way she chums it up with a crew of horny sailors. Jose Ferrer is a moralistic busybody who gives her a hard time when he becomes aware of her past. The trouble for him is that he can't get her shipped off somewhere because of the quarantine. (IMDb 5.9)

The best thing about Blow Up is the scene with The Yardbirds. And I liked the '60s era in London. but other than that wasn't that good.
Mean people suck.

I LOVE that film! It's fascinating the way he slowly pieces together the crime from the photos. And they don't insult your intelligence by explaining it to yoooooooou!
MAGA! FAFO! Schrodinger's Cat walks into a bar, and doesn't. Dumbocraps: evil people who celebrate murder.

I suppose he saw something like Apocalypse Now Redux. He would be the one guy who wasn't put off by the French plantation scene and wanted to see even more of it.

Well, I'm going to give BLOW-UP another look. I do find that Antonioni's films do drag on and on – the few I've seen anyway. And I have a funny story to share about that. A friend of mine, G.D. Spradlin, was in Coppola's APOCALYPSE NOW, and he told me about attending a screening of an early (
and long
) cut of that film that Coppola had invited Antonio to attend. G.D. said that when it was over Coppola turned to Antonioni, anxious for his response. Antonioni said he loved it, but had only one critique. Coppola asked him what that was and Antonioni said, "It's too short."
I think that pretty much sums up my problems with his films. But that said, based upon your comments and
@Rufus
's, and the fact that Bergman liked BLOW-UP, I think I really do need to see it again. And LA NOTTE, too, which I have never seen. Will report back once I do.