<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[What Classics Did You See Last Week (February 22–February 28)]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Classic Film</em></p>
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<p dir="auto"><strong>unex</strong> — <em>1 month ago(March 01, 2026 01:38 PM)</em></p>
<p dir="auto">What did you watch?</p>
]]></description><link>https://filmglance.com/discuss/topic/160544/what-classics-did-you-see-last-week-february-22-february-28</link><generator>RSS for Node</generator><lastBuildDate>Sat, 16 May 2026 12:53:04 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/160544.rss" rel="self" type="application/rss+xml"/><pubDate>Tue, 21 Apr 2026 22:27:09 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:38 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>4 weeks ago(March 08, 2026 02:04 AM)</em></p>
<p dir="auto">Of your titles, I've only seen THE CARETAKERS, which I saw when it was first released, so I barely remember it, although I seem to recall some good performances in it by a very good cast.<br />
And I also saw THE TRIAL, which I think is another Orson Welles cinematic masterwork, with an excellent performance by Anthony Perkins playing a character caught in a legal nightmare straight out of the Franz Kafka novel, which I'm certain was not an easy one to adapt. It's a film that I would like to see again. Thanks for the reminder.</p>
]]></description><link>https://filmglance.com/discuss/post/1349506</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349506</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:38 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>star-core</strong> — <em>4 weeks ago(March 06, 2026 04:47 PM)</em></p>
<p dir="auto">Gun the Man Down (1956)<br />
Quincannon, Frontier Scout (1956)<br />
Hell Bound (1957)<br />
The Trial (1962) Orson Welles UHD<br />
The Caretakers (1963)<br />
OTT nuthouse drama but worth it seeing.<br />
The Endless Night (1963)<br />
German airport set movie.<br />
Salt and Pepper (1968)<br />
Mars Needs Women (1968)<br />
200 Motels (1971)<br />
Frank Zappa experimental musical.<br />
I Escaped from Devil's Island (1973)<br />
Melvin Purvis G-MAN (1974)<br />
The Bank Shot (1974)</p>
]]></description><link>https://filmglance.com/discuss/post/1349505</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349505</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:36 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:35 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 02, 2026 09:07 PM)</em></p>
<p dir="auto">Thanks. Appreciate the advice.</p>
]]></description><link>https://filmglance.com/discuss/post/1349504</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349504</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:35 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:34 GMT]]></title><description><![CDATA[<p dir="auto"><strong>CoriSCapnSkip</strong> — <em>1 month ago(March 02, 2026 05:51 PM)</em></p>
<p dir="auto">My advice is to skip the 1995 remake and watch the original 1975<br />
Escape to Witch Mountain<br />
.</p>
]]></description><link>https://filmglance.com/discuss/post/1349503</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349503</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:34 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:32 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 02, 2026 01:54 PM)</em></p>
<p dir="auto">I quite enjoyed<br />
The Education of Little Tree<br />
, Cori, as well as<br />
October Sky<br />
.  Two very good, meaningful films.<br />
Haven't seen<br />
Race to Witch Mountain<br />
or<br />
Escape to Witch Mountain<br />
.</p>
]]></description><link>https://filmglance.com/discuss/post/1349502</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349502</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:32 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:31 GMT]]></title><description><![CDATA[<p dir="auto"><strong>CoriSCapnSkip</strong> — <em>1 month ago(March 02, 2026 02:52 AM)</em></p>
<p dir="auto">The Education of Little Tree<br />
(1997) on February 24<br />
October Sky<br />
(1999) on February 25<br />
Race to Witch Mountain<br />
(2009) on February 26<br />
Escape to Witch Mountain<br />
(1995) on February 27</p>
]]></description><link>https://filmglance.com/discuss/post/1349501</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349501</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:31 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:29 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 02, 2026 01:48 PM)</em></p>
<p dir="auto">Haven't seen<br />
Impact<br />
or<br />
Tall Man Riding<br />
, but I'm a big fan of<br />
The Awful Truth<br />
, another Leo McCarey delight.<br />
And I'd probably give FRANTZ a *** rating, but I agree with all of your other ratings for those I've seen.</p>
]]></description><link>https://filmglance.com/discuss/post/1349500</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349500</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:29 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:28 GMT]]></title><description><![CDATA[<p dir="auto"><strong>PygmyLion</strong> — <em>1 month ago(March 02, 2026 12:50 AM)</em></p>
<p dir="auto">Impact<br />
1949 Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker. Film Noir. Some questionable things in the story keep me from giving this 3 stars. **1/2<br />
The Awful Truth<br />
1946 Cary Grant, Irene Dunne, Ralph Bellamy. Dir: Leo McCrary. Romantic Comedy. A married couple decide to divorce, but find they still love each other. ***1/2<br />
Frantz<br />
2017 Pierre Niney, Paula Beer. Dir F. Ozon. Drama **1/2<br />
In Harm's Way<br />
1965 - John Wayne, Kirk Douglas, Patricia Neal, Kirk Douglas. Dir: Otto Preminger. World War 2.  I like war movies, but the fictional campaign they create in the Pacific for this movie and then the fakey looking naval warfare scenes really detract from this movie. **1/2<br />
Trivia from IMDB:<br />
The climactic battle with the Japanese fleet was staged mostly with model ships. Kirk Douglas thought the special effects were poor and complained to director Otto Preminger and the studio about it. He offered to re-stage the scenes at his own expense, using the special effects people who worked with him on Paths of Glory (1957).</p>
<ul>
<li>Kirk and I agree.<br />
Tall Man Riding<br />
1955 -  Randolph Scott, Dorothy Malone, Peggy Castle. Western. **1/2</li>
</ul>
]]></description><link>https://filmglance.com/discuss/post/1349499</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349499</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:28 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:26 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>4 weeks ago(March 08, 2026 01:27 AM)</em></p>
<p dir="auto">Thanks for the heads up, Rufus. It's on my list, but I have a couple more films for the Oscars I need to watch first.  I love Frances McDormand in everything. And for you to say this is her best, well that's saying a lot.</p>
]]></description><link>https://filmglance.com/discuss/post/1349498</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349498</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:26 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:25 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Rufus-T</strong> — <em>4 weeks ago(March 06, 2026 04:59 PM)</em></p>
<p dir="auto">There were several bloody scenes, but important part of the story. Mostly, the movie was very funny. If anything, you'll be blown away by Frances McDormand's performance. I consider this as her best.</p>
]]></description><link>https://filmglance.com/discuss/post/1349497</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349497</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:25 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:23 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>4 weeks ago(March 06, 2026 04:05 PM)</em></p>
<p dir="auto">I don't know how on earth I missed<br />
Fargo<br />
!  Probably working very hard at the time. But I do have access to it, so I'll give it a go. Thanks for the reminder.  (And I hope it's not too violent.  Sometimes the Coen Brothers can go that way.)</p>
]]></description><link>https://filmglance.com/discuss/post/1349496</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349496</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:23 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:22 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Rufus-T</strong> — <em>1 month ago(March 04, 2026 08:59 PM)</em></p>
<p dir="auto">I consider<br />
Fargo<br />
is an essential of modern cinema. Try to watch it if you a chance. It is on Prime or one of the popular platform.<br />
I am going to see<br />
If I Had Legs I’d Kick<br />
You soon because of Rose Byrne's nomination. I don't get a good feeling about the movie, and your review kind of confirm what I expect. I will see it anyway at least once before the Oscar.</p>
]]></description><link>https://filmglance.com/discuss/post/1349495</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349495</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:22 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:21 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 02, 2026 01:43 PM)</em></p>
<p dir="auto">So glad you finally got to see<br />
Hamnet<br />
, Rufus-T, and glad you enjoyed it. I think it's one of the best films of the year, so much better than many others that are getting praise and recognition that I don't understand.<br />
And I agree with you about<br />
Marty Supreme<br />
and especially<br />
Train Dreams<br />
.  That's probably my favorite film of the year.<br />
I haven't seen<br />
Fargo<br />
, I don't know why, nor have I seen<br />
The Insult<br />
, but it sounds really interesting. I certainly have a lot of catching up to do.</p>
]]></description><link>https://filmglance.com/discuss/post/1349494</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349494</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:21 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:19 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Rufus-T</strong> — <em>1 month ago(March 01, 2026 09:01 PM)</em></p>
<p dir="auto">Fargo (1996)<br />
<a href="https://www.imdb.com/title/tt0116282/" rel="nofollow ugc">https://www.imdb.com/title/tt0116282/</a><br />
A car salesman who works for his rich father-in-law hire two hitmen to kidnap his wife in order to scam his father-in-law. Things however gotten out of hand. No Country For Old Men may have won the Oscar's Best Picture, I considered this as The Coen Brothers' crowning achievement. Outstanding dark script, but tragically funny. The performances by everyone knocked it out of the ball park, especially Frances McDormand playing a pregnant investigator. William H. Macy played the salesman. Steve Buscemi got to be one of the most underrated actor played one of the hitmen. Peter Stormare played the other quiet but frightening hitman. Got to give credit to Kristin Rudrüd playing the wife and Harve Presnell playing the father-in-law. This movie has one of the best car chase scene in movie, at night only at the perspective of the pursuer. The setting of snowy Minneapolis provided the chilly grim uncomfortable tone of what about to take place. So much layers to the story including the investigator's private life. I saw this many times already and doesn't get old.<br />
The Insult (2017)<br />
<a href="https://www.imdb.com/title/tt7048622/" rel="nofollow ugc">https://www.imdb.com/title/tt7048622/</a><br />
Last week I saw a movie, Capernaum, that represented Lebanon in the Oscar nomination for Best Foreign Language film. I watch another one this week. A Palestinian refugee construction foreman and a Lebanese Christian clashed. Instead of apologizing, the problem became an overblown political conflict that poked in the atrocity and ordeal that both men went through in the past. The Lebanese Christian has so much anger that blinded his reasoning. The movie mostly was a courtroom drama. Story is very relevant in today's political climate when opposite sides do not and not willing to see eye-to-eye, not just in the Middle East but also Western nation. Very good story and message, as well as a well made drama.<br />
Hamnet (2025)<br />
<a href="https://www.imdb.com/title/tt14905854" rel="nofollow ugc">https://www.imdb.com/title/tt14905854</a><br />
Well, well, well. After some disappointments in watching this year Oscar Best Picture nominations, the last few, Train Dreams and Marty Supreme, including this one were quite good. Based on the private life of William Shakespeare in a novel Maggie O'Farrell, she and director Chloé Zhao co-wrote this heavily emotional story of how Hamlet came about through grief. On the surface, this period piece may sound like a boring movie. I was captivated by the beautiful scenes, the brilliant performances of Jessie Buckley and Paul Mescal. A romance in the first half, but the second half could be a tough watch for viewers who are highly emotional sensitive. Paul Mescal, I don't know how he did not get a nomination for playing William Shakespeare. I always like Jessie Buckley in her previous films. She should win playing Shakespeare's wife Agnes who is based on Anne Hathaway. Even the Hamlet performance within the film as Agnes watching was powerful. The only criticism was that it gotten a bit overdramatic in the theater. Otherwise, strong movie.</p>
]]></description><link>https://filmglance.com/discuss/post/1349493</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349493</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:19 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:17 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 01, 2026 04:44 PM)</em></p>
<p dir="auto">First viewings:<br />
If I Had Legs I’d Kick You / Mary Bronstein<br />
(2025).  A woman (Rose Byrne) attempts to navigate her child's illness, her absent husband, a missing person, and a hostile relationship with her therapist (Conan O’Brien).  Rose Byrne gives an exceptional, Oscar nominated performance and O’Brian is very good in his interesting non-comedic role as her therapist.  But the script is terrible and completely incomprehensible. It was incredibly annoying to try to make sense of it, which in the end I decided was simply to show Byrne’s own insanity, which was completely unresolved in the film.  I only watched all of it because of Byrne’s Oscar nomination, otherwise I would have stopped after twenty minutes. And what on earth does the title mean? (On HBO Max)<br />
Kes / Ken Loach<br />
(1970).  An unsentimental realistic working-class family drama about a young teenager (David Bradley) who has a tough time at school and at home.  His life changes when he finds a baby kestral and lovingly teaches it to fly, in the process finding a life of meaning that was lost to him before, though there is a cost to him at the end.  Beautifully made, it’s the film that put Ken Loach on the map.  Highly recommended.  (On several streaming services).<br />
Safety Last / Fred Neymeyer &amp; Sam Taylor<br />
(1923).  A small-town boy out to impress his girlfriend scales a skyscraper in the big city.   I finally watched this classic Harold Lloyd film with the famous hanging from the clock scene, and I’m so glad I did.  Highly recommended.<br />
Re-watch:<br />
What’s Eating Gilbert Grape / Lasse Hallström<br />
(1993).  A self-sacrificing grocery worker (Johnny Depp) is pushed to the breaking point by the constant demands of his dysfunctional family, which includes a young Leonardo DiCaprio as his mentally handicapped brother and Darlene Cates as his morbidly obese mother.  Other cast members include Mary Steenburgen and Juliette Lewis.  This is a special, very moving film, beautifully directed by Hallström, with wonderful performances by all the cast, especially by DiCaprio, who received his first Oscar nomination for his role in it.  Highly recommended. (On a few streaming services.)</p>
]]></description><link>https://filmglance.com/discuss/post/1349492</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349492</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:17 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:16 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 01, 2026 04:36 PM)</em></p>
<p dir="auto">Haven't seen A HOUSE IS NOT A HOME, though it sounds interesting, but I did see and quite enjoyed BROTHER ORCHID.  In addition to Robinson, it has a great cast, including Humphrey Bogart, Ann Sothern, Donald Crisp, Ralph Bellamy and Cecil Kellaway.</p>
]]></description><link>https://filmglance.com/discuss/post/1349491</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349491</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:16 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:14 GMT]]></title><description><![CDATA[<p dir="auto"><strong>StevenHC</strong> — <em>1 month ago(March 01, 2026 01:52 PM)</em></p>
<p dir="auto">BROTHER ORCHID 1940<br />
Edward G. Robinson is a racketeer who tries for a more refined lifestyle. He is endangered when he tries to return to his former life. He has to seek refuge in a monastery.<br />
A HOUSE IS NOT A HOME 1964<br />
Shelley Winters runs a brothel. She is lonely and really wants to be with the man she loves. But she feels she cannot change her life after making her living as a madam.</p>
]]></description><link>https://filmglance.com/discuss/post/1349490</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349490</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:14 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:12 GMT]]></title><description><![CDATA[<p dir="auto"><strong>spiderwort</strong> — <em>1 month ago(March 01, 2026 04:30 PM)</em></p>
<p dir="auto">I haven't seen Noah's Ark, though I've wanted to for a long time, with it cast, including Delores Costello, Drew Barrymore's grandmother, and director Michael Curtiz, one of my favorites.  Hope to get to it one of these days.<br />
Haven't seen The Ace of Hearts either, but it doesn't sound that appealing to me.<br />
I did see The Day of the Locust when it was first released and remember appreciating it then, but I don't remember it very well now. I love its director, John Schlesinger, and it did get Oscar nominations:  Burgess Meredith for Supporting Actor and Conrad Hall for Cinematography.  I think it's one I need to see again.</p>
]]></description><link>https://filmglance.com/discuss/post/1349489</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349489</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:12 GMT</pubDate></item><item><title><![CDATA[Reply to What Classics Did You See Last Week (February 22–February 28) on Tue, 21 Apr 2026 22:27:11 GMT]]></title><description><![CDATA[<p dir="auto"><strong>unex</strong> — <em>1 month ago(March 01, 2026 01:38 PM)</em></p>
<p dir="auto">Noah's Ark (1928) - Part Biblical epic, part World War I movie which is part talkie. The Noah part is much better and they may have gone over budget on it since the war part is so underwhelming. If you are trying to compare the flood story to World War I you need scenes of epic destruction for the war too.<br />
The Ace of Hearts (1921) - A film about a love triangle in a group of anarchists plotting an attack. It's very straightforward with an ending that is never in doubt from the moment you see their bomb. Despite being bland to look at and its predictability I found it watchable.<br />
The Day of the Locust (1975) - A movie about people in Hollywood and what is behind the facade of the industry and also there is an accountant and two cowboys. It has an unfocused story like a lot of films in the 70s. Most of it is about the relationship of a film artist and an extra and that accountant but I found the filmmaking scenes more interesting. This reminded me a lot of Babylon.</p>
]]></description><link>https://filmglance.com/discuss/post/1349488</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1349488</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 21 Apr 2026 22:27:11 GMT</pubDate></item></channel></rss>