<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Cult Films</em></p>
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<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 22, 2019 08:33 PM)</em></p>
<p dir="auto">Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dirk Bogarde), currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship.<br />
<a href="https://www.imdb.com/title/tt0071910/" rel="nofollow ugc">https://www.imdb.com/title/tt0071910/</a><br />
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]]></description><link>https://filmglance.com/discuss/topic/164426/thirteen-years-after-world-war-ii-concentration-camp-survivor-lucia-charlotte-rampling-and-her-tormentor-max-sir-dir</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 20:26:34 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/164426.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 22 Apr 2026 09:18:35 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:15 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>5 years ago(March 22, 2021 06:47 AM)</em></p>
<p dir="auto"><img src="https://filmglance.com/discuss/assets/plugins/nodebb-plugin-emoji/emoji/android/1f44d.png?v=8570fb93240" class="not-responsive emoji emoji-android emoji--+1" style="height:23px;width:auto;vertical-align:middle" title=":+1:" alt="👍" /><br />
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"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375895</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375895</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:15 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:14 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/post/1375894</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375894</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:14 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:12 GMT]]></title><description><![CDATA[<p dir="auto"><strong>ToastedCheese</strong> — <em>5 years ago(March 21, 2021 07:03 AM)</em></p>
<p dir="auto">Never seen this, but I recall seeing it advertised as a kid. It always looked fascinating.<br />
I have seen<br />
Salon Kitty<br />
in the early 80's when it was unbanned when I was a teen. It was rated R20 then in NZ. How I got in I would never know.<br />
It was pretentious and slow and the only thing that got me through it was my lust for Helmut Berger.<br />
Norman! What did you put in my tea?</p>
]]></description><link>https://filmglance.com/discuss/post/1375893</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375893</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:12 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:11 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>4 years ago(July 11, 2021 02:52 AM)</em></p>
<p dir="auto">This quote from "Salo" from The Duke:<br />
We Fascists are the only true anarchists<br />
He's saying true freedom comes from throwing away all compassion and humanity. And perhaps he's right. So all the torture on innocent children was an exercise in philosophy. That's what makes me feel dead in the core of my soul. That's why I hate but love this film.<br />
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]]></description><link>https://filmglance.com/discuss/post/1375892</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375892</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:11 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:09 GMT]]></title><description><![CDATA[<p dir="auto"><strong>lukejbarnett</strong> — <em>4 years ago(July 11, 2021 02:33 AM)</em></p>
<p dir="auto">wasn't the worst part of the film, the hardest part to take mentally and emotionally, not the mean things that were done to the children, but the callous, blase, inhumane way the torturers did the torturous things to the children?<br />
like it was no big deal and them acting all inhumanly cruel and detached from what they did? like in the part when they read from a book right after doing a horrible thing to one of the kids?<br />
lukejbarnett</p>
]]></description><link>https://filmglance.com/discuss/post/1375891</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375891</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:09 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:08 GMT]]></title><description><![CDATA[<p dir="auto"><strong>I love hutch</strong> — <em>4 years ago(July 10, 2021 09:29 PM)</em></p>
<p dir="auto">The final carnage is hard to take.<br />
"My life is over.  I might as well dance with Johnny Slash!"</p>
]]></description><link>https://filmglance.com/discuss/post/1375890</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375890</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:08 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:06 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>4 years ago(July 10, 2021 09:21 PM)</em></p>
<p dir="auto">I found it repulsive. But it was too horrific to be dull. Lets just say I didn't walk out of the film with a feeling of ennui. I was shaken.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375889</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375889</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:06 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:04 GMT]]></title><description><![CDATA[<p dir="auto"><strong>I love hutch</strong> — <em>4 years ago(July 10, 2021 08:53 PM)</em></p>
<p dir="auto">I hated that movie.  I like some PPP's stuff, including Canterbury Tales, but Salo was alternately dull and repulsive.<br />
"My life is over.  I might as well dance with Johnny Slash!"</p>
]]></description><link>https://filmglance.com/discuss/post/1375888</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375888</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:04 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:03 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>4 years ago(July 10, 2021 09:19 PM)</em></p>
<p dir="auto">Because I knew it was an important film and I would be left with an indelible experience. Not everything worthwhile is pleasant.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375887</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375887</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:03 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:01 GMT]]></title><description><![CDATA[<p dir="auto"><strong>lukejbarnett</strong> — <em>4 years ago(June 15, 2021 10:26 PM)</em></p>
<p dir="auto">but why did you watch it? why put yourself through the torture and mental and emotional anguish of watching a movie like salo?<br />
lukejbarnett</p>
]]></description><link>https://filmglance.com/discuss/post/1375886</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375886</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:01 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:19:00 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>5 years ago(March 22, 2021 06:47 AM)</em></p>
<p dir="auto">Dude, the music theme makes light of the topic. I found that annoying.<br />
I haven't seen the documentary.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375885</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375885</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:19:00 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:58 GMT]]></title><description><![CDATA[<p dir="auto"><strong>geewizzz</strong> — <em>5 years ago(March 22, 2021 04:56 AM)</em></p>
<p dir="auto">Pasolini's previous films had dark humor in them, such as<br />
The Decameron<br />
and<br />
Canterbury Tales<br />
I don't mean torturing is humorous…he's poking fun at the elite and the ridiculousness of it all<br />
The 1981 documentary on Pasolini,<br />
Whoever Says The Truth Shall Die<br />
is worth a view, if you haven't seen it.<br />
Are you okay?</p>
]]></description><link>https://filmglance.com/discuss/post/1375884</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375884</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:58 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:57 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>5 years ago(March 22, 2021 04:32 AM)</em></p>
<p dir="auto">Dude, I could not stand watching children be tortured. It creeped me out. I didn't see it as dark humor at all. It was a great film because it made a bold point against fascism.<br />
The director's point was too make it hideous and dire. And he succeeded. Where did you see humor in it?<br />
I know a lot of people make light of it now. But as you said, Pasolini was killed for it. It was that important.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375883</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375883</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:57 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:55 GMT]]></title><description><![CDATA[<p dir="auto"><strong>geewizzz</strong> — <em>5 years ago(March 22, 2021 03:11 AM)</em></p>
<p dir="auto">Salo<br />
didn't bother me….I expected it to be worse than it was<br />
I saw it as dark humor, mocking Fascism but I didn't care much for it.<br />
It got Pasolini killed for making it.<br />
Are you okay?</p>
]]></description><link>https://filmglance.com/discuss/post/1375882</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375882</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:55 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:54 GMT]]></title><description><![CDATA[<p dir="auto"><strong>ToastedCheese</strong> — <em>5 years ago(March 22, 2021 01:21 AM)</em></p>
<p dir="auto">I saw this in the early 90's at a suburban flea pit cinema after an almost 2 decade banning in Oz. The session was packed, due to all the hype of it.<br />
I found it to be shocking in several parts, but also a pretentious bore too. I think Pasolini made it for his own amusement and sexual kicks. I have seen it a few times since, but the last viewing made me decide it is one of the sickest films I have ever seen and will never venture into it again.<br />
Man Behind The Sun - 88'<br />
is another one. Graphic scenes of cruel torture.<br />
Norman! What did you put in my tea?</p>
]]></description><link>https://filmglance.com/discuss/post/1375881</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375881</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:54 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:53 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 23, 2019 01:56 AM)</em></p>
<p dir="auto">I had a weak stomach when I was a kid. I remember some cartoon with a bee biting some fool's ear even made me queasy. But I got over it. I still find gore to be disgusting though and would rather not see it.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375880</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375880</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:53 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:51 GMT]]></title><description><![CDATA[<p dir="auto"><strong>FeminineRant</strong> — <em>6 years ago(July 23, 2019 01:39 AM)</em></p>
<p dir="auto">i have a weak stomach</p>
]]></description><link>https://filmglance.com/discuss/post/1375879</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375879</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:51 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:50 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 23, 2019 01:36 AM)</em></p>
<p dir="auto">I sat through Salo once and it was torture. I'm glad I watched it once but I'll never watch it again.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375878</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375878</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:50 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:48 GMT]]></title><description><![CDATA[<p dir="auto"><strong>FeminineRant</strong> — <em>6 years ago(July 23, 2019 01:28 AM)</em></p>
<p dir="auto">i saw that after someone on a different forum said mama roma was good and it was but I had to turn of salo like right away</p>
]]></description><link>https://filmglance.com/discuss/post/1375877</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375877</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:48 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 23, 2019 12:25 AM)</em></p>
<p dir="auto">If sadism repulses you then never watch Salo.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375876</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375876</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:47 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:45 GMT]]></title><description><![CDATA[<p dir="auto"><strong>FeminineRant</strong> — <em>6 years ago(July 23, 2019 12:11 AM)</em></p>
<p dir="auto">i had this on my watchlist but the sadistic description turned me off. also, bogarde never struck me as a leading man.</p>
]]></description><link>https://filmglance.com/discuss/post/1375875</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375875</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:45 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:44 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 23, 2019 12:25 AM)</em></p>
<p dir="auto">Oh, so she didn't like the beheaded person but she was only sad at the savagery.<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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]]></description><link>https://filmglance.com/discuss/post/1375874</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375874</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:44 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:42 GMT]]></title><description><![CDATA[<p dir="auto"><strong>cryptoflovecraft</strong> — <em>6 years ago(July 23, 2019 12:17 AM)</em></p>
<p dir="auto">I forget. It's been a while since I've seen the film. I think it was someone the woman didn't like.</p>
]]></description><link>https://filmglance.com/discuss/post/1375873</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1375873</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 22 Apr 2026 09:18:42 GMT</pubDate></item><item><title><![CDATA[Reply to Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dir on Wed, 22 Apr 2026 09:18:41 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Platonic_Caveman</strong> — <em>6 years ago(July 23, 2019 12:13 AM)</em></p>
<p dir="auto">Whose head is in the box?<br />
Administrator<br />
"filmboards is a bold experiment in free speech and anarchy"<br />
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