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<p dir="auto"><strong>Paul P. Powell</strong> — <em>6 months ago(September 18, 2025 03:05 AM)</em></p>
<p dir="auto">Recently sought out and obtained a copy of the notable 'body-horror' classic from 1960, "<br />
Eyes Without a Face<br />
" (FR). Photographed in B-&amp;-W; English subtitles provided.<br />
Overall I was highly surprised and pleased at how excellently-handled it was.<br />
I'm not much a fan of horror movies in general. Prefer low-budget horror if I have any say about it. Either way, horror is only at a level 3-4 genres above my least favorite, (science fiction).<br />
In this case I admit that beforehand, I expected jerky, 'hurried' editing that typifies the worst traits of the horror genre that usually deter me.<br />
But this baroque tale is smoothly narrated. No cheap, 'sudden swerves' or unexpected jolts. All very placid and serene.<br />
Not only narrative smoothness stands out, but there's also just a mature sensibility exhibited in every aspect of the production.<br />
At no point during its length will you find anything juvenile, sadistic, or malicious. It doesn't 'pander' or stoop.<br />
Nothing tacky, crass, or in poor taste.<br />
All the twisted characters –especially the highly-distraught leading female –are handled sensitively. The emotions are convincing.<br />
The story is gruesome –the suspense is Hitchcockian –but the mood is one of elegy and woe.<br />
Presumably this was all a labor-of-love on the part of the director. He seems to be searching out the nature of 'beauty' rather than disgust. Maybe the story meant something personal to him.<br />
Ah well.<br />
Since viewing this unusual flick I'm reflecting back over any similar movies I might ever have enjoyed previously, imbued with this same morbid theme.<br />
There is one title which was my favorite for a long time. John Frankenheimer's<br />
'Seconds'<br />
(1966) starring Rock Hudson and photographed by the great James Wong Howe. A truly disturbing, nerve-rattling shocker.<br />
It's really rare these days that any one of my longstanding favorite pictures is dislodged from its pedestal by another candidate. But in this case, that's what happened.<br />
'<br />
Eyes Without a Face<br />
'<br />
is my firm pick now, for best body-horror I've ever seen on screen.<br />
Reminder: I admire it even though I'm not at all a fan of horror movies.<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/topic/171642/da-best-body-horror-eyes-without-a-face-1960</link><generator>RSS for Node</generator><lastBuildDate>Thu, 14 May 2026 18:09:07 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/171642.rss" rel="self" type="application/rss+xml"/><pubDate>Thu, 23 Apr 2026 12:51:57 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to da best body-horror: &#x27;Eyes Without a Face&#x27; (1960) on Thu, 23 Apr 2026 12:51:59 GMT]]></title><description><![CDATA[<p dir="auto"><strong>TaraDeS</strong> — <em>6 months ago(September 18, 2025 03:09 AM)</em></p>
<p dir="auto">Paul P. Powell September 18, 2025 05:05 AM<br />
Member since August 26, 2025<br />
Recently sought out and obtained a copy of the notable 'body-horror' classic from 1960, "Eyes Without a Face" (FR). Photographed in B-&amp;-W; English subtitles provided.<br />
Overall I was highly surprised and pleased at how excellently-handled it was.<br />
I'm not much a fan of horror movies in general. Prefer low-budget horror if I have any say about it. Either way, horror is only at a level 3-4 genres above my least favorite, (science fiction).<br />
In this case I admit that beforehand, I expected jerky, 'hurried' editing that typifies the worst traits of the horror genre that usually deter me.<br />
But this baroque tale is smoothly narrated. No cheap, 'sudden swerves' or unexpected jolts. All very placid and serene.<br />
Not only narrative smoothness stands out, but there's also just a mature sensibility exhibited in every aspect of the production.<br />
At no point during its length will you find anything juvenile, sadistic, or malicious. It doesn't 'pander' or stoop.<br />
All the twisted characters –especially the highly-distraught leading female –are handled sensitively. The emotions are convincing.<br />
The story is gruesome –the suspense is Hitchcockian –but the mood is one of elegy and woe.<br />
Presumably this was all a labor-of-love on the part of the director. He seems to be searching out the nature of 'beauty' rather than disgust. Maybe the story meant something personal to him.<br />
Ah well.<br />
Since viewing this unusual flick I'm reflecting back over any similar movies I might ever have enjoyed previously, imbued with this same morbid theme.<br />
There is one title which was my favorite for a long time. John Frankenheimer's 'Seconds' (1966) starring Rock Hudson and photographed by the great James Wong Howe. A truly disturbing, nerve-rattling shocker.<br />
It's really rare these days that any one of my longstanding favorite pictures is dislodged from its pedestal by another candidate. But in this case, that's what happened.<br />
'Eyes Without a Face' is my firm pick now, for best body-horror I've ever seen on screen.<br />
Reminder: I admire it even though I'm not at all a fan of horror movies.<br />
Thanks for the AI text-wall, skippy. <img src="https://filmglance.com/discuss/assets/plugins/nodebb-plugin-emoji/emoji/android/1f335.png?v=8570fb93240" class="not-responsive emoji emoji-android emoji--cactus" style="height:23px;width:auto;vertical-align:middle" title=":cactus:" alt="🌵" />🤪</p>
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