<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Frankenheimer&#x27;s other film, Seconds]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — The Manchurian Candidate</em></p>
<hr />
<p dir="auto"><strong>Pearl_Jade</strong> — <em>14 years ago(November 19, 2011 01:59 AM)</em></p>
<p dir="auto">Has anyone seen Frankenheimer's 1966 film<br />
Seconds<br />
starring Rock Hudson? That was a movie that was truly ahead of its time. It also employs many of the same techniques (and also has several similar plot points) as<br />
The Manchurian Candidate<br />
:<br />
SEMI-SPOILERS BELOW (these don't give away the ending or premise of<br />
Seconds<br />
, but they do reveal certain scenes  so read at your own risk):</p>
<ul>
<li>both are filmed in black and white</li>
<li>both have an eerie and dark aura to them</li>
<li>both have a nightmarish dream sequence in which a person's actions are manipulated</li>
<li>both involve an organization with a rather sinister agenda</li>
<li>both feature inventive camera work and distinctive visual motifs; the camera angles are especially unconventional in<br />
Seconds</li>
<li>common theme: paranoia, being "handled" and "watched"<br />
END OF SEMI-SPOILERS<br />
Like<br />
TCM<br />
,<br />
Seconds<br />
is also based on a novel and is visually innovative in telling its story and creating an atmosphere.<br />
Seconds<br />
is even bolder and more cutting-edge than<br />
TCM<br />
in that regard. If you liked<br />
TCM<br />
, I recommend it.</li>
</ul>
]]></description><link>https://filmglance.com/discuss/topic/179754/frankenheimer-s-other-film-seconds</link><generator>RSS for Node</generator><lastBuildDate>Thu, 14 May 2026 20:40:47 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/179754.rss" rel="self" type="application/rss+xml"/><pubDate>Tue, 28 Apr 2026 07:16:02 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Frankenheimer&#x27;s other film, Seconds on Tue, 28 Apr 2026 07:16:07 GMT]]></title><description><![CDATA[<p dir="auto"><strong>steve-carrasco</strong> — <em>9 years ago(November 11, 2016 03:17 PM)</em></p>
<p dir="auto">I find it very difficult to watch.  I think it's an astounding film, but so bleak and depressingso sad.  I think maybe I equate Rock's character with himself and it's ultimately tragic.<br />
That said, I was certain that James Wong Howe was the cinematographer on both films - but it turns out, he was just DP on Seconds.  So, more credit to Frankenheimer for the visual style of both films - and being able to communicate that to his DP's.</p>
]]></description><link>https://filmglance.com/discuss/post/1509633</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1509633</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 28 Apr 2026 07:16:07 GMT</pubDate></item><item><title><![CDATA[Reply to Frankenheimer&#x27;s other film, Seconds on Tue, 28 Apr 2026 07:16:06 GMT]]></title><description><![CDATA[<p dir="auto"><strong>gorgsharpy</strong> — <em>12 years ago(August 14, 2013 04:28 PM)</em></p>
<p dir="auto">Both circle around questions of searching for identity/new identity.</p>
]]></description><link>https://filmglance.com/discuss/post/1509632</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1509632</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 28 Apr 2026 07:16:06 GMT</pubDate></item><item><title><![CDATA[Reply to Frankenheimer&#x27;s other film, Seconds on Tue, 28 Apr 2026 07:16:05 GMT]]></title><description><![CDATA[<p dir="auto"><strong>first-things-first</strong> — <em>12 years ago(July 27, 2013 04:08 AM)</em></p>
<p dir="auto">I own a copy of Seconds, and agree it is a great movie. And I realize today that I didn't have any sympathy for the protagonist. His actions at the end affect his friend.<br />
"as long as people can change, the world can change"</p>
]]></description><link>https://filmglance.com/discuss/post/1509631</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1509631</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 28 Apr 2026 07:16:05 GMT</pubDate></item><item><title><![CDATA[Reply to Frankenheimer&#x27;s other film, Seconds on Tue, 28 Apr 2026 07:16:04 GMT]]></title><description><![CDATA[<p dir="auto"><strong>ilpohirvonen</strong> — <em>13 years ago(June 25, 2012 08:57 AM)</em></p>
<p dir="auto">Yea it's really an amazing film. The way it portrays total dissatisfaction is something truly monumental. I also always loved the way how Frankenheimer carries out the social themes of TMC even further in Seconds  on the level of individual existence.</p>
]]></description><link>https://filmglance.com/discuss/post/1509630</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1509630</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 28 Apr 2026 07:16:04 GMT</pubDate></item><item><title><![CDATA[Reply to Frankenheimer&#x27;s other film, Seconds on Tue, 28 Apr 2026 07:16:03 GMT]]></title><description><![CDATA[<p dir="auto"><strong>franzkabuki</strong> — <em>13 years ago(June 19, 2012 06:20 PM)</em></p>
<p dir="auto">The first 40 minutes of Seconds in particular is one of the greatest stretches/acts in all of film history. Things go somewhat downhill from the moment Hudson appears.<br />
"facts are stupid things" - Ronald Reagan</p>
]]></description><link>https://filmglance.com/discuss/post/1509629</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1509629</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 28 Apr 2026 07:16:03 GMT</pubDate></item></channel></rss>