<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Curious use of lenses and shallow focus.]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — The Charge of the Light Brigade</em></p>
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<p dir="auto"><strong>Slime-3</strong> — <em>9 years ago(November 16, 2016 03:25 PM)</em></p>
<p dir="auto">Having not watched this film in probabaly 20 years I recorded it of a digial channel recently and at first thought it was a really bad print - several spaghetti westerns shown on the same channel have used abysmal murky prints - however the image quality suddenly improved once the action shifted frm England to the Crimea. I note on the trivia section here that this was intentional! I have to say I am all for directors and DPs trying something different but in this case the strange narrow/shallow focus in many early scenes just looks like really poor workmanship rather than.wellwhatever it was supposed to be like. The edges of the frame are often cloudy , distorted and out of focus. The scene with Venessa Redgrave and David Hemmings walking under a canal bridge is entirely blurred. I guess the drector was suggesting something, maybe a misty-eyed, dreamy view of a lost (pre war) England?<br />
The film was a notorious fiancial failure on release and I can't help wondering if this was part of the reason the public just didn't take to it. The first hour just looks badly shot.<br />
Any thoughts on this?</p>
]]></description><link>https://filmglance.com/discuss/topic/182026/curious-use-of-lenses-and-shallow-focus</link><generator>RSS for Node</generator><lastBuildDate>Fri, 15 May 2026 04:32:23 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/182026.rss" rel="self" type="application/rss+xml"/><pubDate>Tue, 28 Apr 2026 12:04:17 GMT</pubDate><ttl>60</ttl></channel></rss>