https://www.veed.io/view/c1affc63-d1e5-4c47-8f46-ddec9000cdeb?panel=&source=ai-studio
Can you see this?
Hrabak means greedy

My protagonist would usually be a young girl, and my protagonist would never be a quote-unquote "normal" individual. A perfect example of my typical protagonist: a detached, emotionless, hyper-intelligent, and sexually abused 11-year-old albino girl from a family of Georgian immigrants who begins filming suicides and posting them on the internet
Stuff like this you posted made my friend think you were a girl
Hrabak means greedy

Even the most hideous characters (like child molesters and serial killers) would be portrayed in a neutral manner as three-dimensional human beings.
🤨
Still trolling I see. Just don't pretend to be a jihadi supporter again and give them tips
Hrabak means greedy

I knew you. You didn't know me.
There was a friend of mine who thought you were a girl because of your avatar and was in love with you
Because you were so intelligent
Also, you can become a director. It's possible. Like Kubrick. You have the potential.
Hrabak means greedy

He doesn't know me. He is way more important than I m.
Hrabak means greedy

That’s Ben btw.

How long did you serve?

Yes, I have been out of prison for a while now. Are you someone who used to know me on IMDb?

Are you out of prison yet? Glad to see you
Hrabak means greedy

I would have to start making movies before I would know what works, but I wouldn't try to limit myself to any particular set of rules.

I wouldn't be a director.
Too much responsibility and I just don't have the intelligence or talent that would go with it.
Instead I would be one of the blue collars like a grip or best boy.
Actually I think it would be a lot of fun getting the props for a movie.
"Please vote to preserve the unique character of Warren…" - Robert Duvall

Probably #7, with a little bit of #4.
Bettah Buttah that toast.

You can do it. Try experimenting with AI made movies. But that's slop.
Hrabak means greedy

I would want my audience to be destroyed. Absolutely devastated. Too upset for icecream afterwards.
A little while ago, I wrote a detailed outline for my own attempt at creating the most disturbing film ever made - one that would not only far exceed every other "sickest movie ever made" in terms of on-screen depravity, but would also tell an emotionally devastating story filled with truly heartbreaking pathos. The reactions that it got from the very few people who read it (one of whom said that she couldn't even read all of it) told me that I did exactly what I set out to do. I wasn't aiming for
August Underground's Mordum
-style gorenography trash, stringing together a bunch of ridiculously over-the-top depravity at random so that teenagers can challenge each other to watch "da sickest movee evar!!11!1!". I was not aiming to create some juvenile Halloween party item. Rather, I was aiming to create a thoughtful, intelligent, and deeply upsetting film that forces viewers to confront the unspeakably horrific reality of the unspeakably horrific world that we live in and leaves them feeling like they need to crawl into a corner and die.
Most of the detailed film outlines that I've written revolve around similar characters and have many similar hallmarks, but some of them are far more benign.

Are we talking about horror movies or wot? Epic scores, twists, no happy endings.. I'd go for psychological attacks over jump scares as for me personally it is the only thing that destroys me when it comes to movies. Jump scares and creepy music are nothing in comparison to how a decent movie leaves you feeling once it's over. I would want my audience to be destroyed. Absolutely devastated. Too upset for icecream afterwards.

Every movie, no matter the genre would have a scene in which the protagonist randomly pulls down their pants and spreads their butthole for the camera.
Buttholes are never seen outside of pornographic movies so I want to pioneer their inclusion in mainstream cinema.
My password is password

1. Improvised script
2. Not much music. It's a cheap way to elicit an emotional response.
3. No color filters. Natural light when possible.
4. No CGI
5. Natural dialogue. Nothing too snappy. Mostly silence.
6. Normal looking people. No one above a 6, just like in real life.
7. Bleak atmosphere, just like in real life.
8. Mundane subject matter, like going to the store or cleaning a kitchen. Might lead somewhere, might not. You only know if you watch.
9. Short. Hour and a half tops.
   My password is password

You asked a pretty question; I've given you the ugly answer.
Fasten Your Seatbelts….
It's Going To Be A Bumpy Night!

She's already in them all. I'm just following the Hallmark tradition by keeping her included
Lockdown really was a nightmare in China
Call me ∑

Many of the great directors have used the same actors in a number their films.
Hitchcock, Scorsese, Altman come to mind….
You go right ahead and use the lovely Winnie in each and every one of your films!
You asked a pretty question; I've given you the ugly answer.
Fasten Your Seatbelts….
It's Going To Be A Bumpy Night!

With Winnie from THe Wonder Years in the lead Margo, that's an important part
Call me ∑

So basically, you want to make the same movie, different settings, over and over. Gotcha!
You asked a pretty question; I've given you the ugly answer.
Fasten Your Seatbelts….
It's Going To Be A Bumpy Night!

Those are the only ones I'd direct Margo
Well, maybe just the one with a rich successful American woman going to Europe for an important business trip just prior to her being married to that guy she doesn't quite love but knows it will please everyone back home. Only for…
…but just the one!
Call me ∑

If You Were a Director, What Would Be Your Hallmarks?
For starters, I'd never direct a Hallmark Christmas movie!
You asked a pretty question; I've given you the ugly answer.
Fasten Your Seatbelts….
It's Going To Be A Bumpy Night!