<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[film noirs i watched recently]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Film Noir</em></p>
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<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 31, 2025 07:30 PM)</em></p>
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<p dir="auto">Nightmare Alley<br />
(Edmund Goulding, 1947) 10/10 rewatch<br />
2.<br />
Gun Crazy<br />
aka<br />
Deadly Is the Female<br />
(Joseph H. Lewis, 1950) 10/10 rewatch<br />
3.<br />
In a Lonely Place<br />
(Nick Ray, 1950) 9/10 rewatch<br />
4.<br />
Hangover Square<br />
(John Brahm, 1945) 9/10 rewatch<br />
5.<br />
The Strange Love of Martha Ivers<br />
(Lewis Milestone, 1946) 8/10 rewatch<br />
6.<br />
The Sniper<br />
(Edward Dmytryk, 1952) 8/10<br />
7.<br />
The Sound of Fury<br />
(Cy Endfield, 1950) 8/10<br />
8.<br />
The Big Steal<br />
(Don Siegel, 1949) 8/10 rewatch<br />
9.<br />
Crossfire<br />
(Edward Dmytryk, 1947) 8/10 rewatch<br />
10.<br />
My Name Is Julia Ross<br />
(Joseph H. Lewis, 1945) 7/10<br />
11.<br />
The Verdict<br />
(Don Siegel, 1946) 7/10<br />
12.<br />
Repeat Performance<br />
(Alfred L. Werker, 1947) 7/10<br />
13.<br />
So Evil My Love<br />
(Lewis Allen, 1948) 6/!0<br />
14.<br />
Strange Impersonation<br />
(Anthony Mann, 1946) 6/10<br />
15.<br />
The Long Night<br />
(Anatole Litvak, 1947) 5/10<br />
16.<br />
The Arnelo Affair<br />
(Arch Oboler, 1947) 5/10<br />
film noirs i watched prior:<br />
<a href="https://www.filmboards.com/t/Film-Noir/all-the-film-noirs-i-watched-this-week-3585948/" rel="nofollow ugc">https://www.filmboards.com/t/Film-Noir/all-the-film-noirs-i-watched-this-week-3585948/</a><br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/topic/188963/film-noirs-i-watched-recently</link><generator>RSS for Node</generator><lastBuildDate>Thu, 14 May 2026 22:37:52 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/188963.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 29 Apr 2026 03:47:11 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to film noirs i watched recently on Wed, 29 Apr 2026 03:47:16 GMT]]></title><description><![CDATA[<p dir="auto"><strong>HollyJollyHanukka</strong> — <em>7 months ago(August 31, 2025 08:36 PM)</em></p>
<p dir="auto">Good group!<br />
Nightmare Ally was very good, Power played such a money hungry sleaze. Blondel was also very good in this. She had more talent than a lot of people give her credit for. Such good twists and the ending was very satisfying and no more than he deserved.<br />
I could take or leave Gun Crazy.<br />
In a Lonely Place was so tense. Nice buildup. Bogart didn’t look well in this, but it suited the role. Graham was always one of my favorites. She had a very sad death IRL.<br />
The Strange Loves of Martha Ives is one of my favorites. I’m a rabid Stanwyck fan, and the cast was fab in this. What an ending! A very young Douglas in a whimp role, so against what his later roles were. Also adore Heflin.<br />
The Big Steal …… I’ll watch anything with Mitchum. Not his best, though.<br />
Crossfire was very intense. Ryan was his barely contained boiling point self.<br />
If you can’t say something nice, say something clever but devastating.</p>
]]></description><link>https://filmglance.com/discuss/post/1585847</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585847</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:16 GMT</pubDate></item><item><title><![CDATA[Reply to film noirs i watched recently on Wed, 29 Apr 2026 03:47:15 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Paul P. Powell</strong> — <em>7 months ago(September 03, 2025 01:11 PM)</em></p>
<p dir="auto">Jean-Pierre Melville's "<br />
Bob le Flambeur<br />
"? You'd label that a "noir"?<br />
<a href="https://en.wikipedia.org/wiki/Bob_le_flambeur" rel="nofollow ugc">https://en.wikipedia.org/wiki/Bob_le_flambeur</a><br />
I'd consider it a candidate for<br />
(1) one of the best gambling movies ever; or<br />
(2) one of the best heist films ever; or<br />
(3) one of the best French films ever; or<br />
(4) one of the best crime films ever.<br />
Never heard anyone ever call it a noir<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/post/1585846</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585846</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:15 GMT</pubDate></item><item><title><![CDATA[Reply to film noirs i watched recently on Wed, 29 Apr 2026 03:47:14 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Teriyaki sauce</strong> — <em>7 months ago(August 31, 2025 07:57 PM)</em></p>
<p dir="auto">I watched Bob the Gambler (1956). 6/10.</p>
]]></description><link>https://filmglance.com/discuss/post/1585845</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585845</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:14 GMT</pubDate></item><item><title><![CDATA[Reply to film noirs i watched recently on Wed, 29 Apr 2026 03:47:13 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Paul P. Powell</strong> — <em>7 months ago(August 31, 2025 07:47 PM)</em></p>
<p dir="auto">Pretty impressive intake. I hope you gave yourself like, a month or so to digest all those titles.<br />
Again –purist that I am –I wouldn't designate every single one of these pictures a 'noir' but it's good all-around crime cinema just the same.<br />
Bravo.<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/post/1585844</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585844</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:13 GMT</pubDate></item><item><title><![CDATA[Reply to film noirs i watched recently on Wed, 29 Apr 2026 03:47:12 GMT]]></title><description><![CDATA[<p dir="auto"><strong>sheetsadam1</strong> — <em>7 months ago(August 31, 2025 07:40 PM)</em></p>
<p dir="auto">I'm considering reading the source novel for<br />
In a Lonely Place<br />
soon. I read<br />
The Expendable Man<br />
by the same author recently - published shortly after the film noir era and never adapted anyway - and I had mixed thoughts on it. The one moment of brilliance would be impossible to replicate on screen. So if I decide to read it, I'll definitely rewatch the film.<br />
Gun Crazy<br />
and<br />
Nightmare Alley<br />
are rated correctly. I'd probably reverse your ratings for<br />
The Big Steal<br />
and<br />
Crossfire<br />
. Neither are Robert Mitchum's best film noir, which would be<br />
The Night of the Hunter<br />
.<br />
"Praise be to Allah." - President Donald J. Trump, Easter Sunday 04/05/2026</p>
]]></description><link>https://filmglance.com/discuss/post/1585843</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585843</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:12 GMT</pubDate></item></channel></rss>