<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Abandoned (1949)]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Film Noir</em></p>
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<p dir="auto"><strong>FreeHugs</strong> — <em>1 year ago(August 17, 2024 11:24 PM)</em></p>
<p dir="auto">Abandoned (1949)<br />
An Act of Murder (1948)<br />
Bait (1954)<br />
The Boss (1956)<br />
The Fearmakers (1958)<br />
I Was a Shoplifter (1950)<br />
The Price of Fear (1956)<br />
Storm Fear (1955)<br />
The Square Jungle (1955)<br />
Tip on a Dead Jockey (1957)<br />
A Woman's Vengeance (1948)<br />
Women's Prison (1955)</p>
]]></description><link>https://filmglance.com/discuss/topic/188966/abandoned-1949</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 13:20:22 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/188966.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 29 Apr 2026 03:47:30 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:37 GMT]]></title><description><![CDATA[<p dir="auto"><strong>cryptoflovecraft</strong> — <em>7 months ago(August 27, 2025 12:22 PM)</em></p>
<p dir="auto">Heat Wave (1954)</p>
]]></description><link>https://filmglance.com/discuss/post/1585869</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585869</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:37 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Paul P. Powell</strong> — <em>7 months ago(August 27, 2025 11:12 AM)</em></p>
<p dir="auto">I appreciate that someone such as yourself went to the trouble of writing out his viewpoint on noir, and posted it on a webpage, and encourages others to an exchange of ideas. Commendable; laudable. Bravo to this approach.<br />
I myself happen to disagree –in a completely gentle, harmless way –with the theory of noir you set forth. There's utterly no rancor in my disagreement; no disrespect for your take on it. I just happen to believe in a 100% opposite angle towards the matter.<br />
I might yap about it here sometime. Still exploring the site since I'm new.<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/post/1585868</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585868</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:36 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:35 GMT]]></title><description><![CDATA[<p dir="auto"><strong>JohnnyBoy</strong> — <em>7 months ago(August 27, 2025 04:07 AM)</em></p>
<p dir="auto">See if you agree:<br />
<a href="https://thecineviewer.com/BestFilmsNoirs.html" rel="nofollow ugc">https://thecineviewer.com/BestFilmsNoirs.html</a><br />
For tons of movie reviews, 60+ genre lists, best of the year lists, and other content, check out:<br />
<a href="http://www.thecineviewer.com" rel="nofollow ugc">www.thecineviewer.com</a></p>
]]></description><link>https://filmglance.com/discuss/post/1585867</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585867</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:35 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:34 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Paul P. Powell</strong> — <em>7 months ago(August 27, 2025 03:20 AM)</em></p>
<p dir="auto">I'm a big fan of noir but I don't frequently watch them anymore. I dislike gambling on titles I'm not reasonably confident in. And –after a while exploring the field –"sure picks" get fewer and fewer.<br />
Nothing worse than a noir which is mishandled and botched.<br />
Therefore I tend to only tryout new titles based on solid recommendations from knowledgeable cronies –ones I trust –who are well-versed in the format.<br />
This past year: I sought out Zachary Scott in<br />
"Guilty Bystander<br />
". I was disappointed with it, but it was still a win to see Zach Scott as a sympathetic good guy.<br />
On the other paw, I took a risk on a Brit-Noir (Brits are so deft in the 40s-50s) and was supremely well-rewarded.<br />
I chose "<br />
Never Let Go<br />
". A young Richard Todd leads, and a young Peter Sellers is the villain. Simply phenomenal.<br />
One of the best noirs I've ever enjoyed.<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/post/1585866</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585866</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:34 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:33 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>1 year ago(February 09, 2025 05:47 AM)</em></p>
<p dir="auto">Force of Evil 1948<br />
Outrage 1950<br />
Ladies in Retirement 1941<br />
The Shanghai Gesture 1941<br />
Side Street 1949<br />
Fourteen Hours 1951<br />
Angels Over Broadway 1940<br />
I Was an Adventuress 1940<br />
Strange Alibi 1941<br />
Blues in the Night 1941<br />
Street of Chance 1942<br />
Moontide 1942<br />
Deadline at Dawn 1946<br />
They Won’t Believe Me 1947<br />
All My Sons 1948<br />
Impact 1949<br />
Moonrise 1948<br />
The Accused 1949<br />
Tension 1949<br />
Where Danger Lives 1950<br />
Undercover Girl 1950<br />
Never Trust a Gambler 1951<br />
The Bigamist 1953<br />
Girl on the Run 1953<br />
The Glass Wall 1953<br />
Pushover 1954<br />
Crashout 1955<br />
Violent Saturday 1955<br />
Teenage Doll 1957<br />
The Bonnie Parker Story 1958<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/1585865</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585865</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:33 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:32 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Paul P. Powell</strong> — <em>7 months ago(August 27, 2025 03:07 AM)</em></p>
<p dir="auto">DOA is hardly a lesser known noir. Good grief<br />
Paul P. Powell, Pool Player</p>
]]></description><link>https://filmglance.com/discuss/post/1585864</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585864</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:32 GMT</pubDate></item><item><title><![CDATA[Reply to Abandoned (1949) on Wed, 29 Apr 2026 03:47:31 GMT]]></title><description><![CDATA[<p dir="auto"><strong>nilbog_king</strong> — <em>1 year ago(February 09, 2025 05:34 AM)</em></p>
<p dir="auto">D.O.A<br />
Johnny O'Clock</p>
]]></description><link>https://filmglance.com/discuss/post/1585863</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1585863</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 03:47:31 GMT</pubDate></item></channel></rss>