<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[This message has been deleted.]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Meteor</em></p>
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<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/topic/192927/this-message-has-been-deleted</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 17:54:55 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/192927.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 29 Apr 2026 13:10:49 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to This message has been deleted. on Wed, 29 Apr 2026 13:10:50 GMT]]></title><description><![CDATA[<p dir="auto"><strong>LJ27</strong> — <em>12 years ago(October 05, 2013 09:28 AM)</em></p>
<p dir="auto">John Williams left.  He was not fired.  I've read speculation that if Williams starts to sense a movie he is on may flop, he leaves it.  Movie studio execs are pretty narrow minded and if your last movie was a flop, they blame everyone involved whether it was their fault or not.  John Williams is a very wise man and knows box office success means he gets hired more often. He was also "replaced" on THE SENTINEL (1977) by Gil Melle and there are probably a few others he bailed on, not that I blame him.</p>
]]></description><link>https://filmglance.com/discuss/post/1619669</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1619669</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 29 Apr 2026 13:10:50 GMT</pubDate></item></channel></rss>