<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Victims of circumstance and German expressionism]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Miami Vice</em></p>
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<p dir="auto"><strong>Peterlh</strong> — <em>9 years ago(September 19, 2016 01:19 PM)</em></p>
<p dir="auto">I just watched episode 16 of season 5 (Victims of circumstance) in which there are some scenes with an old paranoid man in a strange room.<br />
The scenography of this room strongly resembles that of German expressionism - particularly that of Das Cabinet des Dr. Caligari (1920).<br />
It seems to fit well with the mental state of the old man and the theme of the episode so surely this was done on purpose.<br />
Did any of you take note of this?</p>
]]></description><link>https://filmglance.com/discuss/topic/197777/victims-of-circumstance-and-german-expressionism</link><generator>RSS for Node</generator><lastBuildDate>Fri, 15 May 2026 01:23:08 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/197777.rss" rel="self" type="application/rss+xml"/><pubDate>Thu, 30 Apr 2026 02:06:27 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Victims of circumstance and German expressionism on Thu, 30 Apr 2026 02:06:31 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Peterlh</strong> — <em>9 years ago(January 29, 2017 06:38 AM)</em></p>
<p dir="auto">Ah yes, I remember that one.<br />
Not exactly my favorite episode, but then I am not a big fan of High Noon either. <img src="https://filmglance.com/discuss/assets/plugins/nodebb-plugin-emoji/emoji/android/1f642.png?v=8570fb93240" class="not-responsive emoji emoji-android emoji--slightly_smiling_face" style="height:23px;width:auto;vertical-align:middle" title=":-)" alt="🙂" /></p>
]]></description><link>https://filmglance.com/discuss/post/1664762</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1664762</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 02:06:31 GMT</pubDate></item><item><title><![CDATA[Reply to Victims of circumstance and German expressionism on Thu, 30 Apr 2026 02:06:30 GMT]]></title><description><![CDATA[<p dir="auto"><strong>catch_the_spindrift</strong> — <em>9 years ago(January 29, 2017 05:49 AM)</em></p>
<p dir="auto">Great stuff. I really appreciate the color/light/shadow information. I look forward to reading and looking into that a lot more. Very interesting concepts.<br />
Speaking of tributes, a season 3 episode that I clearly remember paying tribute to American Westerns was<br />
The Afternoon Plane (1987)<br />
. It was very reminiscent of<br />
Fred Zinnemann<br />
's<br />
High Noon (1952)<br />
.<br />
I see the works of gifted hands that grace this strange and wondrous land</p>
]]></description><link>https://filmglance.com/discuss/post/1664761</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1664761</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 02:06:30 GMT</pubDate></item><item><title><![CDATA[Reply to Victims of circumstance and German expressionism on Thu, 30 Apr 2026 02:06:29 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Peterlh</strong> — <em>9 years ago(January 29, 2017 12:11 AM)</em></p>
<p dir="auto">Thank you. Another tribute I really like is in an early episode (first half of first season I think), there are som G-men working on a case and cramping Sonny's style. Crockett would then occasionally hum theme of Dragnet as a foreboding when he saw them.<br />
In general I am very impressed with how much thought has been put into Miami Vice. It is great fun to pay attention to the use of color, light, and shadow. In the episodes of the Sonny Burnett arc, make sure you notice the how the color of Sonny's suit changes with his mindset!</p>
]]></description><link>https://filmglance.com/discuss/post/1664760</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1664760</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 02:06:29 GMT</pubDate></item><item><title><![CDATA[Reply to Victims of circumstance and German expressionism on Thu, 30 Apr 2026 02:06:28 GMT]]></title><description><![CDATA[<p dir="auto"><strong>catch_the_spindrift</strong> — <em>9 years ago(January 28, 2017 03:10 PM)</em></p>
<p dir="auto">Great post.<br />
That opening is definitely a tribute.<br />
Check out this image and compare it to that opening sequence with William Hickey:<br />
<a href="http://www.samefacts.com/wp-content/uploads/2012/08/cabinet-du-dr-caligari-03-g.jpg" rel="nofollow ugc">http://www.samefacts.com/wp-content/uploads/2012/08/cabinet-du-dr-caligari-03-g.jpg</a><br />
Again, great post!<br />
I see the works of gifted hands that grace this strange and wondrous land</p>
]]></description><link>https://filmglance.com/discuss/post/1664759</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1664759</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 02:06:28 GMT</pubDate></item></channel></rss>