<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[This doesn&#x27;t deserve the oscar]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — 'Round Midnight</em></p>
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<p dir="auto"><strong>AirKnight</strong> — <em>19 years ago(March 11, 2007 05:13 PM)</em></p>
<p dir="auto">They stole it from Morricone's Mission</p>
]]></description><link>https://filmglance.com/discuss/topic/201689/this-doesn-t-deserve-the-oscar</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 23:06:01 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/201689.rss" rel="self" type="application/rss+xml"/><pubDate>Thu, 30 Apr 2026 11:54:28 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:37 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Bluedusk</strong> — <em>14 years ago(September 11, 2011 07:05 AM)</em></p>
<p dir="auto">I agree with your comment. Many films have a great symphonic soundtrack written by great composers, and said composers will have other opportunities to win an Oscar for another great soundtrack. From Prokofiev to Hans Zimmer cinema has been served by a bunch of superb classical music composers.<br />
But here we're playing on another ground, it's a jazz soundtrack, and not just a jazzy one like in many other films. Apart from 'Round Midnight I can only think of Bird and The Naked Lunch as movies featuring such fine jazz music.<br />
So the academy decided they should give the Oscar to this score, because true jazz isn't used so often in cinema.</p>
]]></description><link>https://filmglance.com/discuss/post/1699243</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699243</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:37 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>michaeljbachman</strong> — <em>14 years ago(June 28, 2011 04:31 PM)</em></p>
<p dir="auto">It deserved to win the Oscar despite the outstanding score from The Mission. Herbie Hancock wrote a great score and the music fit the movie prefectly. He didn't play exacty in the Bud Powell style as the piano player in the movie, but then the movie wasn't centered on the piano player but the fictional sax player Dale Turner (who lived a life much like Bud did in Paris from 1959-64).</p>
]]></description><link>https://filmglance.com/discuss/post/1699242</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699242</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:36 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:35 GMT]]></title><description><![CDATA[<p dir="auto"><strong>som1950</strong> — <em>16 years ago(February 08, 2010 09:49 AM)</em></p>
<p dir="auto">Exactly right!</p>
]]></description><link>https://filmglance.com/discuss/post/1699241</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699241</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:35 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:34 GMT]]></title><description><![CDATA[<p dir="auto"><strong>pynkpanther</strong> — <em>17 years ago(February 28, 2009 04:53 PM)</em></p>
<p dir="auto">just the song "berangere" is enough to win for best soundtrack, let alone the entire soundtrack itself.</p>
]]></description><link>https://filmglance.com/discuss/post/1699240</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699240</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:34 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:33 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/post/1699239</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699239</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:33 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:32 GMT]]></title><description><![CDATA[<p dir="auto"><strong>psymonb</strong> — <em>17 years ago(June 21, 2008 05:59 AM)</em></p>
<p dir="auto">I'd never heard of this film before now.  I just wanted to see what film took the oscar from Morricone.  If it beat that, it ought to be the finest score in history.</p>
]]></description><link>https://filmglance.com/discuss/post/1699238</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699238</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:32 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:31 GMT]]></title><description><![CDATA[<p dir="auto"><strong>kaan8ndg</strong> — <em>17 years ago(June 18, 2008 02:03 PM)</em></p>
<p dir="auto">totally agree with you aka-ed .. sometimes donkeys and trolls like to talk smack about deserving awards .. get a pair of ears and quit complaining is what i say to them</p>
]]></description><link>https://filmglance.com/discuss/post/1699237</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699237</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:31 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:30 GMT]]></title><description><![CDATA[<p dir="auto"><strong>UncleBobMartin</strong> — <em>18 years ago(September 30, 2007 01:23 PM)</em></p>
<p dir="auto">The jazz players on this soundtrack are all strong improvisatory soloists, an entirely different kind of music than the usual "film score," and in no way comparable to Morricone or Goldsmith. Both of those men are genius composers and deserve their shelves-ful of nominations and awards. But, in recreating a momentous period of jazz history, Hancock created a unique jazz document with its own historical importance, that also fulfilled its purpose as film score damn-near-perfectly.</p>
]]></description><link>https://filmglance.com/discuss/post/1699236</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1699236</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Thu, 30 Apr 2026 11:54:30 GMT</pubDate></item><item><title><![CDATA[Reply to This doesn&#x27;t deserve the oscar on Thu, 30 Apr 2026 11:54:29 GMT]]></title><description><![CDATA[<p dir="auto"><strong>krazie835</strong> — <em>19 years ago(March 29, 2007 11:06 AM)</em></p>
<p dir="auto">You could also say they stole it from Jerry Goldsmith's Hoosiers. Both the Mission and Hoosiers had better scores than this movie but its nothing new.<br />
"Rejoice O young man in thy youth"</p>
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