<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[I love this film for many reasons, but one is the subtle direction and camera work.]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Tampopo</em></p>
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<p dir="auto"><strong>Crispin-3</strong> — <em>9 years ago(December 21, 2016 09:16 PM)</em></p>
<h1>I love this film for many reasons, but one is the subtle direction and camera work.<br />
===SPOILER===<br />
In the latish scene where Tampopo and Gor are sitting in a restaurant, Tampopo is trying to deepen the relationship while Gor is getting restless to move on.  Some of the scene is shot unusually with their backs to the camera.  Then a train goes by outside the window and Gor follows it with his eyes  the symbolism is subtle enough I only noticed it on a second viewing.</h1>
<h1>Tony</h1>
<p dir="auto">"<br />
Why, oh why, didn't I take the<br />
blue<br />
pill?<br />
"</p>
]]></description><link>https://filmglance.com/discuss/topic/203249/i-love-this-film-for-many-reasons-but-one-is-the-subtle-direction-and-camera-work</link><generator>RSS for Node</generator><lastBuildDate>Sat, 16 May 2026 06:51:30 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/203249.rss" rel="self" type="application/rss+xml"/><pubDate>Thu, 30 Apr 2026 16:05:20 GMT</pubDate><ttl>60</ttl></channel></rss>