<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Fantastic cinematography]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Cape Fear</em></p>
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<p dir="auto"><strong>PureedMonkeyBrains</strong> — <em>9 years ago(June 19, 2016 12:25 AM)</em></p>
<p dir="auto">I could watch this with the sound turned off and still enjoy it just for it's excellent camerawork. Loved the anamorphic lensing, the processing, the glossy look at times. And of course, it was shot by the master, Freddie Francis, R.I.P.</p>
]]></description><link>https://filmglance.com/discuss/topic/211149/fantastic-cinematography</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 18:49:59 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/211149.rss" rel="self" type="application/rss+xml"/><pubDate>Fri, 01 May 2026 10:45:59 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Fantastic cinematography on Fri, 01 May 2026 10:46:05 GMT]]></title><description><![CDATA[<p dir="auto"><strong>mec_os</strong> — <em>9 years ago(December 21, 2016 11:28 PM)</em></p>
<p dir="auto">me too. thought it was awful</p>
]]></description><link>https://filmglance.com/discuss/post/1775619</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1775619</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 10:46:05 GMT</pubDate></item><item><title><![CDATA[Reply to Fantastic cinematography on Fri, 01 May 2026 10:46:04 GMT]]></title><description><![CDATA[<p dir="auto"><strong>teri-jaye</strong> — <em>9 years ago(August 27, 2016 02:13 PM)</em></p>
<p dir="auto">I have the opposite opinion. It's so jarring and heavy handed. It makes you dizzy and it distracts from the characters when they're speaking. It's so overdone.</p>
]]></description><link>https://filmglance.com/discuss/post/1775618</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1775618</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 10:46:04 GMT</pubDate></item><item><title><![CDATA[Reply to Fantastic cinematography on Fri, 01 May 2026 10:46:03 GMT]]></title><description><![CDATA[<p dir="auto"><strong>clockworkorange13</strong> — <em>9 years ago(July 24, 2016 08:34 AM)</em></p>
<p dir="auto">Yeah it's incredible, one of the best aspects of the movie.  Even the first shot pulling away from the jail cell is amazing.</p>
]]></description><link>https://filmglance.com/discuss/post/1775617</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1775617</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 10:46:03 GMT</pubDate></item><item><title><![CDATA[Reply to Fantastic cinematography on Fri, 01 May 2026 10:46:02 GMT]]></title><description><![CDATA[<p dir="auto"><strong>No-Ghost-Zone</strong> — <em>9 years ago(July 10, 2016 02:21 PM)</em></p>
<p dir="auto">Came here to say the same thing. It's all techniques he's used before, only they're much more subdued in his other films. I feel like the constant tension and suspense allowed him to turn the camera into a character itself to help bridge the gap between the audience and characters. Fantastic stuff.</p>
]]></description><link>https://filmglance.com/discuss/post/1775616</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1775616</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 10:46:02 GMT</pubDate></item><item><title><![CDATA[Reply to Fantastic cinematography on Fri, 01 May 2026 10:46:01 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Abner_Kadabner</strong> — <em>9 years ago(July 02, 2016 12:49 PM)</em></p>
<p dir="auto">I may be the only person who feels this way but I find it very annoying. The best instance is when Nick Nolte is brushing his teeth while talking to his wife. I suppose one could praise it for the technical craftsmanship, but I do not want Nolte's face shoved into my face. I also don't like hand held cameras that swing in and out and around about. This certainly didn't look like a Scorsese film.<br />
Keeping people straight since 1958. No need to thank me - I already know you are grateful.</p>
]]></description><link>https://filmglance.com/discuss/post/1775615</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1775615</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 10:46:01 GMT</pubDate></item></channel></rss>