<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Damage]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Damage</em></p>
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<p dir="auto"><strong>TemporaryOne</strong> — <em>21 years ago(December 25, 2004 07:55 PM)</em></p>
<p dir="auto">The book and film of Damage is eternally linked to the book and films of Lolita. Damage and Lolita are fantastically brilliant.<br />
Damage and Lolita are about obsession, control, and raw, unrestrained, unleashed sex.<br />
Damage and Lolita are about crossing the line, knowing you can never turn back.<br />
Damage and Lolita are about losing control.<br />
Stephen (Damage) and Humbert (Lolita) are men who were never the men they were supposed to be until they meet the women who show them their true colors; they show them how to be men<br />
Damage and Lolita are about men with major responsibilites (father, husband, politician, professor, writer) who are more interested in their own psychologically oppressed sexual desires than in their desire to stay "socially acceptable". Sexual, passionate bliss offers more peace of mind than being "socially acceptable".<br />
Damage and Lolita give the Libido power<br />
Damage and Lolita tell us, that once we cross that line, we become unworthy, damaged, and deserve the punishment we get in the end.<br />
We burn in hell on earth (paraphrased from the novel of Lolita)<br />
We act like we hate the men for crossing those lines, but truthfully,  we understand, we sympathize, and we pray those men win in the end</p>
]]></description><link>https://filmglance.com/discuss/topic/213236/damage</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 16:48:15 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/213236.rss" rel="self" type="application/rss+xml"/><pubDate>Fri, 01 May 2026 15:41:05 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:12 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Freddyfan951</strong> — <em>9 years ago(July 27, 2016 06:00 PM)</em></p>
<p dir="auto">I wouldn't say the two are equally comparable. In Damage, the two are both damaged and fuel and prey on each other. In Lolita, Humbert damages and uses a child who did not want any of that. Even in psychologically unhealthy portrayals, consent still makes a difference regardless of acceptability.</p>
]]></description><link>https://filmglance.com/discuss/post/1791987</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1791987</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 15:41:12 GMT</pubDate></item><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:10 GMT]]></title><description><![CDATA[<p dir="auto"><strong>PoppyTransfusion</strong> — <em>14 years ago(January 04, 2012 08:15 AM)</em></p>
<p dir="auto">Reminds me of<br />
better to have died standing than live on one's knees<br />
.  Better to (sexually) love, even excessively and dangerously and be damaged as a result than never had that love at all.<br />
my vessel is magnificent and large and huge-ish</p>
]]></description><link>https://filmglance.com/discuss/post/1791986</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1791986</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 15:41:10 GMT</pubDate></item><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:09 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/post/1791985</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1791985</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 15:41:09 GMT</pubDate></item><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:08 GMT]]></title><description><![CDATA[<p dir="auto"><strong>pshelton-1</strong> — <em>21 years ago(February 17, 2005 08:07 PM)</em></p>
<p dir="auto">Losing everything, including Anna, for a few stolen hours of forbidden sex, does not effect "peace of mind."  Did you not watch Stephen curl up into a fetal crouch on the bed in his hotel room after watching Anna with his son?  That was hardly "bliss."  He had just "had" her himself.  It was torment.</p>
]]></description><link>https://filmglance.com/discuss/post/1791984</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1791984</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 15:41:08 GMT</pubDate></item><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:07 GMT]]></title><description><![CDATA[<p dir="auto"><strong>TemporaryOne</strong> — <em>21 years ago(February 07, 2005 11:19 PM)</em></p>
<p dir="auto">Stephen risked his life to engage in sexual bliss, because let's face it, sexual, passionate, bliss = peace of mind.<br />
He had a socially acceptable life - beautiful wife, successful son, brilliant career. And he Damaged everything for that Bliss.</p>
]]></description><link>https://filmglance.com/discuss/post/1791983</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1791983</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Fri, 01 May 2026 15:41:07 GMT</pubDate></item><item><title><![CDATA[Reply to Damage on Fri, 01 May 2026 15:41:06 GMT]]></title><description><![CDATA[<p dir="auto"><strong>pshelton-1</strong> — <em>21 years ago(January 22, 2005 07:28 AM)</em></p>
<p dir="auto">In no manner whatsoever, does obsession over <em>anything</em> ever bring "peace of mind."  Stephen lost his marriage, his job, his son, his way of life.  Does that sound "blissful" to you??</p>
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