<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Near the end with the solar eclipse coming on, the change in saturation, contrast and lighting effects was really impres]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Dolores Claiborne</em></p>
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<p dir="auto"><strong>Xumuon</strong> — <em>12 years ago(January 10, 2014 07:56 PM)</em></p>
<p dir="auto">Near the end with the solar eclipse coming on, the change in saturation, contrast and lighting effects was really impressive<br />
As if having such a strong story/plot with such mega performances wasn't enough, filmmakers like this put the modern crowd to shame, to shame.</p>
]]></description><link>https://filmglance.com/discuss/topic/217157/near-the-end-with-the-solar-eclipse-coming-on-the-change-in-saturation-contrast-and-lighting-effects-was-really-impres</link><generator>RSS for Node</generator><lastBuildDate>Sat, 16 May 2026 10:37:06 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/217157.rss" rel="self" type="application/rss+xml"/><pubDate>Sat, 02 May 2026 01:37:40 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Near the end with the solar eclipse coming on, the change in saturation, contrast and lighting effects was really impres on Sat, 02 May 2026 01:37:43 GMT]]></title><description><![CDATA[<p dir="auto"><strong>DingelBerry</strong> — <em>10 years ago(November 22, 2015 02:40 PM)</em></p>
<p dir="auto">The whole backyard scene was done on a Soundstage with a green wall.</p>
]]></description><link>https://filmglance.com/discuss/post/1824603</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1824603</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 01:37:43 GMT</pubDate></item><item><title><![CDATA[Reply to Near the end with the solar eclipse coming on, the change in saturation, contrast and lighting effects was really impres on Sat, 02 May 2026 01:37:42 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Butteoid</strong> — <em>12 years ago(March 21, 2014 06:16 PM)</em></p>
<p dir="auto">I agree. The Kodachrome on acid effect on the Maine coastline was about the only supernatural aspect of this Stephen King story, and a great backdrop for Joe's demise.<br />
It came close  and a film can only come close  to the experience of a total solar eclipse.</p>
]]></description><link>https://filmglance.com/discuss/post/1824602</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1824602</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 01:37:42 GMT</pubDate></item><item><title><![CDATA[Reply to Near the end with the solar eclipse coming on, the change in saturation, contrast and lighting effects was really impres on Sat, 02 May 2026 01:37:41 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
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