<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Symbolism and Metaphors…Help?]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Dead Man</em></p>
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<p dir="auto"><strong>vbcutie1012</strong> — <em>18 years ago(February 11, 2008 12:47 AM)</em></p>
<p dir="auto">Okay so i definitely got the gist of this moviethat he was dead from the beginning and the whole movie is his journey to the afterlifebut does anyone know or at least have an interpretation of some of the various metaphors and symbolism throughout?<br />
examples: tobacco, the creepy native american people in the woods that blake dreamed were there or something, the officer's head in the firewood after he's killed, some of the meaningful lines throughout, and anything else you can think of<br />
i REALLY liked this movie, so i just want to know some people's thoughts on the specifics, you know?</p>
]]></description><link>https://filmglance.com/discuss/topic/219272/symbolism-and-metaphors-help</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 15:23:55 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/219272.rss" rel="self" type="application/rss+xml"/><pubDate>Sat, 02 May 2026 06:48:19 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:48 GMT]]></title><description><![CDATA[<p dir="auto"><strong>saetyr</strong> — <em>12 years ago(July 23, 2013 10:48 PM)</em></p>
<p dir="auto">he is not dead from the beginning. he doesnt die until the end</p>
]]></description><link>https://filmglance.com/discuss/post/1841188</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841188</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:48 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>KenMishima</strong> — <em>9 years ago(May 29, 2016 12:35 AM)</em></p>
<p dir="auto">This. The final dialogues between Nobody and Blake were tongue-in-cheek. Blake was not spiritually unaware like he was earlier in the film at this point. He had already seen glimpses of the other side and even saw nature spirits at one point towards the end. The "You mean Cleveland?" line should've made it obvious that he was joking when he said he doesn't smoke, as he also would've known that form of tabacco was for chewing and not smoking.</p>
]]></description><link>https://filmglance.com/discuss/post/1841187</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841187</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:47 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:46 GMT]]></title><description><![CDATA[<p dir="auto"><strong>wam6571</strong> — <em>17 years ago(November 22, 2008 10:55 PM)</em></p>
<p dir="auto">I see that differently. In that departure scene Blake said "But I don't smoke" in an ironical manner. Just listen carefully to his voice and see his eyes while he's saying it. That line has been repeated several times before with a straight voice tone. Now it sounded different, like a joke between old friends who read each others' meanings. Like "I don't get it" said in the sense of "Now I understand."<br />
Let me also remind you of this: "William Blake, I am sending you back to the place you have come from." "You mean, Cleveland?"</p>
]]></description><link>https://filmglance.com/discuss/post/1841186</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841186</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:46 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:45 GMT]]></title><description><![CDATA[<p dir="auto"><strong>hbadra2885</strong> — <em>17 years ago(November 22, 2008 07:58 PM)</em></p>
<p dir="auto">I saw this movie recently and have found it simply amazing for the depth, composition of photography, script, great acting and a haunting, unforgettable score.<br />
I have also recently come across an interesting piece of trivia for this film, and have figured out one of the "inside jokes" of the movie.<br />
I came across a tobacco twist at a small grocery store in southern Louisiana and in fact, this form of tobacco is for chewing rather than smoking. The "tobacco joke" where William Blake keeps stating that he does not smoke when asked if he has some tobacco ties into his lack of understanding. It's simply one more thing that he doesn't grasp even as he prepares for death.</p>
]]></description><link>https://filmglance.com/discuss/post/1841185</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841185</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:45 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:44 GMT]]></title><description><![CDATA[<p dir="auto"><strong>alfamare2003</strong> — <em>9 years ago(June 23, 2016 11:08 PM)</em></p>
<p dir="auto">But if the sea is the ultimate symbol of chaos then wouldn't that be the polar opposite of "machine" and man, mechanization and industry?  Therefore it fits perfectly in the end..nature is randomness.</p>
]]></description><link>https://filmglance.com/discuss/post/1841184</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841184</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:44 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:42 GMT]]></title><description><![CDATA[<p dir="auto"><strong>kathuria-nimit</strong> — <em>17 years ago(September 17, 2008 08:05 AM)</em></p>
<p dir="auto">there seem to be quite a few people here who have read Dante's Divine Comedy, so can you please suggest a good translation for a novice like me (there is more than one translation at gutenberg, so couldn't make up my mind).<br />
Please help.</p>
]]></description><link>https://filmglance.com/discuss/post/1841183</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841183</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:42 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:41 GMT]]></title><description><![CDATA[<p dir="auto"><strong>mediocredave</strong> — <em>17 years ago(August 25, 2008 05:05 AM)</em></p>
<p dir="auto">Why do all the towns in western have such obviously symbolic names like Prospect, Tombstone and Machine?</p>
]]></description><link>https://filmglance.com/discuss/post/1841182</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841182</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:41 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:40 GMT]]></title><description><![CDATA[<p dir="auto"><strong>scot-herrigel</strong> — <em>17 years ago(June 15, 2008 01:09 PM)</em></p>
<p dir="auto">I would say that the movie is somewhat of a parallel to Dante's Divine Comedy, but with premises based more along the lines of William Blake's poetry and philosophy.  To begin with, the fact that Blake is taken to an industrial town, run by a man named Dickens, and called "Machine".  This is a reference to Blake's abhorrence of reason and system, which is symbolized most eloquently by the word machine, as well as possibly Dickens, in that his line of thought, as far as I know, was highly unimaginative; his books being centered mainly around industrial themes.  The Indian, on the other hand, represents the savage, primal, uninhibited and liberal energies that Blake equated with imagination.  All the bounty hunters and other like characters represent agents of the Machine, or reason, or, more broadly, generalization.  This fact is verified in the scene right before Blake and the Indian cross the river, wherein Blake shoots the preacher after the Indian quotes an extremely poignant Blake line about the true nature of Christ and the Devil.  Because Blake killed off the manifestations of the machine energy he was warranted a passage across the river and into the realm of the uninhibited primal energies, which in Blake's philosophy are highly synonymous with Paradise, (although, in the context of being considered a parallel to the Divine Comedy, this could also possibly be Purgatory).<br />
I guess the killing of the Indian by the final white bounty hunter in the end - and vice versa- is indicative of the fact that some sort of a unity has been attained, wherein the contrary elements of reason and imagination cancel each other out, (Blake would refer to this as a return to the state of Albion, or the wholeness of an un-fallen man).<br />
The fact that in the final scene Blake is carried out into a sea does not really add up with Blakean symbolism, though, because the sea, to Blake,symbolized the epitome of chaos - which is not really what this scene refers to.  As such, I guess it will have to be concluded that the movie can be simultaneously interpreted under different contexts, and that this final scene could then possibly be the casting off from the solid ground of the self and entering into the mysterious realm of "the home of the spirits," (I would say that this correlates to Native American spirituality, which also reconciles the need for the tobacco with the story line in general).</p>
]]></description><link>https://filmglance.com/discuss/post/1841181</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841181</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:40 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:39 GMT]]></title><description><![CDATA[<p dir="auto"><strong>trinity-destler</strong> — <em>17 years ago(October 26, 2008 08:39 PM)</em></p>
<p dir="auto">I think I read that Johnny Depp's grandmother was Cree. From the look of him, you'd think he had more native blood than that.<br />
"It's that kind of idiocy that I empathize with." ~David Bowie</p>
]]></description><link>https://filmglance.com/discuss/post/1841180</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841180</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:39 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:38 GMT]]></title><description><![CDATA[<p dir="auto"><strong>julitrotter</strong> — <em>17 years ago(May 30, 2008 08:23 PM)</em></p>
<p dir="auto">I am cherokee indian and agree with most every comment you have received thus far.  I am slso a Production Designer and need to get in touch with Robert Ziembicki to give him props on his ART!  He is brilliant, so is the Director and Director of Photograpy!  PROPS to all of those plus sound and sound designer!!!<br />
Spiritualism comes in many forms and from the comments I have just read, everyone as a whole has hit the nail on the haed!  Indian spirits, animals such as bears, deers, eagles, crows, etc. all have special powers in the spiritual realm and beliefs of the indians for centuries.  Each have a different power and can lead you (depending on who you are at birth to believe your animal spirit guide will be) into the afterlife.<br />
On a lighter note, I think Johnny Depp is hot and believe he also has some Cherokee Indian blood in him!<br />
Oh, and check out the indie "Cigarettes" (I think was the title, with Iggy Pop, etc)  I kinda sucked for me, but had some great symbolism, I hopelol</p>
]]></description><link>https://filmglance.com/discuss/post/1841179</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841179</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:38 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:37 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/post/1841178</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841178</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:37 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>cioransdaman</strong> — <em>17 years ago(March 06, 2009 03:42 PM)</em></p>
<p dir="auto">Buddhist monks don't wish someone to reincarnate. Through their chants, they're rather trying to guide the soul to Nirvana.</p>
<pre><code>I like to watch.</code></pre>
]]></description><link>https://filmglance.com/discuss/post/1841177</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841177</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:36 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:34 GMT]]></title><description><![CDATA[<p dir="auto"><strong>gogolit</strong> — <em>17 years ago(March 06, 2009 03:10 PM)</em></p>
<p dir="auto">the tibetan book of the dead also says that you are guided thru the "purgatory" stage by someone.  Monks sit and chant at the bed of recently deceased to help them thru the path to re-incarnation.</p>
]]></description><link>https://filmglance.com/discuss/post/1841176</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841176</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:34 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:33 GMT]]></title><description><![CDATA[<p dir="auto"><strong>hilarylarson</strong> — <em>17 years ago(October 12, 2008 04:54 PM)</em></p>
<p dir="auto">Don't be such a smart ass. If you'd watched the entire movie, you would know that he DOES say "But I don't smoke" as the boat is pushed off into the water.<br />
HA.</p>
]]></description><link>https://filmglance.com/discuss/post/1841175</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841175</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:33 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:32 GMT]]></title><description><![CDATA[<p dir="auto"><strong>benga500</strong> — <em>17 years ago(May 26, 2008 05:11 PM)</em></p>
<p dir="auto">No he doesnt, he says to Nobody "I found some tobacco" to which Nobody says "its for you" he doesnt reply, then he pushes the boat out.</p>
]]></description><link>https://filmglance.com/discuss/post/1841174</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841174</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:32 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:31 GMT]]></title><description><![CDATA[<p dir="auto"><strong>jswiggum</strong> — <em>18 years ago(April 03, 2008 06:43 AM)</em></p>
<p dir="auto">Tobacco is concidered sacred to most indian tribes.  It is often burned as an offering to the spirits.  When Nobody is constantly asking him if he has tobacco, he is wondering if he has his sacrifice for the spirits, if he is ready for his trip.<br />
In the end Nobody tells him that the tobacco is for William Blakes trip, but William responds "but I don't smoke" somewhat signifying that the "stupid white man" still doesn't get it.<br />
-j-</p>
]]></description><link>https://filmglance.com/discuss/post/1841173</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841173</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:31 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:30 GMT]]></title><description><![CDATA[<p dir="auto"><strong>wam6571</strong> — <em>17 years ago(February 03, 2009 09:28 AM)</em></p>
<p dir="auto">checking for misspellings on google?? but google is itself a misspelling</p>
]]></description><link>https://filmglance.com/discuss/post/1841172</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841172</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:30 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:29 GMT]]></title><description><![CDATA[<p dir="auto"><strong>skeleton_monkeys</strong> — <em>17 years ago(February 03, 2009 03:10 AM)</em></p>
<p dir="auto">kudos for the detailed response, but i have to say i find it funny you could produce that and then misspell the word physical. then again i did have to google the word misspell to check the correct spelling</p>
]]></description><link>https://filmglance.com/discuss/post/1841171</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841171</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:29 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:28 GMT]]></title><description><![CDATA[<p dir="auto"><strong>joemomma337</strong> — <em>17 years ago(May 14, 2008 04:54 AM)</em></p>
<p dir="auto">Dead man was good, but I have to say every one of those movies you mentioned were better.  Very good comparisons though.</p>
]]></description><link>https://filmglance.com/discuss/post/1841170</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841170</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:28 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:27 GMT]]></title><description><![CDATA[<p dir="auto"><strong>cataliar</strong> — <em>14 years ago(December 10, 2011 07:18 PM)</em></p>
<p dir="auto">3 years later<br />
I liked the Ciardi translation, although some criticize it. He uses translations that help preserve the rhyming scheme in English and some feel that causes the translations to not be as accurate as possible. However, he also offers helpful footnotes throughout.</p>
]]></description><link>https://filmglance.com/discuss/post/1841169</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841169</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:27 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:26 GMT]]></title><description><![CDATA[<p dir="auto"><strong>kathuria-nimit</strong> — <em>17 years ago(September 17, 2008 07:37 AM)</em></p>
<p dir="auto">i found quite a few translations of Divine Comedy on gutenberg. Is there any particular one you would suggest? Please help.</p>
]]></description><link>https://filmglance.com/discuss/post/1841168</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841168</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:26 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:25 GMT]]></title><description><![CDATA[<p dir="auto"><strong>gonza-peralta</strong> — <em>10 years ago(November 28, 2015 10:25 PM)</em></p>
<p dir="auto">It's not an opera though. Tecnically, it's a poem</p>
]]></description><link>https://filmglance.com/discuss/post/1841167</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841167</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:25 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:24 GMT]]></title><description><![CDATA[<p dir="auto"><strong>alessiomedda</strong> — <em>17 years ago(May 19, 2008 09:00 PM)</em></p>
<p dir="auto">Maybe you haven't read The Divine Comedy in the original language. The Italian that Dante uses may have been easy when Dante wrote the opera, but now requires interpretation and a good amount of study. In Italy it is first studied in high school, and it takes three years for the students to go trough Inferno, Purgatorio and Paradiso. If then the student decides to engage in classic studies, there usually is a 6 month in depth university course for each part of the opera. In the Divina Commedia nothing is what is looks like, and without the proper historic background it is impossible to grasp.<br />
I have seen many English version and the translations are so much easier.</p>
]]></description><link>https://filmglance.com/discuss/post/1841166</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1841166</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sat, 02 May 2026 06:48:24 GMT</pubDate></item><item><title><![CDATA[Reply to Symbolism and Metaphors…Help? on Sat, 02 May 2026 06:48:23 GMT]]></title><description><![CDATA[<p dir="auto"><strong>theconservativeliberal</strong> — <em>17 years ago(April 20, 2008 04:44 AM)</em></p>
<p dir="auto">inferno hard to read? you must be a 6th grader. dante is popular because he's dead easy to read and interpret. the link from dead man to the divine comedy is so easy to get. william blake illustrated a lot of the comedy,</p>
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