<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Absolute Best part of the movie]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Hannibal</em></p>
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<p dir="auto"><strong>TerryRome01</strong> — <em>9 years ago(August 30, 2016 09:05 PM)</em></p>
<p dir="auto">For me it was Hans Zimmer's surprising and brilliant score. Who would have expected to hear that rousing, solemn choral music to this kind of a genre film? It instantly elevated the entire enterprise, adding class, expanded its vision and anchored the emotional core. It remains, to this day, one of the absolute best and the most original and ambitious  film scores I'd ever witnessed.</p>
]]></description><link>https://filmglance.com/discuss/topic/231125/absolute-best-part-of-the-movie</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 16:36:59 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/231125.rss" rel="self" type="application/rss+xml"/><pubDate>Sun, 03 May 2026 12:35:05 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Absolute Best part of the movie on Sun, 03 May 2026 12:35:10 GMT]]></title><description><![CDATA[<p dir="auto"><strong>elberfeld-844-499609</strong> — <em>9 years ago(January 25, 2017 07:16 AM)</em></p>
<p dir="auto">The best parts were the views of Florence. I've visited that city, and it was great seeing it again in this movie, seeing all those beautiful buildings again.<br />
All right, the fun is over when Lector leaves the city, and I had to ignore the gory deaths, but during the best parts, you really see the beauty of that city.<br />
For another movie of similar quality, I'd recommend "<br />
In Bruges (2008)<br />
."</p>
]]></description><link>https://filmglance.com/discuss/post/1935449</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1935449</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 03 May 2026 12:35:10 GMT</pubDate></item><item><title><![CDATA[Reply to Absolute Best part of the movie on Sun, 03 May 2026 12:35:09 GMT]]></title><description><![CDATA[<p dir="auto"><strong>try_and_stop_me</strong> — <em>9 years ago(October 26, 2016 08:16 PM)</em></p>
<p dir="auto">I agree wholeheartedly. My sister and I always say how wonderful this film is and how significant the soundtrack is. Thanks for posting!</p>
]]></description><link>https://filmglance.com/discuss/post/1935448</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1935448</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 03 May 2026 12:35:09 GMT</pubDate></item><item><title><![CDATA[Reply to Absolute Best part of the movie on Sun, 03 May 2026 12:35:08 GMT]]></title><description><![CDATA[<p dir="auto"><strong>TerryRome01</strong> — <em>9 years ago(October 01, 2016 10:22 AM)</em></p>
<p dir="auto">Yes!<br />
And how brilliant wad this soundtrack really? From the very beginning, with 'Dear Clarice' and 'Avarice' we are treated to this modern masterpiece. And by the very end, with the soaring 'Virtue', 'Let My Home Be My Gallows', 'The Burning Heart' and 'To Every Captive Soul', it turns into the full symphonic movement. And, of course, the jewel of the entire soundtrack, 'Vide Cor Meum', which was smart of Hans to borrow for the film!</p>
]]></description><link>https://filmglance.com/discuss/post/1935447</link><guid isPermaLink="true">https://filmglance.com/discuss/post/1935447</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 03 May 2026 12:35:08 GMT</pubDate></item><item><title><![CDATA[Reply to Absolute Best part of the movie on Sun, 03 May 2026 12:35:07 GMT]]></title><description><![CDATA[<p dir="auto"><strong>gottaluvafriend</strong> — <em>9 years ago(October 01, 2016 10:14 AM)</em></p>
<p dir="auto">The music in<br />
Hannibal<br />
is a major contributor to the movie's beauty. I think<br />
Hannibal<br />
atypical in how its music and cinematography work hand-in-hand to help achieve a classical work of art. Ridley Scott is an artist; he had a beautiful vision for Hannibal which he and his staff succeeded in putting on screen.</p>
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