<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[This flick is kinda mixture between…]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Don't Say a Word</em></p>
<hr />
<p dir="auto"><strong>OrwellHuxley</strong> — <em>12 years ago(September 29, 2013 04:36 PM)</em></p>
<p dir="auto">two of Hitchcock's greatest movies:<br />
Rear Window (1954) &amp; The Man Who Knew Too Much (1956), but each gets reflected vice versa: It's the villains who are watching the bed-stricken mom, and it's the daughter who is singing a song, so that mom would know where the villains are holding her captive. Despite all "flaws", mentioned by other users, it's a highly entertaining movie.</p>
]]></description><link>https://filmglance.com/discuss/topic/233552/this-flick-is-kinda-mixture-between</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 13:07:40 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/233552.rss" rel="self" type="application/rss+xml"/><pubDate>Sun, 03 May 2026 18:41:09 GMT</pubDate><ttl>60</ttl></channel></rss>