<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[The abrupt endin…]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Hatchet II</em></p>
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<p dir="auto"><strong>themole-3</strong> — <em>12 years ago(July 09, 2013 05:32 AM)</em></p>
<p dir="auto">As a lifetime fan of horror movies I really appreiacte every attempt to give things new little nuances.<br />
Having watched HATCHET 1 and 2 in a row it struck me that both films have their final shots "trimmed" as if we are just cut off from the movie.<br />
Not totally new, I know, but it was an obvious stylistic device chosen by the director.<br />
Anyway it does not work at all to me!<br />
A brilliant example of this trick is the ending of the original TEXAS CHAINSAW MASSACRE - and after decades of repeated watching I still feel totally exhausted when the credits start rolling.<br />
In the sudden silence I feel my heart start beating again and my breath returns.<br />
In HATCHET it just leaves me with an annoyed sort of confusion.<br />
In a coitus interruptus sort of way I think:<br />
"Oh, weren't we supposed to? And now it's Oh never mind!"<br />
Don't get me wrong, I appreciate that the ending is NOT the worn out "It's still alive!" effect.<br />
But I'm surprised that it was done the way it is.<br />
How do others feel?</p>
]]></description><link>https://filmglance.com/discuss/topic/248455/the-abrupt-endin</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 12:57:03 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/248455.rss" rel="self" type="application/rss+xml"/><pubDate>Tue, 05 May 2026 17:23:42 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to The abrupt endin… on Tue, 05 May 2026 17:23:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>themole-3</strong> — <em>12 years ago(July 12, 2013 01:36 PM)</em></p>
<p dir="auto">Thanks for the links!<br />
Sorry, but I can't express it any clearer.<br />
I'm talking about the<br />
technical<br />
aspect of the exact second or frame that the film is cut - NOT any story aspect!<br />
Optics and sound</p>
<ul>
<li>not story or plot, okay?<br />
Your links make it very clear:<br />
TCM shows Leatherface whirling around like a lonely and crazy God for a felt eternity while the soundtracks fills up with nothing but chainsaw.<br />
The cut comes as the chainsaw swings back towards the camera - and the effect is amazing (if you sit there to wait for the credits to roll, that is) since for a second I feel like I have died.<br />
In the 6 seconds of footage in HATCHET we have 4 different cuts and 3 persons more or less interacting, until the scene goes blank.<br />
My attention is too awake and there is still too much going on for me to "appreciate" the cut.<br />
To me it looks like somebody just turned off the TV set before it was over - and I feel cheated for any sort of impact.<br />
It wouldn't have struck me if HATCHET 2 had not done the same thing.</li>
</ul>
]]></description><link>https://filmglance.com/discuss/post/2091180</link><guid isPermaLink="true">https://filmglance.com/discuss/post/2091180</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 05 May 2026 17:23:47 GMT</pubDate></item><item><title><![CDATA[Reply to The abrupt endin… on Tue, 05 May 2026 17:23:46 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
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]]></description><link>https://filmglance.com/discuss/post/2091179</link><guid isPermaLink="true">https://filmglance.com/discuss/post/2091179</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 05 May 2026 17:23:46 GMT</pubDate></item><item><title><![CDATA[Reply to The abrupt endin… on Tue, 05 May 2026 17:23:44 GMT]]></title><description><![CDATA[<p dir="auto"><strong>themole-3</strong> — <em>12 years ago(July 12, 2013 02:15 AM)</em></p>
<p dir="auto">Oh, just to make it clear:<br />
I don't mind the open ending in the storyline-way.<br />
And you could turn both films into one neat fan-edit without any problem.<br />
What I'm irritated by is the technical "cut" of the shot.<br />
It's like listening to a song with an abrupt ending - but it ends on the wrong note or beat.<br />
As I said HATCHET seems to try something like TEXAS CHAINSAW MASSACRE but the effect here is anti-climactic.</p>
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