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You're failing to understand the purpose of the film as a discourse. The film does not exist to entertain you, no matter the fact 90% of Hollywood production aims to do exactly that. The film also exists to speak of the truth - the one it provides and the one you yourself discover. If in this particular film this particular scene hit you, then the film fulfilled its outmost purpose.

Me too. I was glued to the screen throughout. Couldn't look away.

To resort to the consensus betrays a lack of confidence in your own opinion. What does a consensus vote matter to your own personal view of the film? Do your own views never differ from the consensus?
Besides which, a score of 6.6 / 10 would indicate that more people liked the film than did not.

No. The rating is what it is because the film is polarizing, which clearly can be seen from the comments and your discussions.

Exactly! Snobs are everywhere

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i freely admit that i didn't get everything in this movie but (oddly enough) i still ended up loving it. i agree 100% numerous times it just seems aimless (sort of) and meandering but the movie haunted me for about 2 weeks after i had seen it. it takes a LOT for me to be moved/shaken by a film. i think the last movie to do that (in a good way! LOL) was maybe MARTYRS? the last movie to movie me in an unfavorable way was A SERBIAN FILM (even though i think it's a well made film and i freaking LOVED the devastating ending).
but yeah, no big deal. we all like different things. bluesdoctor, 4 of my friends (all come from different walks of life, different ages, jobs, nationality etc) either didn't like the movie or found it so (these are not my wordsi'm quoting them. lol) "mind-numbingly boring" that they turned it off.
different strokes.

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Honestly, a 6.6 on IMDB for a film as divisive as this is pretty good on IMDB. Obviously mainstream viewers will despise this film. Those more open-minded with a better appreciation for film are the ones who will love this. It's only made for a small group of moviegoers, IMO. Most won't get it. Regardless it will be talked about and debated for years to come. I'm sure it will be shown in film classes too.
VERONICA MARS MOVIE - https://www.facebook.com/TheVeronicaMarsMovie?fref=ts

Well, we'll all pick and choose which reviews suit us best I suppose. Rotten tomatoes and IMDB are probably the most mainstream, I think Rotten Tomatoes is a little more reliable out of the two, but that's because users tend to rate movies low for ridiculous reasons. I guarantee just by reading threads here that a lot of people rated the movie low because of disturbing beep like that baby on the beach, or the dark ending, or simply because they didn't understand it.(Not beep on them btw, it has a lot of open ended scenes.)
Point is the reviews are generally positive, with mixed being the lowest, not really a good reference for the quality of the film, it can go either way depending on the person at that point.

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The critic reviews are higher, not that critics are law, but their opinions come from a better understanding, and generally less emotional and unreliable.
When it comes to the test of time the critic reviews matter more.

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I know I was. I was fascinated. Wondering what she would do next.
VERONICA MARS MOVIE - https://www.facebook.com/TheVeronicaMarsMovie?fref=ts

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This movie is not at all about rooting for the lead character. The lead character is fascinating precisely because we're not rooting, we're waiting to see what she does next. In a way, she is studying humanity, and in turn we are simply studying her. It's not as simple as caring or not caring about the protagonist in this film.

not really. It isn't a requirement that the main character be good, they just have to be interesting.
This. People need to stop thinking that overreacting to any scene in fiction, makes them a good person in real life.

Anyone who has ever read any spoilers,
knows that
Winter Is Coming

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bluesdoctor I'm liking you more and more!

Tormenting or killing off a baby is a no-no, even off screen.
Says you. This is a work of FICTION and to try and control what an artistic medium can and cannot contain is RIDICULOUS!
If you're so sensitive, that a scene in a film can have this effect on you, while knowing for a FACT it's a film You have to take it upon yourself to better control what it is you see. Look deeper into what it is you might watch, just in case.
We've met before, haven't we?

Name me one mainstream, commercial film, like this one, which violates this rule of sympathy for the character(s). Without a sympathetic connection between the audience and the character(s) there is no commercial film.
Why is it important that the example must be from a "mainstream, commercial" film, as you put it?
I doubt very much you're familiar with the films of Bresson, Parajzhanov, Pasolini, or Bruno Dumont, i.e., abstract, noncommercial art films, which sometimes violate or ignore this rule on purpose. This is NOT one of those films. It is clearly intended for mainstream, commercial distribution.
What is it about
Under the Skin
that leads you to believe it's intended to be viewed as a "mainstream, commercial" film?
On the contrary, I would say that the makers of
Under the Skin
were all too aware that it was likely to be a polarising movie that would not necessarily achieve broader mainstream acceptance. If the aim was to achieve as much mainstream acceptance as possible, then almost certainly, the approach to the movie would've been very different than it was.
Naturally, the movie was still "commercially distributed". Without commercial distribution, film making would effectively cease to exist in any meaningful form. There would only be zero-budget fan enthusiast movies and shorts. Even directors working strictly in the field of so-called "arthouse" fare still seek commercial distribution for their movies, as this is the only way for them to sustain a career and continue to make movies.

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