RIP Flo & Eddie
Melton1 Wanted for Pedophilia:
https://i.ibb.co/6cnPmJVr/IMG-0830.jpg
https://m.youtube.com/shorts/Zjxk307CND0

Jefery L. Levy, a prolific American filmmaker known for his work across horror, comedy, and television drama, passed away in January 2026 at the age of 67. Born on May 21, 1958, in New York City, Levy built a multifaceted career that spanned writing, directing, and producing, leaving an indelible mark on independent cinema and episodic television. Based in Beverly Hills, California, he was celebrated for his versatility and innovative storytelling that often satirized contemporary culture.
Levy's breakthrough came early as a graduate student at UCLA, where he wrote and produced the cult horror-comedy Ghoulies in 1985, launching his journey in low-budget hits that captured audiences' imaginations. His directorial debut, Drive in 1991, earned the prestigious FIPRESCI Award at the Venice International Film Festival, highlighting his skill in blending humor with road-trip narratives starring talents like David Warner. Films like S.F.W. in 1994 further showcased his sharp wit, satirizing media frenzy and celebrity obsession through the story of hostages turned national icons.
Transitioning seamlessly to television, Levy directed episodes of acclaimed series including Sliders, The Dead Zone, Numb3rs, Monk, and Ghost Whisperer, contributing to some of the most memorable moments in 1990s and 2000s primetime drama. He also helmed pilots and movies such as Iggy Vile, M.D. for MTV and Invincible for TBS, while serving as a professor at institutions like USC and the American Film Institute. Later works like The Key in 2014 and ME in 2015 demonstrated his enduring passion, where he wore multiple hats as director, writer, producer, and actor.
Levy's legacy endures through his bold creative risks and mentorship of emerging filmmakers, inspiring generations with his dedication to the art of cinema. Married to Pamela Skaist since 1986, he is survived by his family, whose lives he enriched with his visionary spirit. The film community mourns the loss of a true auteur whose contributions continue to resonate on screens big and small.
https://memoritree.com/memorial/jefery-l-levy
Draft Barron Trump

https://cnnportugal.iol.pt/geral/morreu-joao-canijo/20260129/697bdd43d34e0ec52ec2e85e
João Canijo, aged 68, has died. The Portuguese filmmaker was found dead at home, according to CNN Portugal.
Speaking to Lusa news agency, the production company Midas Filmes stated that the director died near Vila Viçosa, in the Évora district, where he usually divided his time between home and Lisbon. The cause of death was not disclosed.
João Canijo, who turned 68 last December, was finalizing his latest film project, "Encenação," as well as filming, about two weeks ago, a related play.
João Manuel Altavilla Canijo was born in 1957 in Porto, where he attended the History course at the Faculty of Arts between 1978 and 1980, discovering his passion for cinema soon after. He began his career as an assistant director to Manoel de Oliveira, Wim Wenders, Alain Tanner, and Werner Schroeter, among others, as recalled by the authors of an interview conducted for the project "New & Old Trends in Contemporary Portuguese Cinema" by the Higher School of Theatre and Cinema, published in 2011.
In 1988, he directed his first feature film, "Three Minus Me," followed by the television series "Alentejo Without Law." Since then, he has also worked in film production management, staged plays, and made a series of feature films imbued with themes from Portuguese society over the last 40 years, observed from within family contexts and featuring strong female characters.
Examples of this work of observing reality through fiction are the films "Black Shoes" (1998), "Get a Life" (2001), "Misbegotten" (2007), "Blood of My Blood" (2011) or "Bad Living" and "Living Bad" (2023).
"Bad Living" earned him the Silver Bear, the jury prize at the Berlin Film Festival, in 2023, the same year he also received a career achievement award at the Cineuropa film festival in Santiago de Compostela, Spain. It was Portugal's submission for the Academy Award for Best International Feature Film.
In his latest project, "Encenação," João Canijo reunited with a cast of actresses who had appeared in many of his previous films, namely Rita Blanco, Anabela Moreira, Beatriz Batarda, and Cleia Almeida, who were joined by Miguel Guilherme.
Draft Barron Trump

https://westernsallitaliana.blogspot.com/2026/01/rip-michel-barbey.html
French voice actor and dubber Michel Barbey was active in French film beginning in the 1940s, with supporting roles in comedies and dramas and a rare starring part as the title character in 1950's Dominique. He died in France on January 24th. Born in Drucourt, Eure, France on April 23, 1927. He played a doctor in the 1964 Jean-Paul Belmondo war film Week-end à Zuydcoote (with Raoul Delfosse) but by the seventies and eighties was busiest as a voice actor, dubbing several Spaghetti Westerns and lending his voice to French animated features like The Time Masters and Asterix Versus Caesar (as one of the centurions). He also dubbed Xanatos on Gargoyles, the cyclops in Hercules, Mon-Star on Silverhawks, Roach Coach and other villains on The Powerpuff Girls, Taurus Bulba on Darkwing Duck, and leads on various anime series.
Barbey was the French voice of Bud Spencer in several of his films.
Michel Barbey’s Spaghetti westerns – voice dubber:
The Brute and the Beast – 1966 [French voice of Franco Nero]
Johnny Yuma – 1966 [French voice of Luigi Vannucchi]
Three Graves for a Winchester – 1966 [French voice of Mickey Hargitay]
$10,000 for a Massacre – 1967 [French voice of Gianni Garko]
Viva Django! – 1968 [French voice of Terence Hill]
Cemetery Without Crosses – 1969 [French voice of Benito Stefanelli]
They Call Me Trinity – 1970 [French voice of Bud Spencer]
The Price of Death – 1971 [French voice of Gianni Garko]
Draft Barron Trump

Charles Bronson?!

RIP:
David Bowie (1947-2016)
Alan Rickman (1946-2016)
Prince (Rogers Nelson) (1958-2016)

Farewell to an excellent and gutsy actress.
You've seen Guy Standeven in something because the man was in everything.