<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[As far as capturing noir sensibilities, I think the Coens came closest in]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — General Discussion</em></p>
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<p dir="auto"><strong>sheetsadam1</strong> — <em>7 months ago(August 18, 2025 08:03 PM)</em></p>
<p dir="auto">As far as capturing noir sensibilities, I think the Coens came closest in<br />
The Man Who Wasn't There<br />
, maybe their most underrated film. But even they didn't get it completely right.<br />
Draft Barron Trump</p>
]]></description><link>https://filmglance.com/discuss/topic/41998/as-far-as-capturing-noir-sensibilities-i-think-the-coens-came-closest-in</link><generator>RSS for Node</generator><lastBuildDate>Sat, 16 May 2026 01:22:03 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/41998.rss" rel="self" type="application/rss+xml"/><pubDate>Sun, 12 Apr 2026 06:41:46 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:51 GMT]]></title><description><![CDATA[<p dir="auto"><strong>sheetsadam1</strong> — <em>7 months ago(August 18, 2025 08:12 PM)</em></p>
<p dir="auto">That was the impetus for pre-Code crime films for sure and they're a cousin to noir and a major forerunner, often with some of the same stars and directors. Noir is a bit of a different animal though, primarily in terms of tone.<br />
Draft Barron Trump</p>
]]></description><link>https://filmglance.com/discuss/post/439354</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439354</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:51 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:51 GMT]]></title><description><![CDATA[<p dir="auto"><strong>./..</strong> — <em>7 months ago(August 18, 2025 07:59 PM)</em></p>
<p dir="auto">I would say Prohibition and The Depression had more to do with film-noir. Most of the movies involve gangsters and heists and someone is always down and out and looking for a quick buck.</p>
]]></description><link>https://filmglance.com/discuss/post/439353</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439353</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:51 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:51 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 07:40 PM)</em></p>
<p dir="auto">yes but these kind of films were still made beginning in 1940.<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439352</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439352</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:51 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:50 GMT]]></title><description><![CDATA[<p dir="auto"><strong>./..</strong> — <em>7 months ago(August 18, 2025 07:20 PM)</em></p>
<p dir="auto">The term film-noir wasn't used until 1946, after the war. It was coined by French film critic Nino Frank. It had nothing to do with the War.<br />
<a href="https://en.wikipedia.org/wiki/Nino_Frank" rel="nofollow ugc">https://en.wikipedia.org/wiki/Nino_Frank</a></p>
]]></description><link>https://filmglance.com/discuss/post/439351</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439351</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:50 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:50 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 07:16 PM)</em></p>
<p dir="auto"><a href="https://scheugl.org/the-film-noir/" rel="nofollow ugc">https://scheugl.org/the-film-noir/</a><br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439350</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439350</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:50 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:50 GMT]]></title><description><![CDATA[<p dir="auto"><strong>./..</strong> — <em>7 months ago(August 18, 2025 07:13 PM)</em></p>
<p dir="auto">No it wasn't</p>
]]></description><link>https://filmglance.com/discuss/post/439349</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439349</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:50 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:49 GMT]]></title><description><![CDATA[<p dir="auto"><strong>ChristKillerman</strong> — <em>7 months ago(August 19, 2025 11:57 AM)</em></p>
<p dir="auto">Not sure tho lol<br />
Hrabak means greedy</p>
]]></description><link>https://filmglance.com/discuss/post/439348</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439348</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:49 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:49 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 07:03 PM)</em></p>
<p dir="auto">yes.<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439347</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439347</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:49 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:48 GMT]]></title><description><![CDATA[<p dir="auto"><strong>ChristKillerman</strong> — <em>7 months ago(August 18, 2025 02:27 PM)</em></p>
<p dir="auto">Noir genre started because of WW2<br />
Hrabak means greedy</p>
]]></description><link>https://filmglance.com/discuss/post/439346</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439346</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:48 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:48 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 09:24 PM)</em></p>
<p dir="auto">no, only for completists.<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439345</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439345</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:48 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:48 GMT]]></title><description><![CDATA[<p dir="auto"><strong>sheetsadam1</strong> — <em>7 months ago(August 18, 2025 08:53 PM)</em></p>
<p dir="auto">Probably off topic in a noir thread, but since I'm going to be watching<br />
You Only Live Once<br />
, I decided to see which other Lang films I'm missing. I think I have most of his major silent work and Hollywood period covered. But the return to Germany as an old man is a blind spot. So<br />
Der Tiger von Eschnapur<br />
and<br />
Das indische Grabmal<br />
? Worth checking out?<br />
Draft Barron Trump</p>
]]></description><link>https://filmglance.com/discuss/post/439344</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439344</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:48 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 08:39 PM)</em></p>
<p dir="auto">I hold the final category to probably unrealistically high standards.<br />
probably. it'd be easier to just enjoy movies if you didnt do that.<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439343</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439343</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:47 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>sheetsadam1</strong> — <em>7 months ago(August 18, 2025 08:28 PM)</em></p>
<p dir="auto">I think you're right, but I would break it into further subsections.<br />
Pre-noir: Lang, pre-Code crime films, emergence of hardboiled fiction on the literary scene, cultural lionization of outlaws (Dillinger, Bonnie and Clyde, etc.)<br />
Classic noir: '40s and '50s, WWII and the adjustment to post-war life a major undercurrent, even if unspoken<br />
Neo noir: Contemporary (for their time) stories with thematic similarities to classic noir. Particularly interesting during and after Vietnam.<br />
Pastiche noir: Modern films set during the classic noir era.<br />
I hold the final category to probably unrealistically high standards.<br />
Draft Barron Trump</p>
]]></description><link>https://filmglance.com/discuss/post/439342</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439342</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:47 GMT</pubDate></item><item><title><![CDATA[Reply to As far as capturing noir sensibilities, I think the Coens came closest in on Sun, 12 Apr 2026 06:41:47 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Sophienoire</strong> — <em>7 months ago(August 18, 2025 08:12 PM)</em></p>
<p dir="auto">imo it's obvious that neo-noir is a completely different genre than noir, the latter limited to the years 1940 - 1959.<br />
the sound of your racing heart</p>
]]></description><link>https://filmglance.com/discuss/post/439341</link><guid isPermaLink="true">https://filmglance.com/discuss/post/439341</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Sun, 12 Apr 2026 06:41:47 GMT</pubDate></item></channel></rss>