I watched
Moontide
about a month ago, and thought it was pretty good. I, of course, enjoyed watching Ida Lupino. Jean Gabin was very good in his role also. A good film noir with an interesting plot twist in it. A little bit off the wall too, with Gabin and Lupino living on a bait barge along a breakwater in the harbor.

Excellent selections.

Great reviews, Rufus. And I really need to see
Moontide
. I've been meaning to for a long time. With that cast and those directors (what's the deal with that, I wonder), it looks like a winner to me.

711 Ocean Drive (1950)
https://www.imdb.com/title/tt0042176/
An electrical company man likes to gamble. Using his technological skill, he moved his way up the gambling racket. The problem was he got too greedy, much like the arc of Tony Montana in the 80s Scarface, without the extreme violence and cursing. Starring Edmond O'Brien, the story built up very well to its climatic suspense. He doesn't have the tough appearance, but that sly cleverness and the overconfidence get him the money and the women. You even hear him talking the wiring technology of the time. The one who stood out was Otto Kruger who played the top honcho of the gambling crime organization. Very good noir
.
Beyond a Reasonable Doubt (2009)
https://www.imdb.com/title/tt1183251/
A reporter noticed a pattern of a corrupt DA who is running to be a governor. He and his buddy colleague plan to set up the DA by putting themselves in a guilty watch of a murder to expose the corruption, meanwhile falling in love with the DA's protege. Could have been a good movie, but poorly executed like an action movie made for TV. Michael Douglas was very good playing the DA in the Gekko Gordon style. Other than that, the most other performances were lackluster, including Amber Tamblyn as the reporter's love interest. Jesse Metcalfe was flat as the reporter. This is a remade of a 1956 film which I will check out.
Basic Instinct (1992)
https://www.imdb.com/title/tt0103772/
I remember liking this enough the first time seeing it. A highly sexy crime mystery. A woman author (Sharon Stone) is suspect of a gruesome murder. A detective (Michael Douglas) assigned to checked her case is falling for her. The Sharon Stone character is not only playing the mind of the Michael Douglas character, she and the whole movie is playing the mind of the viewers, sometime to the point of frustrating, and stupid at times. The performances, the Paul Verhoeven direction, and the excellent Jerry Goldsmith score made this a very watchable movie.
Obsession (1976)
https://www.imdb.com/title/tt0074991/
One of the few Brian de Palma films that I have not watched yet until now. A business man visited Italy with his friend and fall for woman working in church. He pursued her and learnt of the dark secret regarding his own family. Like other many other de Palma, movie, you get Hitchcock reference. This time it is Vertigo. If you love Brian de Palma style, this is a very hypnotic movie. If not, the movie do seem silly at time. Like other de Palma movie, the musical score is often the highlight. No different this time. If fact, this time scored by the late Bernard Herrmann who got an Oscar nomination Posthumously.
Loan Shark (1952)
https://www.imdb.com/title/tt0044847/
An undercover movie. A man who just came out of a just asked to enter into the loan racket that have been hurting the factory workers. Starring George Raft, at first I felt there were some miscasting. The story was intriguing and the performances were good that I have forgotten about it. The movie has a cheap look, with a romance angle that were not handled well and felt a bit distracting. It is no The Departed for sure, but there are enough goods here to be enjoyable.
Tension (1949)
https://www.imdb.com/title/tt0041954/
A pharmacist loves his greedy and self-centered wife so much that he would do anything to please her. She however only humiliate him disrespect him in return by finding other men. Situation got out of hand and tragedy ensued. Audrey Totter, who played the wife, got to be one of the nastiest femme fatale on cinema. She stole the scenes whenever she appeared. Too bad she never took off in her career. You also get to see Cyd Charisse in a non-musical role. The one criticism I may have is the change of identity via contact lens, which first introduce around that time. If I can accept Clark Kent and Superman, I am letting this one go.
Moontide (1942)
https://www.imdb.com/title/tt0035082/
A drifter (Jean Gabin) along with his buddy (Thomas Mitchell) visit a bar by the shore one night. He got drunk and next day realized a death occurred that night and that he might be responsible, but he had no memory, much like the The Hangover (2009) situation. Sounds like a mystery, but turned into a drama when he met and fell in love with a woman (Ida Lupino) who was caught about to commit suicide. With Fritz Lang as one of the director along with Archie Mayo, this turned out to be a very interesting drama with the Jean Gabin character facing his own demon along with the situation of the Thomas Mitchell character latching on and taking advantage of him. Beautifully shot. When you have two of the greatest supporting actors, Thomas Mitchel & Claude Rains, playing the supporting roles, you can't go wrong.
Still of the Night (1982)
https://www.imdb.com/title/tt0084732/
A patient of a psychiatrist was murdered, and the psychiatrist gotten to know his patient's mistress who may or may not be involved in the murder. It is not a flashy movie,

Re-Animator
fuckyouall

I will definitely keep that in mind. And although I haven't seen enough of his films, I agree that he was a comic genius. I don't know why I came so late to seeing his work. Shame on me.

I think you would get a kick out of
Movie Crazy
, what with its story all being centered on Hollywood movie-making. I really think Lloyd was a comic genius, but his strength, to me anyway, was more in his silent years.

Haven't seen either of those, Zolo. I've come way late in my viewing life to Harold Lloyd, and I'm still playing catch-up. I'll at these to my list, though the silent film sounds better. First in line for me is
Safety Last
. Can't believe I haven't seen that one.

I watched a couple of Harold Lloyd feature films:
Girl Shy
(1924) - this one was a silent. Good comedy. Really enjoyed it.
…and,
Movie Crazy
(1932) - this one was a talkie, and though it's Lloyd's third sound film, I believe it's the first one I recall hearing his voice in. This one is also good comedy, though it got to the point where the level of bumbling cluelessness that Lloyd demonstrates throughout the film was more than a little implausible.

You're very welcome. Thank you for the reminder.

A tragic loss indeed… one still shrouded in twisty speculation. She
was
a gift. Thanks for your comments.

Yes, I enjoyed
Cash McCall
very much. Don't remember if you know that my inspiration for becoming a director was Natalie's film,
Splendor in the Grass
, and I took her tragic loss pretty hard. So thanks for the suggestion and the reminder. I need to watch her films more than I've been doing these days. She was a gift that I need to remember.

I've always been a big fan of James Garner, so it's a bit surprising that I somehow passed on seeing
Americanization of Emily
all those times when it was offered. But, I will try to fit it into my viewing rotation one of these days. And while we're on the subject of James Garner pictures, one that I really liked was one he did in 1960,
Cash McCall
, with Natalie Wood. Very enjoyable comedy if you're looking for a nice mood-lifting time filler.

Glad to hear that, ZR. And I had decided that I should show you a trailer to
Emily
, so I hope you enjoy it. Btw, Julie Andrews and James Garner made three films together –
Emily, Victor/Victoria,
and a lovely TV movie,
One Special Night
(available on Prime Video and YouTube). They were a great team. And, interestingly, Garner and Julie's husband, Blake Edwards, were both from Oklahoma.

I haven't seen
The Americanization of Emily
, though I can't say I haven't had the opportunity: I've seen it offered a number of times on TCM over the years, but I somehow always managed to pass on it. I will now add it to my watch list. Same with
Frantz
. Your recommendation has convinced me.

Yes, intense would be the word. That's why my re-watches were more on the humorous side. And I can't believe you haven't seen
The Americanization of Emily
; it's a real delight.
As for
Frantz
, well it just took my breath away. It's been a very long time since any film made such an impression on me. It's definitely worth a view, and I think you probably can handle it. It's worth a try, anyway. Deeply moving, but also very low-key, which is part of its artistic mystery.

Spiderwort, you definitely watch some intense movies. I haven't seen any of those, but they do look intriguing.
Frantz
looks to be particularly compelling… I just read up on it on Wiki and the plot outline alone is quite stirring. I don't even know if I could handle that one.

First viewings:
Disobedience / Sebastián Lelio
(2017). When her father dies, a woman (Rachel Weisz) returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend (Rachel McAdams). Upon her return, the couple’s passions reignite as they explore the boundaries of faith and sexuality. A good film with a very interesting story, and both actresses lean into their roles with passion and compassion. I believe the script has some flaws, but I think the film’s very much worth a view for the performances and the subject alone. (Available on Max)
Frantz / François Ozon
(2016). In the aftermath of WWI, a young German woman (Paula Beer), grieving the death of her fiancé in France meets a mysterious Frenchman (Pierre Niney), who visits the fiancé's grave to lay flowers. A beautiful, haunting, deeply moving film with wonderful performances and superb direction — a cinematic experience that I will never forget. Highly recommended. (Available on multiple streaming sites.)
The Covered Wagon / James Cruze
(1923). A remarkably authentic recreation of American pioneers embarking on a perilous journey across the American frontier from what is now Kansas City all the way to Oregon, encountering many difficulties along the way. It’s filled with numerous scenes that are simply astonishing in their level of realism, including lengthy depictions of wagon trains — with horses and cattle — crossing rivers time and again. It also features real Native Americans and in some scenes actually shows their perspective on events, too. Cruze’s direction is outstanding and the film’s historical significance is without question, being the first film to turn the western genre into an epic. I’ve meant to see it for decades, and I’m so glad I finally did. (Available on Tubi, without a score. It’s also available on YouTube, with a score, but be sure to look for the high resolution version.)
Here’s a trailer:
Re-watches:
While You Were Sleeping / John Turtletaub
(1995) A lonely Chicago subway clerk (Sandra Bullock) falls for the brother (Bill Pullman) of a comatose man (Peter Gallagher) whose life she saves and who’s family now mistakenly believes she’s his fiancee. It’s a sweet, funny, quite enjoyable film, with a great supporting cast, including Jack Warden, Glynis Johns and Peter Boyle.
The Americanization of Emily / Arthur Hiller
(1964). An American Naval Officer is an expert at avoiding hazardous duty, but that all changes when he falls for a widow and is sent on a dangerous mission. Great script by Paddy Chayefsky, direction by Hiller and performances by all the cast. Julie Andrews and James Garner are simply wonderful together. It’s one of my all time favorites, which I’ve watched several times through the years, and it never fails to satisfy me. Highly recommended.

Thanks, Edward. I'll see if I can find it, though it may take me awhile.

You Tube look to have a selection of videos of BABY FACE NELSON Spiderwort. The full 99 minute version and the 84 minute version (cut for TV airing I believe). I actually watched it on Filmboards but I know you've had difficulty with the videos on this site. I thought Mickey Rooney gave everything playing this role. I hope you get to see the movie.

Haven't seen either of these, Edward. Not sure about MONTANA, but BABY FACE NELSON has always intrigued me. Don't know how I've missed it. It seems like a very interesting role for Mickey Rooney. Might see if I can find it one of these days.

1950 MONTANA - Errol Flynn is a sheepherder on the search for fresh grazing ground. He disguises himself as a peddler to find out what opposition there is from cattle ranchers. Alexis Smith is a cattle ranch owner who has lost her father and brother in a previous war against sheepherders. So there is an attraction/repulsion seesaw relationship that develops between the pair. The Technicolor is good and some nice scenery. Although the back projection scenery becomes a bit too obvious at times. An entertaining western. (IMDb 6.1)
1957 BABY FACE NELSON - Mickey Rooney is the 1930s gangster aiming to be top dog in the underworld. He plays it with energetic relish as does his moll Carolyn Jones. Even though I don't want to glorify gangsterism, I couldn't help but admire the way they trick the police. Cecil Hardwicke is great too as the shady doctor who helps out crooks. It's brutal and the end for Baby Face, which takes place in a cemetery, is terrific. (IMDb 6.3)

Thanks. I don't have a lot of patience these days, but because it is Welles, it's probably worth a look, so maybe I'll give it a go. Will let you know if I do.

I have yet to see MR. ARKADIN, unex. Have meant to, but now, after reading your review, I'm not so sure I should bother.
I think it is worth it just because it is (mostly or sort of) an Orson Welles movie but the fact that there is no definitive version and none were approved by him makes it less pressing. It's basically the same reason I haven't yet seen The Other Side of the Wind. Welles didn't like Mr. Arkadin either because of the loss of control or maybe because he was unsatisfied with the quality (I'm wondering if he took so long with editing because he was struggling to salvage the film).