<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Tati and Altman]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Robert Altman</em></p>
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<p dir="auto"><strong>existentialica</strong> — <em>19 years ago(January 07, 2007 12:09 PM)</em></p>
<p dir="auto">Anyone else feel that Robert Altman's style is a lot like what would have happened had Tati not rigorously rehearsed and planned every single minute detail out?</p>
]]></description><link>https://filmglance.com/discuss/topic/78849/tati-and-altman</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 16:10:30 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/78849.rss" rel="self" type="application/rss+xml"/><pubDate>Tue, 14 Apr 2026 16:35:05 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:11 GMT]]></title><description><![CDATA[<p dir="auto"><strong>FlossWithNos</strong> — <em>14 years ago(February 04, 2012 12:46 PM)</em></p>
<p dir="auto">I'm watching Nashville right now for the first time and Tati immediately came to mind.  There is definitely major similarity, in this film, at least</p>
]]></description><link>https://filmglance.com/discuss/post/793196</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793196</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:11 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:10 GMT]]></title><description><![CDATA[<p dir="auto"><strong>zurichpoet</strong> — <em>14 years ago(January 12, 2012 03:33 AM)</em></p>
<p dir="auto">Good question.</p>
]]></description><link>https://filmglance.com/discuss/post/793195</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793195</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:10 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:10 GMT]]></title><description><![CDATA[<p dir="auto"><strong>artihcus022</strong> — <em>17 years ago(May 06, 2008 12:02 AM)</em></p>
<h2>Altman is quite obviously influenced by Jacques Tati even if they make different films. The car crash in<br />
Nashville<br />
is a nice homage to<br />
Trafic<br />
.<br />
"a va by me, madamea va by me!"</h2>
<p dir="auto">The Red Shoes</p>
]]></description><link>https://filmglance.com/discuss/post/793194</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793194</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:10 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:09 GMT]]></title><description><![CDATA[<p dir="auto"><strong>RexDartEskimoSpy</strong> — <em>19 years ago(January 22, 2007 03:52 PM)</em></p>
<p dir="auto">Couldn't have said it better myself, existentialica.<br />
Man, give her the <em>beep</em> overhead clause!</p>
]]></description><link>https://filmglance.com/discuss/post/793193</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793193</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:09 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:08 GMT]]></title><description><![CDATA[<p dir="auto"><strong>existentialica</strong> — <em>19 years ago(January 11, 2007 06:04 AM)</em></p>
<p dir="auto">PLAY-TIME is balls-explodingly amazing.</p>
]]></description><link>https://filmglance.com/discuss/post/793192</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793192</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:08 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:07 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
]]></description><link>https://filmglance.com/discuss/post/793191</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793191</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:07 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:07 GMT]]></title><description><![CDATA[<p dir="auto"><strong>existentialica</strong> — <em>19 years ago(January 10, 2007 09:41 PM)</em></p>
<p dir="auto">Ironically enough, Tati's Mr. Hulot will rise from the grave thanks to the animation of Sylvain Chomet (The Tripletts of Belleville) for a movie in 2009. So yes, he shall become a cartoon character.<br />
Yeah, both Altman and Tati enjoyed playing with sound in interesting ways. I'd love to see NASHVILLE on a huge screen to really soak up the overlapping dialogue.</p>
]]></description><link>https://filmglance.com/discuss/post/793190</link><guid isPermaLink="true">https://filmglance.com/discuss/post/793190</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Tue, 14 Apr 2026 16:35:07 GMT</pubDate></item><item><title><![CDATA[Reply to Tati and Altman on Tue, 14 Apr 2026 16:35:06 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
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