<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[I&#x27;m struggling.]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Dario Argento</em></p>
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<p dir="auto"><strong>filmfancritic</strong> — <em>9 years ago(July 22, 2016 02:29 PM)</em></p>
<p dir="auto">I'm struggling.<br />
I'm talking about the deployment of very strong and exaggerated atmospheric pools of artificial light, like the vibrant magenta's greens, blues, yellows and red gels that suffuse a part of the screen and pop out at you in a riot of spectacular colour.<br />
Good examples:<br />
'Blood and Black Lace' - the second murder<br />
'Black Sabbath' - a close up of Boris Karloff's face lit up with red, violet and green.<br />
'Kill Baby Kill' - the spiral staircase, vertigo-induced, visual vortex shot.<br />
and so much of 'Suspiria' and 'Inferno' which may have been strongly influenced by Bava.<br />
Now, the only other film I can think of that uses this technique is Tim Burton's 'Beetlejuice', especially the waiting room scene in the after-life, and here you do see blue and green gel lighting coming off the walls to imbue the screen. I am also aware that<br />
Tim burton is a big fan of Bava's work and so it may have been an influence, just like scenes from 'Sleepy Hollow' may have been a nod and a wink to the richly atmospheric lighting and use of mist in 'The Mask of Satan', aka 'Black Sunday'<br />
So, can anyone tell me, are there any other directors who have deployed this style of lighting sets?</p>
]]></description><link>https://filmglance.com/discuss/topic/85308/i-m-struggling</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 12:57:17 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/85308.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 15 Apr 2026 02:34:35 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to I&#x27;m struggling. on Wed, 15 Apr 2026 02:34:37 GMT]]></title><description><![CDATA[<p dir="auto"><strong>jeffersonnyc</strong> — <em>9 years ago(January 02, 2017 08:06 AM)</em></p>
<p dir="auto">Refn is a good call, I also remember Lucio Fulci's "New York Ripper" having at least one scene reminiscent of Suspiria's primary color lighting.</p>
]]></description><link>https://filmglance.com/discuss/post/848689</link><guid isPermaLink="true">https://filmglance.com/discuss/post/848689</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 02:34:37 GMT</pubDate></item><item><title><![CDATA[Reply to I&#x27;m struggling. on Wed, 15 Apr 2026 02:34:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>carpathianwolff</strong> — <em>9 years ago(September 15, 2016 04:27 PM)</em></p>
<p dir="auto">check out Akira Kurosawa's "Yume" and "Kagemusha" for amazing color techniques</p>
]]></description><link>https://filmglance.com/discuss/post/848688</link><guid isPermaLink="true">https://filmglance.com/discuss/post/848688</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 02:34:36 GMT</pubDate></item><item><title><![CDATA[Reply to I&#x27;m struggling. on Wed, 15 Apr 2026 02:34:36 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
<p dir="auto">This message has been deleted.</p>
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