<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[((((This is the user review that I wrote for Capra&#x27;s &quot;Meet John Doe&quot;))16d0)]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Frank Capra</em></p>
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<p dir="auto"><strong>JoeKulik</strong> — <em>9 years ago(August 11, 2016 05:38 AM)</em></p>
<p dir="auto">((((This is the user review that I wrote for Capra's "Meet John Doe"))16d0)<br />
Although I find "Meet John Doe" as fascinating as I did the other 2<br />
Capra films I've viewed, "Mr Smith Goes To Washington" and "It's A<br />
Wonderful Life", I was appalled by all the user reviews that I've found<br />
here praising it as somewhat "anti-Establishment", and "sending the<br />
Right message", and as being relevant to what's happening in America<br />
today.<br />
My attitude about Frank Capra changed recently when I discovered that<br />
he was the director of the little mentioned "Why We Fight" film series<br />
of WWII. As a Psychology student, I accidentally stumbled on the<br />
existence of these propaganda films when my personal research brought<br />
me to Carl Hovland, a long time professor of Psychology at Yale<br />
University. It was Hovland to whom the US Govt turned when it was<br />
decided that a "Why We Fight" propaganda film series was needed because<br />
he was one of the first serious researchers of "attitude change" &amp;<br />
"persuasive communications". This film series was essentially<br />
engineered in a Social Psychology laboratory for maximum effectiveness<br />
in indoctrinating primarily fresh military recruits, but eventually the<br />
whole public as well about why our involvement in WWII was necessary,<br />
and "the right thing to do". It was Frank Capra to whom the Fed Govt<br />
turned when it wanted to bring Hovland's scientific research on<br />
manipulating "social attitudes" to bear upon manipulating the "social<br />
attitudes" of the entire USA about WWII.<br />
It is against this backdrop that I must now evaluate ALL of Capra's<br />
films of that era. In the context of his involvement in the "Why We<br />
Fight" propaganda films, I see "Meet John Doe", "Mr Smith Goes To<br />
Washington", &amp; "It's A Wonderful Life" as hardly being much different<br />
than those WWII propaganda films. They were "feel good" films to trick<br />
the American public into thinking that they have control over their<br />
lives, their government, and their destinies while in reality they have<br />
none. Judging by many of the user reviews here of this film. I must<br />
conclude that Capra films like "Meet John Doe" have high propaganda<br />
value even today.<br />
<a href="http://Fandor.com" rel="nofollow ugc">Fandor.com</a> has most of the Capra "Why We Fight" films available for<br />
online viewing. Just one $10 monthly subscription fee allows you to<br />
view all of them. <a href="mailto:joseph.kulik.919@gmail.com" rel="nofollow ugc">joseph.kulik.919@gmail.com</a></p>
]]></description><link>https://filmglance.com/discuss/topic/87382/this-is-the-user-review-that-i-wrote-for-capra-s-meet-john-doe-16d0</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 18:27:13 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/87382.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 15 Apr 2026 05:11:08 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to ((((This is the user review that I wrote for Capra&#x27;s &quot;Meet John Doe&quot;))16d0) on Wed, 15 Apr 2026 05:11:08 GMT]]></title><description><![CDATA[<p dir="auto"><strong>joekiddlouischama</strong> — <em>9 years ago(December 22, 2016 08:33 PM)</em></p>
<p dir="auto">many directors and stars during World War II made propaganda films for the government; virtually the entire nation was behind the war effort after Pearl Harbor, so I would not view Capra cynically for that reason or devalue his feature films, either.<br />
For the record, "anti-establishment" is sort of a newfangled phrase that does not necessarily capture Capra's spirit. Although he celebrated nonconformists and lamented the moneyed corruption of power, Capra's protagonists were neither radical nor amoral. If anything, they represented eccentricity or an aversion to apathy.</p>
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