<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Awesome]]></title><description><![CDATA[<p dir="auto"><em>Archived from the IMDb Discussion Forums — Giorgio Moroder</em></p>
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<p dir="auto"><strong>dans_la_lune</strong> — <em>21 years ago(June 20, 2004 11:48 PM)</em></p>
<p dir="auto">Truly a leader in keyboard music. The great power of the synthesizer in generating mood-specific sound by waveform manipulation is only just being realized. The Scarface and Top Gun scores should be required listening in music faculties.<br />
No one has yet extended the deep melody of Beethoven/Liszt piano yet with the synth, but with computers and talent such as Moroder's, one can hope.</p>
]]></description><link>https://filmglance.com/discuss/topic/98507/awesome</link><generator>RSS for Node</generator><lastBuildDate>Tue, 12 May 2026 18:03:57 GMT</lastBuildDate><atom:link href="https://filmglance.com/discuss/topic/98507.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 15 Apr 2026 21:47:54 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:48:00 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
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]]></description><link>https://filmglance.com/discuss/post/945974</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945974</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:48:00 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:48:00 GMT]]></title><description><![CDATA[<p dir="auto"><strong>joonas1038</strong> — <em>17 years ago(June 27, 2008 01:51 PM)</em></p>
<p dir="auto">i like Looky Looky</p>
]]></description><link>https://filmglance.com/discuss/post/945973</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945973</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:48:00 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:59 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
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]]></description><link>https://filmglance.com/discuss/post/945972</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945972</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:47:59 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:58 GMT]]></title><description><![CDATA[<p dir="auto"><strong>IMDb User</strong></p>
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]]></description><link>https://filmglance.com/discuss/post/945971</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945971</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:47:58 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:57 GMT]]></title><description><![CDATA[<p dir="auto"><strong>Mr.Bell</strong> — <em>19 years ago(August 27, 2006 03:34 PM)</em></p>
<p dir="auto">Giorgio was an exceptional ideas man, but an electronics or even musical genius he wasn't- Moroder surrounded himself with the best arrangers, keyboardists and programmers to flesh out his gimmicks and innovate with the electronics, the four most important being Dan Wyman, Harold Faltermeyer, Greg Mathieson and Sylvester Levay.<br />
Still, Giorgio's class high concept ideas make him a milestone musical director, o1c84n par with Quincy Jones, Trevor Horn and Phil Spector.</p>
]]></description><link>https://filmglance.com/discuss/post/945970</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945970</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:47:57 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:57 GMT]]></title><description><![CDATA[<p dir="auto"><strong>anthony-220</strong> — <em>20 years ago(February 13, 2006 09:53 AM)</em></p>
<p dir="auto">Giorgio is a genius, the true father of disco and electronic music.</p>
]]></description><link>https://filmglance.com/discuss/post/945969</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945969</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:47:57 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:56 GMT]]></title><description><![CDATA[<p dir="auto"><strong>eward196563112</strong> — <em>21 years ago(February 18, 2005 11:10 AM)</em></p>
<p dir="auto">he is one of my favorite composers. i like the scarface score as well and dont forget about flashdance, which revolutionized the way music was used in film thereafter. mtv or vh1 should do a b68special on him. truly a musical genius.</p>
]]></description><link>https://filmglance.com/discuss/post/945968</link><guid isPermaLink="true">https://filmglance.com/discuss/post/945968</guid><dc:creator><![CDATA[fgadmin]]></dc:creator><pubDate>Wed, 15 Apr 2026 21:47:56 GMT</pubDate></item><item><title><![CDATA[Reply to Awesome on Wed, 15 Apr 2026 21:47:55 GMT]]></title><description><![CDATA[<p dir="auto"><strong>wierzbowskisteedman</strong> — <em>21 years ago(October 20, 2004 07:59 AM)</em></p>
<p dir="auto">Scarface is one of my favourite soundtracks.  Giorgio is awesome.<br />
The lionesses realized they killed a tofudebeest- one of the Serengeti's obnoxious health antelopes</p>
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