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Film Glance Forum

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  3. What Classics Did You See Last Week (November 10–November 16)

What Classics Did You See Last Week (November 10–November 16)

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  • F Offline
    F Offline
    fgadmin
    wrote on last edited by
    #12

    spiderwort — 1 year ago(November 17, 2024 08:42 PM)

    Yes, intense would be the word. That's why my re-watches were more on the humorous side. And I can't believe you haven't seen
    The Americanization of Emily
    ; it's a real delight.
    As for
    Frantz
    , well it just took my breath away. It's been a very long time since any film made such an impression on me. It's definitely worth a view, and I think you probably can handle it. It's worth a try, anyway. Deeply moving, but also very low-key, which is part of its artistic mystery.

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      fgadmin
      wrote on last edited by
      #13

      ZolotoyRetriever — 1 year ago(November 17, 2024 09:02 PM)

      I haven't seen
      The Americanization of Emily
      , though I can't say I haven't had the opportunity: I've seen it offered a number of times on TCM over the years, but I somehow always managed to pass on it. I will now add it to my watch list. Same with
      Frantz
      . Your recommendation has convinced me.

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        fgadmin
        wrote on last edited by
        #14

        spiderwort — 1 year ago(November 17, 2024 09:46 PM)

        Glad to hear that, ZR. And I had decided that I should show you a trailer to
        Emily
        , so I hope you enjoy it. Btw, Julie Andrews and James Garner made three films together –
        Emily, Victor/Victoria,
        and a lovely TV movie,
        One Special Night
        (available on Prime Video and YouTube). They were a great team. And, interestingly, Garner and Julie's husband, Blake Edwards, were both from Oklahoma.

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        • F Offline
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          fgadmin
          wrote on last edited by
          #15

          ZolotoyRetriever — 1 year ago(November 17, 2024 09:56 PM)

          I've always been a big fan of James Garner, so it's a bit surprising that I somehow passed on seeing
          Americanization of Emily
          all those times when it was offered. But, I will try to fit it into my viewing rotation one of these days. And while we're on the subject of James Garner pictures, one that I really liked was one he did in 1960,
          Cash McCall
          , with Natalie Wood. Very enjoyable comedy if you're looking for a nice mood-lifting time filler.

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            fgadmin
            wrote on last edited by
            #16

            spiderwort — 1 year ago(November 17, 2024 10:36 PM)

            Yes, I enjoyed
            Cash McCall
            very much. Don't remember if you know that my inspiration for becoming a director was Natalie's film,
            Splendor in the Grass
            , and I took her tragic loss pretty hard. So thanks for the suggestion and the reminder. I need to watch her films more than I've been doing these days. She was a gift that I need to remember.

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              fgadmin
              wrote on last edited by
              #17

              ZolotoyRetriever — 1 year ago(November 18, 2024 12:12 AM)

              A tragic loss indeed… one still shrouded in twisty speculation. She
              was
              a gift. Thanks for your comments.

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                fgadmin
                wrote on last edited by
                #18

                spiderwort — 1 year ago(November 18, 2024 03:30 PM)

                You're very welcome. Thank you for the reminder.

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                  fgadmin
                  wrote on last edited by
                  #19

                  ZolotoyRetriever — 1 year ago(November 17, 2024 06:56 PM)

                  I watched a couple of Harold Lloyd feature films:
                  Girl Shy
                  (1924) - this one was a silent. Good comedy. Really enjoyed it.
                  …and,
                  Movie Crazy
                  (1932) - this one was a talkie, and though it's Lloyd's third sound film, I believe it's the first one I recall hearing his voice in. This one is also good comedy, though it got to the point where the level of bumbling cluelessness that Lloyd demonstrates throughout the film was more than a little implausible.

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                  • F Offline
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                    fgadmin
                    wrote on last edited by
                    #20

                    spiderwort — 1 year ago(November 17, 2024 08:47 PM)

                    Haven't seen either of those, Zolo. I've come way late in my viewing life to Harold Lloyd, and I'm still playing catch-up. I'll at these to my list, though the silent film sounds better. First in line for me is
                    Safety Last
                    . Can't believe I haven't seen that one.

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                      fgadmin
                      wrote on last edited by
                      #21

                      ZolotoyRetriever — 1 year ago(November 17, 2024 09:07 PM)

                      I think you would get a kick out of
                      Movie Crazy
                      , what with its story all being centered on Hollywood movie-making. I really think Lloyd was a comic genius, but his strength, to me anyway, was more in his silent years.

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                        fgadmin
                        wrote on last edited by
                        #22

                        spiderwort — 1 year ago(November 17, 2024 09:48 PM)

                        I will definitely keep that in mind. And although I haven't seen enough of his films, I agree that he was a comic genius. I don't know why I came so late to seeing his work. Shame on me.

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                          fgadmin
                          wrote on last edited by
                          #23

                          fuckyouallfuckyouallfuckyouall — 1 year ago(November 17, 2024 07:47 PM)

                          Re-Animator
                          fuckyouall

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                            fgadmin
                            wrote on last edited by
                            #24

                            Rufus-T — 1 year ago(November 17, 2024 09:30 PM)

                            711 Ocean Drive (1950)
                            https://www.imdb.com/title/tt0042176/
                            An electrical company man likes to gamble. Using his technological skill, he moved his way up the gambling racket. The problem was he got too greedy, much like the arc of Tony Montana in the 80s Scarface, without the extreme violence and cursing. Starring Edmond O'Brien, the story built up very well to its climatic suspense. He doesn't have the tough appearance, but that sly cleverness and the overconfidence get him the money and the women. You even hear him talking the wiring technology of the time. The one who stood out was Otto Kruger who played the top honcho of the gambling crime organization. Very good noir
                            .
                            Beyond a Reasonable Doubt (2009)
                            https://www.imdb.com/title/tt1183251/
                            A reporter noticed a pattern of a corrupt DA who is running to be a governor. He and his buddy colleague plan to set up the DA by putting themselves in a guilty watch of a murder to expose the corruption, meanwhile falling in love with the DA's protege. Could have been a good movie, but poorly executed like an action movie made for TV. Michael Douglas was very good playing the DA in the Gekko Gordon style. Other than that, the most other performances were lackluster, including Amber Tamblyn as the reporter's love interest. Jesse Metcalfe was flat as the reporter. This is a remade of a 1956 film which I will check out.
                            Basic Instinct (1992)
                            https://www.imdb.com/title/tt0103772/
                            I remember liking this enough the first time seeing it. A highly sexy crime mystery. A woman author (Sharon Stone) is suspect of a gruesome murder. A detective (Michael Douglas) assigned to checked her case is falling for her. The Sharon Stone character is not only playing the mind of the Michael Douglas character, she and the whole movie is playing the mind of the viewers, sometime to the point of frustrating, and stupid at times. The performances, the Paul Verhoeven direction, and the excellent Jerry Goldsmith score made this a very watchable movie.
                            Obsession (1976)
                            https://www.imdb.com/title/tt0074991/
                            One of the few Brian de Palma films that I have not watched yet until now. A business man visited Italy with his friend and fall for woman working in church. He pursued her and learnt of the dark secret regarding his own family. Like other many other de Palma, movie, you get Hitchcock reference. This time it is Vertigo. If you love Brian de Palma style, this is a very hypnotic movie. If not, the movie do seem silly at time. Like other de Palma movie, the musical score is often the highlight. No different this time. If fact, this time scored by the late Bernard Herrmann who got an Oscar nomination Posthumously.
                            Loan Shark (1952)
                            https://www.imdb.com/title/tt0044847/
                            An undercover movie. A man who just came out of a just asked to enter into the loan racket that have been hurting the factory workers. Starring George Raft, at first I felt there were some miscasting. The story was intriguing and the performances were good that I have forgotten about it. The movie has a cheap look, with a romance angle that were not handled well and felt a bit distracting. It is no The Departed for sure, but there are enough goods here to be enjoyable.
                            Tension (1949)
                            https://www.imdb.com/title/tt0041954/
                            A pharmacist loves his greedy and self-centered wife so much that he would do anything to please her. She however only humiliate him disrespect him in return by finding other men. Situation got out of hand and tragedy ensued. Audrey Totter, who played the wife, got to be one of the nastiest femme fatale on cinema. She stole the scenes whenever she appeared. Too bad she never took off in her career. You also get to see Cyd Charisse in a non-musical role. The one criticism I may have is the change of identity via contact lens, which first introduce around that time. If I can accept Clark Kent and Superman, I am letting this one go.
                            Moontide (1942)
                            https://www.imdb.com/title/tt0035082/
                            A drifter (Jean Gabin) along with his buddy (Thomas Mitchell) visit a bar by the shore one night. He got drunk and next day realized a death occurred that night and that he might be responsible, but he had no memory, much like the The Hangover (2009) situation. Sounds like a mystery, but turned into a drama when he met and fell in love with a woman (Ida Lupino) who was caught about to commit suicide. With Fritz Lang as one of the director along with Archie Mayo, this turned out to be a very interesting drama with the Jean Gabin character facing his own demon along with the situation of the Thomas Mitchell character latching on and taking advantage of him. Beautifully shot. When you have two of the greatest supporting actors, Thomas Mitchel & Claude Rains, playing the supporting roles, you can't go wrong.
                            Still of the Night (1982)
                            https://www.imdb.com/title/tt0084732/
                            A patient of a psychiatrist was murdered, and the psychiatrist gotten to know his patient's mistress who may or may not be involved in the murder. It is not a flashy movie,

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                              fgadmin
                              wrote on last edited by
                              #25

                              spiderwort — 1 year ago(November 17, 2024 10:01 PM)

                              Great reviews, Rufus. And I really need to see
                              Moontide
                              . I've been meaning to for a long time. With that cast and those directors (what's the deal with that, I wonder), it looks like a winner to me.

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                                fgadmin
                                wrote on last edited by
                                #26

                                ZolotoyRetriever — 1 year ago(November 18, 2024 12:15 AM)

                                Excellent selections.

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                                  fgadmin
                                  wrote on last edited by
                                  #27

                                  PygmyLion — 1 year ago(November 18, 2024 03:09 AM)

                                  I watched
                                  Moontide
                                  about a month ago, and thought it was pretty good. I, of course, enjoyed watching Ida Lupino. Jean Gabin was very good in his role also. A good film noir with an interesting plot twist in it. A little bit off the wall too, with Gabin and Lupino living on a bait barge along a breakwater in the harbor.

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