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Strange Musical Number

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    Archived from the IMDb Discussion Forums — Frankenstein Meets the Wolf Man


    TDeMona — 19 years ago(October 03, 2006 01:46 AM)

    I can't remeber clearly if it was in this movie or in some other monster-team-up, but there's a weird musical number in the market place, where Larry Talbot is sitting with his current lady. It ends something like "life is short, but death is loooooooonnnnngggggg!" and then Larry starts rampaging on the singer, because the lyrics resemble his life as a werewolf. "Stop that singing will you! Live eternally! I don't want to live eternally! Why did you say that to me, get away from me!!" and so on.
    Does anyone know what's the name of that song and where could it be found. Who'se performed it? Can someone post the lyrics? Please. It's important! I would deeply appreciate.

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      bgh48 — 19 years ago(October 25, 2006 05:57 PM)

      I believe it was called "Faro-lee, faro-la", sort of an operetta-type drinking song that must have been written specifically for the film, so that Talbot would respond to the lyrics!

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        WavyG — 19 years ago(October 26, 2006 11:02 AM)

        "Faro-La, Faro-Li (Song of the New Wine)" written by Curt Siodmak and Hans J. Salter and performed by by Adia Kuznetzoff. And yes, it was written specifically for the film.
        I even found the lyrics:
        Come one and all and sing a song
        Faro-la, faro-li!
        For life is short, but death is long
        Faro-la, faro-li!
        There'll be no music in the tomb
        So sing with joy and down with gloom
        Tonight the new wine is in bloom
        Faro-la, faro-li!
        Tonight we toast our happy host
        Faro-la, faro-li!
        For he's the man we love the most
        Faro-la, faro-li!
        He's barrel-chested, dipper-lipped
        For drinking wine, he's well-equipped
        But where's his chest? It must have slipped
        Faro-la, faro-li!
        If Franzec never drank at all
        Faro-la, faro-li!
        He might not care for alchohol
        Faro-la, faro-li!
        But since he drinks them by the score
        He loves his bottles more and more
        He even likes them on the floor
        Faro-la, faro-li!
        Now here's a pair of newly-weds
        Faro-la, faro-li!
        With love and kisses in their heads
        Faro-la, faro-li!
        Tonight theres only he and she
        Just one and two, as you can see
        But very soon they may be three
        Faro-la, faro-li!
        The wine tonight is nobly blessed
        Faro-la, faro-li!
        By such a lady and her guest
        Faro-la, faro-li!
        To them a toast, come drink with me
        That they may ever happy be
        And may they live eternally
        Faro-la, faro-li!

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          riverdreamer — 19 years ago(October 26, 2006 12:24 PM)

          lol! I just barely read this post, and this scene/song is playing on tv as we speak. 🙂

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            razorbladeetches — 19 years ago(October 26, 2006 02:29 PM)

            yeah i was watching that too. I was wondering what was the lyric that set Talbot off and I guess it was the last line. For a moment it was as though I were watching a different movie!

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              WoodrowTruesmith — 19 years ago(November 09, 2006 10:44 PM)

              There's one more line after the ones listed, a little reprise:
              "Come one and all and sing a song,
              Faro-la-faro-li,
              For life is short
              But death is long
              Faro-la-faro"
              at which point Talbot goes nuts.

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                ShifterGSWTSF — 19 years ago(January 21, 2007 10:10 PM)

                If I was sitting down trying to have a beer and talk to this lady about the life and death and on how to cure my tormeneted existance and everyone started singing, I'd have flipped out too.

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                  Harold_Robbins — 19 years ago(January 27, 2007 10:35 AM)

                  Another charming original Universal song overlooked by the Academy - the same fate later befell "Hey, You!" which Ann Codee performs brilliantly in the opening of THE MUMMY'S CURSE (1944). And although Edward Ward's score for the 1943 PHANTOM OF THE OPERA was nominated, the film's theme song, "Lullaby of the Bells," was regrettably overlooked. Quelle dommage!!!
                  "I don't use a pen: I write with a goose quill dipped in venom!"
                  W. Lydecker

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                    xtrmfury — 19 years ago(January 29, 2007 10:22 AM)

                    this number is one of my favorite parts of the movie.

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                      wallerworld — 18 years ago(April 20, 2007 01:55 AM)

                      Agreed, it's a great little bit of operetta. Curt Siodmak said in his later years that he was working on a musical entitled "Song of Frankenstein". Wonder if he finished it?

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                        pappazeuss — 15 years ago(December 07, 2010 02:44 AM)

                        that pop-eyed idiot singing it really was playing it up like a goof.would have ticked me off,too.

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                          wallerworld — 15 years ago(December 07, 2010 11:21 PM)

                          Yes, this is a longer version of the song, as shown in the published screenplay by Curt Siodmak. The lyrics were modified a bit and shortened by the time they recorded it.

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                            westsalemcongress — 14 years ago(August 23, 2011 11:47 AM)

                            That singer's face is so totally intense! I love it.
                            Here's the Festival of the New Wine scene:
                            http://www.youtube.com/watch?v=ut76Wnr5KPs

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