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Neo-Noir Quest 2

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  • F Offline
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    fgadmin
    wrote last edited by
    #26

    Jessica_Rabbit69 — 10 years ago(August 26, 2015 09:26 AM)

    "Super read Jess, shall I forward it to Jimcat?"
    NO. He'll just say it's poor reviewing.
    I like Jimcat, but he sure can be a grumpy one.:)
    "But you would be a heroine around here, the ultimate femme fatale"
    Yes, I know but after a while they get onto you, especially if killing husbands becomes a habit. And we all know how that plays out. So I've decided I'll rather be the good-bad-girl.
    On a more "serious" note, yes I do buy into the ghost/dreaming angle. It just seems the most plausible explanation to me, which doesn't mean it actually is. About the violence Marvin inflicts, you got me there. I don't have an explanation for that.
    Maybe for me the dream angle works because the whole movie has that psychedelic 60's thing going on. Trippy.
    You are absolutely correct, the film's main strengths is its ambiguity. Frankly, no watertight case can be made for either interpretation, especially if the director himself refuses to comment.
    I'll definitively read the Marvin bio, because YES, that man was sexy. Just like Charles Bronson, James Coburn, Robert Ryan, Richard Boone
    Jessica Rabbit
    "I'm not bad. I'm just drawn that way."

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      wrote last edited by
      #27

      mgtbltp — 10 years ago(August 22, 2015 08:18 PM)

      Here is my up to date chronological Neo Noir list of those I've seen:
      Blast Of Silence (1961)
      Underworld USA (1961)
      Something Wild (1961)
      Cape Fear (1962)
      Experiment In Terror (1962)
      Satan in High Heels (1962)
      The Manchurian Candidate (1962)
      Shock Corridor (1962)
      Requiem for a Heavyweight (1962)
      The Naked Kiss (1964)
      The Pawnbroker (1964)
      Brainstorm (1965)
      Once A Thief (1965)
      Harper (1966)
      Mr. Buddwing (1966)
      In Cold Blood (1967)
      In The Heat Of The Night (1967)
      Marlowe (1969)
      The Honeymoon Killers (1970)
      Shaft  (1971)
      Across 110th Street (1971)
      The Getaway (1971)
      Get Carter (1971)
      Hickey & Boggs (1972)
      Bring Me The Head Of Alfredo Garcia (1974)
      The Nickel Ride (1974)
      The Drowning Pool (1975)
      Farewell My Lovely (1975)
      Night Moves (1975)
      Taxi Driver (1976)
      Dressed to Kill (1980)
      Union City (1980)
      Body Heat (1981)
      Thief (1981)
      Blade Runner (1982)
      Hammett (1982)
      Blood Simple (1984)
      To Live and Die in L.A. (1985)
      Blue Velvet (1986)
      Angel Heart (1987)
      Frantic (1988)
      Kill Me Again (1989)
      The Grifters (1990)
      The Kill-Off (1990)
      The Hot Spot (1990)
      Wild At Heart (1990)
      Impulse (1990)
      Dick Tracy (1990)
      Delicatessen (1991)
      Reservoir Dogs (1992)
      Twin Peaks: Fire Walk with Me (1992)
      Romeo Is Bleeding (1993)
      True Romance (1993)
      The Wrong Man (1993)
      The Last Seduction (1994)
      Pulp Fiction (1994)
      Se7en (1995)
      Fargo (1996)
      Mulholland Falls (1996)
      Hit Me (1996)
      Jackie Brown (1997)
      L.A. Confidential (1997)
      Lost Highway (1997)
      This World, Then the Fireworks (1997)
      Dark City (1998)
      A Simple Plan (1998)
      The Big Lebowski (1998)
      Payback (1999)
      Night Train (1999)
      The Man Who Wasnt There (2001)
      Mulholland Drive (2001)
      Sin City (2005)
      No Country For Old Men (2007)
      Dark Country (2009)
      The Killer Inside Me (2010)
      Sin City: A Dame To Kill For (2014)

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        wrote last edited by
        #28

        Spikeopath — 10 years ago(August 23, 2015 06:01 AM)

        You cutting off the original wave at 1959/1960 I presume. It's always tricky, you probably know me by now in that I say
        film noir
        never really stopped being made. The French made some stonking noirs in the 60s, traditional stuff, while
        Blast of Silence
        is to me pure first wave noir. Not trying to debate your list, I have 1960s films on my neo lists as well
        Of your viewings so far I have not seen, though there are some I have seen but need a second viewing as it has been too long since last watched >
        Underworld USA (1961) *
        Something Wild (1961)
        Satan in High Heels (1962)
        The Manchurian Candidate (1962) *
        The Naked Kiss (1964) *
        The Pawnbroker (1964) *
        Brainstorm (1965)
        Once A Thief (1965)
        Mr. Buddwing (1966)
        The Honeymoon Killers (1970)
        Across 110th Street (1971)
        The Nickel Ride (1974)
        The Drowning Pool (1975) *
        Farewell My Lovely (1975) *
        Union City (1980)
        Thief (1981) *
        Blue Velvet (1986) *
        Kill Me Again (1989)
        The Kill-Off (1990)
        The Hot Spot (1990) *
        Impulse (1990)
        The Wrong Man (1993)
        The Last Seduction (1994)
        Hit Me (1996)
        Lost Highway (1997) *
        This World, Then the Fireworks (1997)
        Night Train (1999)
        Mulholland Drive (2001) *
        Dark Country (2009)
        The Killer Inside Me (2010) *
        Sin City: A Dame To Kill For (2014)
        *
        Indicates ones I do have in my possession so will get a spin at some point.
        The
        Spikeopath

        Hospital Number
        217

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          fgadmin
          wrote last edited by
          #29

          mgtbltp — 10 years ago(August 23, 2015 05:21 PM)

          You cutting off the original wave at 1959/1960 I presume. It's always tricky, you probably know me by now in that I say film noir never really stopped being made. The French made some stonking noirs in the 60s, traditional stuff, while Blast of Silence is to me pure first wave noir. Not trying to debate your list, I have 1960s films on my neo lists as well
          I just went with the general Film Noir consensus for the end of Clasic Noir, but I agree in spirit with your thoughts, I'm more visually oriented so I tend give more weight to those films that have the strong noir visual stylistics than films that are
          NIPO
          s
          N
          oir
          I
          n
          P
          lot
          O
          nly, they'd have to be really darkly twisted in plot to reach my tipping point, otherwise I just consider them Crime genre and not on my personal Neo Noir list. If they are shot in B&W they get an extra point, watch
          The Pawnbroker
          with your Noir shaded glasses on ;-). I seem to remember
          Lenny
          (1974) as being noir-ish I'll have to chase it down to see.
          Shaft
          (1971) also was surprisingly quite Noir-ish and it's a PI film to boot.
          I too have been searching Neo Noirs out using critic lists and other sources and have been both greatly disappointed and happily surprised. The last edition of
          Film Noir The Encyclopedia
          lists about 160 Neo Noirs I agreed with about 40 disagreed with 40, have found some that are not even listed, and have been plowing through the rest discovering both gems, flawed efforts, and BS (as a Neo Noir designation), i.e my last three gems were
          Impulse
          ,
          To Live And Die In LA
          and
          The Hot Spot
          the flawed films were
          8 Million Ways To Die
          (comes off as too much a message film)
          The Outfit
          no Noir buzz (a shame with it's cast),
          Payback
          (the original release is great if it just had the original Directors ending it would be a gem) and the experimental
          Suture
          the BS as far as a Neo Noir designation were
          Miami Vice
          (more a action film, machine guns rarely go with noir) and the remake of
          Kiss Of Death
          I didn't get that Noir buzz from that one, but again that's just me.

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            fgadmin
            wrote last edited by
            #30

            retroman2 — 10 years ago(August 24, 2015 08:44 AM)

            There are two films which I thought qualified as neo noir which weren't on your list or Spike's
            China Moon
            (1994) and
            Masquerade
            (1988). Have you seen either one?

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              fgadmin
              wrote last edited by
              #31

              mgtbltp — 10 years ago(August 24, 2015 11:06 AM)

              China Moon
              and
              Masquerade
              are both on my Netflix queue

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                fgadmin
                wrote last edited by
                #32

                Spikeopath — 10 years ago(August 25, 2015 03:38 PM)

                Masquerade (1988)
                Don't have this one on my lists so I have added it. I thought
                Lowe
                was excellent in
                Curtis Hanson's
                under valued
                neo
                Bad Influence (1990)
                , so it will be interesting to see
                Lowe's
                progression from 88
                neo
                to
                90
                neo.
                He did a comedy in between the two
                The
                Spikeopath

                Hospital Number
                217

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                • F Offline
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                  fgadmin
                  wrote last edited by
                  #33

                  Spikeopath — 10 years ago(August 25, 2015 06:28 PM)

                  Yep, I'm a visual guy as well, with fatalism and pessimism added to seal the deal. I'm very intrigued by
                  The Pawnbroker
                  , often cited as
                  Steiger's
                  best performance, I have hunted it down for that reason. Never seen it enter the
                  neo
                  lists, I don't think, but I'm MORE than happy to stick the
                  noir
                  goggles on for it
                  I too have been searching Neo Noirs out using critic lists and other sources and have been both greatly disappointed and happily surprised. The last edition of Film Noir The Encyclopedia lists about 160 Neo Noirs I agreed with about 40 disagreed with 40
                  I'm in the same boat. The
                  FNE
                  lists the
                  Bridget Fonda
                  remake of
                  Nikita
                  ,
                  Point of No Return (1993)
                  , as a
                  neo
                  . I watched it last night and don't really think it qualifies. There's some identity stuff going on, maybe even as they put forward, some oedipal suggestions at work, but it's really just a good honest action film with a spunky femme at the helm. I'll still add it to the review roster, but I'm not convinced myself.
                  I'll forward
                  The Hot Spot
                  for a viewing since It's hot topic now. I really like
                  Payback
                  , more so the D/C.
                  Kiss of Death
                  , the remake's screenplay is just too safe, otherwise I think it's got some bite, with
                  Caruso's
                  protag a classic
                  noir
                  character.
                  The
                  Spikeopath

                  Hospital Number
                  217

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                    fgadmin
                    wrote last edited by
                    #34

                    MsELLERYqueen2 — 10 years ago(August 23, 2015 09:51 PM)

                    Does
                    After Hours
                    (1980s) count? I saw it a few years ago and it struck me as being neo-noir.

                    Jim Hutton (1934-79) & Ellery Queen
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                      wrote last edited by
                      #35

                      mgtbltp — 10 years ago(August 24, 2015 03:48 AM)

                      Agree about
                      After Hours
                      , it does have that noir-ish feel if I remember correctly, I'll have to check it out again along with
                      Lenny
                      .

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                        fgadmin
                        wrote last edited by
                        #36

                        alchrisjacob — 9 years ago(October 15, 2016 06:55 PM)

                        One of my absolute favorite neo-noirs.

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                          wrote last edited by
                          #37

                          Spikeopath — 10 years ago(August 26, 2015 03:11 PM)

                          Point of No Return (1993)
                          New Dawn - New Day - New Life.
                          Point of No Return
                          (AKA:
                          The Assassin
                          ) is directed by
                          John Badham
                          and written by
                          Robert Getchell
                          and
                          Alexander Seros
                          . It stars
                          Bridget Fonda
                          ,
                          Gabriel Byrne
                          ,
                          Dermot Mulroney
                          ,
                          Anne Bancroft
                          and
                          Harvey Keitel
                          . Music is by
                          Hans Zimmer
                          and cinematography (
                          Panavision/Technicolor
                          ) by
                          Michael Ferris
                          and
                          Michael Watkins
                          .
                          When drug addict
                          Maggie Hayward
                          (
                          Fonda
                          ) kills a policeman in cold blood, she is promptly sentenced to death by lethal injection. But maybe there is an out? A chance to work for the government?
                          Why so serious?
                          A remake of
                          Luc Besson's
                          Nikita (1990)
                          , this was always going to suffer the usual remake taunts of why bother? Was it necessary etc?
                          Point of No Return
                          is a good honest action movie, it has style to burn, nifty photography and likable leading actors. The action is well staged and thrilling - and
                          Hong Kongish
                          in style, and bubbling away in the writing are themes of identity, absent parents and a delicately off-kilter oedipal angle. The
                          Nina Simone
                          soundtrack is terrific, while
                          Zimmer
                          works around
                          Nina's
                          songs with an aural assuredness that grabs the attention.
                          It doesn't push any boundaries, and although it has been noted in some
                          neo-noir
                          circles, it is only a borderline entry in that style of film making. But if kinetic is a good word for you, and ultra violence gives you a shot in the arm, then
                          Bridget
                          and her guns are definitely worth a first date at least. 6/10
                          The
                          Spikeopath

                          Hospital Number
                          217

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                            wrote last edited by
                            #38

                            mgtbltp — 10 years ago(August 28, 2015 07:05 PM)

                            A couple of weeks ago I watched
                            Criss Cross
                            (1949) today I watched
                            The Underneath
                            (1995) it's a good way to compare Noir with bad Neo Noir. It's almost a shot by shot remake with the chronology shuffled about a bit but boy does the story suffer for the tweaks.. The Steve & Anna characters called Mike & Allison in The Underneath are given more of a backstory. In the post feminist world Anna/Allison is more sympathetic its Mike who has done her wrong in the past piling up gamboling debts and skipping in the night when his luck turns.
                            Steve/Mike's policeman friend is now also his brother. His mother is recently re-married to the armored car company employee who gets Mike the job. It really lacks from these changes and the uninteresting color cinematography. The only bright spot was the Dundee character who had a remarkable resemblance to Classic Noir actor Dane Clark. For me its a Crime film that's a
                            NIPO
                            ,
                            N
                            oir
                            I
                            n
                            P
                            lot
                            O
                            nly. 6/10

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                              wrote last edited by
                              #39

                              retroman2 — 10 years ago(August 29, 2015 06:30 AM)

                              I saw
                              The Underneath
                              and was completely underwhelmed. It comes nowhere near the original, though I suppose for those who have never seen
                              CC
                              , it might be a passable crime drama.

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                                wrote last edited by
                                #40

                                mgtbltp — 10 years ago(August 29, 2015 08:55 AM)

                                It does have some low light dark shots in some short sequences but they are just a pittance and not enough to offset the script changes.

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                                  #41

                                  Jessica_Rabbit69 — 10 years ago(August 29, 2015 11:33 AM)

                                  "NIPO, Noir In Plot Only."
                                  On an unrelated note to the film I like that phrase which of course describes Neo-Noir best.
                                  Jessica Rabbit
                                  "I'm not bad. I'm just drawn that way."

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                                    wrote last edited by
                                    #42

                                    mgtbltp — 10 years ago(August 30, 2015 02:59 PM)

                                    "NIPO, Noir In Plot Only."
                                    On an unrelated note to the film I like that phrase which of course describes Neo-Noir best.
                                    Well Jess, I'm very visually oriented the so called Neo Noir would have to be extremely twisted to off set it's lack of Noir stylistics. That said these below are either nicely visually styled and twisted, or extremely twisted in a good enough way to make my list.
                                    .
                                    The
                                    True
                                    NEO-NOIR LIST (a chronological film list (a work in progress) I just added
                                    Blink
                                    (1994))
                                    Blast Of Silence (1961)
                                    Underworld USA (1961)
                                    Something Wild (1961)
                                    Cape Fear (1962)
                                    Experiment In Terror (1962)
                                    Satan in High Heels (1962)
                                    The Manchurian Candidate (1962)
                                    Shock Corridor (1962)
                                    Requiem for a Heavyweight (1962)
                                    The Naked Kiss (1964)
                                    The Pawnbroker (1964)
                                    Brainstorm (1965)
                                    Once A Thief (1965)
                                    Harper (1966)
                                    Mr. Buddwing (1966)
                                    In Cold Blood (1967)
                                    In The Heat Of The Night (1967)
                                    Marlowe (1969)
                                    The Honeymoon Killers (1970)
                                    Shaft (1971)
                                    Across 110th Street (1971)
                                    The Getaway (1971)
                                    Get Carter (1971)
                                    Hickey & Boggs (1972)
                                    Bring Me The Head Of Alfredo Garcia (1974)
                                    The Nickel Ride (1974)
                                    The Drowning Pool (1975)
                                    Farewell My Lovely (1975)
                                    Night Moves (1975)
                                    Taxi Driver (1976)
                                    Dressed to Kill (1980)
                                    Union City (1980)
                                    Body Heat (1981)
                                    Thief (1981)
                                    Blade Runner (1982)
                                    Hammett (1982)
                                    Blood Simple (1984)
                                    To Live and Die in L.A. (1985)
                                    Blue Velvet (1986)
                                    Angel Heart (1987)
                                    Frantic (1988)
                                    Kill Me Again (1989)
                                    The Grifters (1990)
                                    The Kill-Off (1990)
                                    The Hot Spot (1990)
                                    Wild At Heart (1990)
                                    Impulse (1990)
                                    Dick Tracy (1990)
                                    Delicatessen (1991)
                                    Reservoir Dogs (1992)
                                    Twin Peaks: Fire Walk with Me (1992)
                                    Romeo Is Bleeding (1993)
                                    True Romance (1993)
                                    The Wrong Man (1993)
                                    The Last Seduction (1994)
                                    Pulp Fiction (1994)
                                    Blink (1994)
                                    Se7en (1995)
                                    Fargo (1996)
                                    Mulholland Falls (1996)
                                    Hit Me (1996)
                                    Jackie Brown (1997)
                                    L.A. Confidential (1997)
                                    Lost Highway (1997)
                                    This World, Then the Fireworks (1997)
                                    Dark City (1998)
                                    A Simple Plan (1998)
                                    The Big Lebowski (1998)
                                    Payback (1999)
                                    Night Train (1999)
                                    The Man Who Wasnt There (2001)
                                    Mulholland Drive (2001)
                                    Sin City (2005)
                                    No Country For Old Men (2007)
                                    Dark Country (2009)
                                    The Killer Inside Me (2010)
                                    Sin City: A Dame To Kill For (2014)

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                                      wrote last edited by
                                      #43

                                      Jessica_Rabbit69 — 10 years ago(August 31, 2015 09:05 AM)

                                      "the so called Neo Noir would have to be extremely twisted to off set it's lack of Noir stylistics."
                                      I agree with that.
                                      This is a great list, most of the 60's, 70's and 80's ones you mention I have seen and liked. Interesting to put
                                      In the Heat of the Night
                                      as Neo-Noir, but I can see it.
                                      I have been trying to track down
                                      Hickey & Boggs
                                      for a long time. No luck as of yet. It is on youtube, but there seems to be something wrong with the print.
                                      Blink
                                      I saw when it came out and liked it a lot.
                                      Se7en
                                      is a movie I cannot stomach. That was a bit too much.
                                      Jessica Rabbit
                                      "I'm not bad. I'm just drawn that way."

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                                        wrote last edited by
                                        #44

                                        mgtbltp — 10 years ago(August 31, 2015 11:02 AM)

                                        RE:
                                        In The Heat Of The Night
                                        the menu on the 40th anniversary edition has a B&W Noir homage. You get, in your face Noir, just from the opening credits, then the rest of the sets are what I like to call Edward Hopper-esque Noir. It's gets so hyped as a landmark/breakthrough film that its not noticed how Noir it is the same goes for
                                        Shaft
                                        , it practically started the Blaxploitation craze but its a solid Neo Noir PI flick and not at all like the cheap flood of over the top quasi imitations that followed, check it out too.
                                        I get a lot of hard to find DVD films through Ebay (
                                        Hickey & Boggs
                                        ,
                                        Romeo Is Bleeding
                                        ) they may be from Hong Kong, Thailand, etc. but if they are R0 and have English listed as one of the languages I've had no problem. The DVDs are just default set to whatever the native language of country of origin is, you just go to the menu click English, and then click no subtitles.
                                        Oldies.com has a good DVD copy of
                                        The Kill-Off
                                        which is one of the best adaptations of a Jim Thompson book.
                                        My next option (lucky for me I still have a VHS player) is VHS tapes which have a lot of titles that still haven't made it to DVD, and may never. I got
                                        Delusion
                                        , and
                                        This World Then The Fireworks
                                        that way.

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                                          wrote last edited by
                                          #45

                                          Jessica_Rabbit69 — 10 years ago(August 31, 2015 01:07 PM)

                                          "It's gets so hyped as a landmark/breakthrough film that its not noticed how Noir it is the same goes for Shaft,"
                                          Very true. I also looked at those movies simply as landmark movies, with the Blaxploitation films being the more fun version of serious ones. My fault.
                                          I don't have the 40th anniversary DVD of
                                          In the Heat of the Night
                                          , but the B&W Noir homage sounds great.
                                          Shaft
                                          is a fun movie and I even like the new version.
                                          There still seem to be quite a lot of people who have their old VHS players. Mine went out a long time ago, but maybe I should have held on to it.
                                          Jessica Rabbit
                                          "I'm not bad. I'm just drawn that way."

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