It`s a strange movie but that is ok!
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Archived from the IMDb Discussion Forums — I'm a Cyborg, But That's OK
xarable — 18 years ago(May 06, 2007 10:02 AM)
First of all I have to say that I admire Park Chan-Wook so I am afraid I will like all his movies no matter what he does.
But the good point of having done this movie is to show that he is not that kind of directors only able to film in one style such as Tarantino, Guy Ritchie or many others.
Of course I love more Oldboy than this latest film but again touched me with this story. It is a love story in a new way and it also how important is to listen the others and what can be the meaning of love.
Everybody has a strange part and by refusing it we wont solve the problem. Thats a deep movie even when he pretended to relax after 3 violent movies
I read long ago that his next movie would be a vampire film. It will be welcomed too. As long as he keeps being independent everything will be ok. -
zap644 — 17 years ago(December 03, 2008 05:09 PM)
I only caught the last half so it was somewhat hard to understand, particularly where the line between delusion and reality fell. It seemed like a pretty open institution for the patients. They seemed to have a lot of freedom.
Anyway, looking for it to be on again so I can watch the whole thing (someone in another thread said it was on Sundance On Demand, but I couldn't find this on there). -
haewatein — 17 years ago(November 23, 2008 08:00 AM)
A vampire film? Really?
Oh man, this is going to be sooooo sweet!
I totally love Park's filmography from JSA over the Vengeance trilogy to this one here.
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SEUL CONTRE TOUS
www.myspace.com/anzycpethian
www.pbase.com/anzycpethian -
Errington_92 — 13 years ago(March 26, 2013 04:37 PM)
Must admit that it took me a while to truly enjoy
I'm a Cyborg, but that's ok
as in the beginning it seemed quite confusing being given a magnitude of different stories. Yet once the narrative focused on the protagonist in her new surroundings then I begin to appreciate the film. The way different styles of movement within cinematography and the place of the editing becoming fragmented seem to place us into the mindset of the institutionalised, a smart move made by the filmmakers.
"I'd rather be hated for who I am, than loved for who I am not".