It just looks so amateur
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alesisqs61 — 10 years ago(October 17, 2015 11:43 PM)
Looked good enough for me. in fact for 5 million it looked pretty dang good except for maybe the plane crash.
http://www.youtube.com/user/alphazoom
https://soundcloud.com/#carjet-penhorn -
douces — 10 years ago(October 18, 2015 10:46 AM)
It's the same with his show Hemlock Grove (at least the pilot which he directed). Everything had this hideously cheap, digital look. At least Green Inferno didn't have the weird piss-yellow cast that the Hemlock Grove pilot did.
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ilon — 10 years ago(October 20, 2015 04:54 PM)
I liked the color palette a lot. After sooo many dark unsaturated blueish brownish horror movies I liked the bright greens, yellows of this movie. This would look much better on film and I think would solve many of the problems people have.
The acting well I think it influenced the way they shot this, especially the tribe scenes. And I see nothing wrong with the editing. I would do without a couple of fade to blacks and some scenes could be a little big tighter, but I don't think it's that terrible. I never felt confused by it, so it must be acceptable.
Do you get this kind of gore on the scifi channel? -
FirstBlood1982 — 10 years ago(November 27, 2015 06:06 PM)
"Bone Tomahawk is pretty dull actually. Until the last half hour at least. I'd say they are on par."
Agreed. I don't think Bone Tomahawk deserves quite as much praise as it's getting. I semi-liked it, but it's not especially compelling for atleast 70 or so minutes.
I much preferred The Green Inferno.
I didn't think the photography looked amateur. Didn't have a problem with the acting either.
+++by His wounds we are healed. - Isaiah 53:5+++ -
TheMarwood — 10 years ago(October 27, 2015 12:31 PM)
The Green Inferno had miserable cinematography and the cinematographer previously shot Aftershock, which was truly amateur quality. The DP and Roth collaborated again on Knock Knock, which for the most part was competently shot, with only a few shots falling apart in low light and looking like crummy video. It's a damn shame that Roth captured what must have been a grueling shoot deep in the amazon with such amateurish results there's plenty of decent digital cameras that would have produced better results, but he cheapened the beautiful environment with the crappy Cannon C300. Roth made Cabin Fever for peanuts and the film looks fantastic, the Hostel films are very classy looking movies (regardless of what you think of the films themselves) made for about what he shot The Green Inferno for. This was barely broadcast quality and certainly not big screen quality.
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victor-p-c — 10 years ago(February 12, 2016 07:28 PM)
The Green Inferno had miserable cinematography and the cinematographer previously shot Aftershock, which was truly amateur quality. The DP and Roth collaborated again on Knock Knock, which for the most part was competently shot, with only a few shots falling apart in low light and looking like crummy video. It's a damn shame that Roth captured what must have been a grueling shoot deep in the amazon with such amateurish results there's plenty of decent digital cameras that would have produced better results, but he cheapened the beautiful environment with the crappy Cannon C300. Roth made Cabin Fever for peanuts and the film looks fantastic, the Hostel films are very classy looking movies (regardless of what you think of the films themselves) made for about what he shot The Green Inferno for. This was barely broadcast quality and certainly not big screen quality.
This ^
Behind every great man is a woman rolling her eyes.
Jim Carrey -
seth-shaw23 — 10 years ago(November 13, 2015 06:09 PM)
I would have to disagree. I thought the film was definitely lacking but the cinematography was one of it's only redeeming qualities. The aerial views of forests and rivers was excellent. The use of color was probably over done but still looked cool. The problem with this movie is that it wasn't realistic, scary or funny.