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  3. Greetings Cowboys, Cowgirls and Cowpunchers

Greetings Cowboys, Cowgirls and Cowpunchers

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    #34

    Spikeopath — 9 years ago(January 10, 2017 05:57 AM)

    Fort Utah (1967)
    Utah Saints.
    Fort Utah is directed by Lesley Selander and written by Steve Fisher and Andrew Craddock. It stars John Ireland, Virginia Mayo, Robert Strauss, Scott Brady, John Russell, Richard Arlen and James Craig. Music is by Jimmie Haskell and cinematography is by Lothrop Worth.
    Drifter Tom Horn (Ireland) teams up with Indian Agent Ben Stokes (Strauss) to help a pioneer wagon train against army deserters and Indian renegades.
    Filmed in Technicolor/Techniscope out at Vasquez Rocks and Santa Clarita in California, Fort Utah, in spite of being shot in 1966, feels like a 1950s Oater. Of course the big giveaway is that the headliners in the cast are more long in the tooth than back in the day. Yet collectively they have produced a a very decent Oater with old fashioned value.
    There's plenty going on in the plotting. The Indians have had enough of the reservation living arrangements so a renegade band have fled, leaving Ben Stokes the not unenviable task of trying to locate and placate. There's a gang of army deserters - The Marrauders - led by nefarious Dajin (Brady) out for what they can get their hands on, illegally of course. Right in the middle of hostile territory is a wagon train of pioneers who unbeknown to themselves are going to need help to survive, enter Tom Horn and the Fort Utah of the title.
    Pic never wants for action, Horn gets into a fight pretty much every ten minutes, be it fisticuffs or shoot-outs, there's barely pause for him to take breath, well except for when he's getting smitten with Linda Lee (Mayo a gorgeous mature at 46) that is. She's travelling with the wagon train and has a secret as well as a major cleavage that gets an airing during a ferocious Indian attack on the wagon train. Whilst unsurprisingly she's getting unwanted attention by a scallywag pioneer fellow
    Some of the stunt doubles are very poor, which sort of sits with Haskell's cheesy musical score, and the big finale features a WTF moment to close down the encounter. But with some very nice photography for the night time scenes, and the superb backdrop of Vasquez Rocks pleasing the eyes, one can't grumble about not having it all. It's not a classic of course, and it has some formulaic baggage to carry around, but for old fashioned Oater lovers this has much to recommend. 6.5/10
    The
    Spikeopath

    Hospital Number
    217

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      wrote last edited by
      #35

      Spikeopath — 9 years ago(January 12, 2017 09:27 AM)

      Denver and Rio Grande (1952)
      Train Tribulations.
      Denver and Rio Grande is directed by Byron Haskin and written by Frank Gruber. It stars Edmond O'Brien, Sterling Hayden, Dean Jagger, Kasey Rogers, Lyle Bettger and J. Carol Naish. Music is by Paul Sawtell and Technicolor cinematography by Ray Rennahan.
      Two railroad companies battle for the right of way through Royal Gorge - with murderous results
      In truth it's without doubt that the scenery on offer here, and if you happen to have any kink for olde steam trains, are what puts this in the above average department. Plot is based around real instances during the advancements of the Denver and Rio Grande railway. It plays out for entertainment purposes as baddies against goodies and as a notable observation of what some will do to get their way. There's strands involving wrongful accusations, simmering passions and a whole host of train sequences snaking through gorgeous locations. There's even some amazing train carnage, which is thrilling and more potent as it's not model work on show. Cast are fine and turning in perfs that we accept as viable for our enjoyment - with a pat on the back for Zasu Pitts and Paul Fix who are playing out a cute and funny mature courtship in the making - and all other tech contributions are safe and appealing enough.
      Opening with a voice over narration set to scenes of the then modern D&RG railway, before whisking us back to its formative years, this is a nice nostalgia piece that overcomes its plotting failings courtesy of big heart and ocular delights. 7/10
      The
      Spikeopath

      Hospital Number
      217

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        #36

        gordonl56 — 9 years ago(January 12, 2017 04:28 PM)

        This on I actually did see a few years back. Decent film imo. Tick on the way.

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          wrote last edited by
          #37

          gordonl56 — 9 years ago(January 12, 2017 04:26 PM)

          I am so far behind on my 60's westerns, that your work in the area is always a hoot to take in. New one for me here. Tick has been dispatched.

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            #38

            joscco — 9 years ago(January 14, 2017 02:56 PM)

            Just finished watching
            The Unforgiven
            with Burt Lancaster and Audrey Hepburn. Wow. What a powerful exploration of racism, hatred, and family. Pretty good movie although, for me, it jumped the shark about the time the Kiowa war party decided to break out the sacred flutes. No offense to anyone who loves it, but this western is crying for a remake.
            "We all have it comin', Kid." Unforgiven (1992)

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              #39

              Spikeopath — 9 years ago(January 15, 2017 06:47 AM)

              I was only talking about this one last week with a guy on CFB.
              John Huston
              disliked the movie, was never happy with it. I like it well enough, it does beg your patience for the first third but once the Injuns turn up it kicks up a few gears. Always loved
              Hepburn
              in this, to see her go earthy with no glam and glitter was most pleasing.
              The
              Spikeopath

              Hospital Number
              217

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                wrote last edited by
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                jxh13 — 9 years ago(January 17, 2017 05:36 AM)

                Neat cast, but an awkward story. I gather Huston never got to make the points he wanted about race relations, and the narrative is kind of odd. Novelist Alan Le May also wrote
                The Searchers
                , which I caught most of last Saturday.
                Still, Lancaster, Bickford, Audie Murphy, John Saxon, the creepy Joe Wiseman, screen legend Lillian Gish, the affable, square-headed Doug McClure, and the offbeat casting of Miss Hepburn make it a worthwhile watch.

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                  wrote last edited by
                  #41

                  gordonl56 — 9 years ago(January 17, 2017 04:26 AM)

                  Been many moons since I last saw UNFORGIVEN. The last time was on an old vhs tape in the late 80's. Time to hunt it up for a re-watch.

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                    wrote last edited by
                    #42

                    gordonl56 — 9 years ago(January 15, 2017 07:17 AM)

                    CONTAINS SPOILERS
                    JOHNNY RINGO "The Assassins" 1960
                    JOHNNY RINGO was a western series that ran for 38 episodes during 1959-60. The series starred Don Durant as the title character with Karen Sharpe, Mark Goddard and Terence De Marney as series regulars. The series follows Durant, (Ringo) a former gunfighter who decides to go straight. He becomes the Sheriff in the small town of Velardi in the Arizona Territory. The series was one of several (Rifleman, Wanted Dead or Alive, Shotgun Slade etc) with a "gimmick gun". Durant carries a special LeMat revolver equipped with a shotgun barrel under the six gun barrel.
                    This episode is the 20th episode of the series.
                    This one starts with the stage from out of town dropping off a dapper looking Akim Tamiroff. Tamiroff steps right into the middle of a dispute between the town bully, Ed Nelson, and local, Dennis McMullen. The two men are both after the same girl, dancer, Connie Hines. Hines wants McMullen and Nelson is not amused. Nelson is handy with a gun and calls McMullen out.
                    Tamiroff steps between the two and stops Nelson from killing McMullen. Nelson gives Tamiroff a solid punch to the noggin, knocking him to the ground. Now Sheriff Durant arrives on the scene. Nelson may be handy with his shooting iron, but he is no match for Durant. Nelson fades away.
                    Tamiroff it appears is a Russian on the run from his country's Secret Police. Said Tsar's Secret Police are now in town looking to finish off the enemy of the State, Tamiroff. Tamiroff had been involved in the death of a Policeman back in Russia. It had been an accident, but the Tsar's boys had no sense of ha, ha.
                    Tamiroff, tired of running just wants to end it all. He is suffering from a heart condition and does not have long to live anyway. He picks a fight in the bar the next day with thug Nelson. Nelson is happy to "help" out and plugs the old guy. This forces Sheriff Durant to step up and drill a few extra holes in Nelson.
                    Not really much of an episode, with a plot one has seen before on various TV productions. Tamiroff though does his best with the limited lines he has.

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                      wrote last edited by
                      #43

                      Spikeopath — 9 years ago(January 18, 2017 09:04 AM)

                      Johnny Ringo (1959)

                      The Assassins (1960)
                      A near damp squib mate.
                      The
                      Spikeopath

                      Hospital Number
                      217

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                        wrote last edited by
                        #44

                        joscco — 9 years ago(January 16, 2017 10:15 AM)

                        After watching the NFL Playoffs, I stayed up to watch
                        The Hired Hand
                        (1971), starring Peter Fonda, Warren Oates, and Verna Bloom. Not your ordinary Western, but an artistic, moody exploration of drifting, friendship, marital fidelity, and evil. Way ahead of its time and beautifully done.
                        "We all have it comin', Kid." Unforgiven (1992)

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                          wrote last edited by
                          #45

                          jxh13 — 9 years ago(January 17, 2017 04:11 AM)

                          I kinda liked
                          The Hired Hand
                          , too. Warren Oates was a terrific performer.
                          Another artsy, moody, ahead-of-its-time Western is the 1966 oddball,
                          The Shooting
                          , with Warren Oates, Jack Nicholson, and Millie Perkins. It's frankly a little too odd for me to try and write a review, but I'd be curious to know any reactions. It's unusual, but well, it is unusual.

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                            wrote last edited by
                            #46

                            joscco — 9 years ago(January 17, 2017 12:50 PM)

                            Glad to hear someone else liked
                            The Hired Hand
                            .
                            I've watched nearly all of
                            The Shooting
                            a couple of times. My reaction could best be described as "nonplussed," but I've read that if you don't watch carefully from the very beginning, you'll never understand it. I really need to give it another chance with a complete viewing.
                            "We all have it comin', Kid." Unforgiven (1992)

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                              wrote last edited by
                              #47

                              Spikeopath — 9 years ago(January 18, 2017 02:17 PM)

                              Still got to get to that one, I own it in a
                              JN
                              box set. Also
                              Ride in the Whirlwind (1966)
                              , which I have watched and reviewed. Very tidy
                              Both films were shot back to back.
                              The
                              Spikeopath

                              Hospital Number
                              217

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                                wrote last edited by
                                #48

                                jxh13 — 9 years ago(January 19, 2017 03:08 AM)

                                Both films were shot back to back.
                                And both were reportedly very popular in France. Monte Hellman became sort of an Arthouse Darling for a spell. I came to him through the moody, enigmatic
                                Two Lane Blacktop
                                , not a Western but another fine Warren Oates flick.

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                                  wrote last edited by
                                  #49

                                  Spikeopath — 9 years ago(January 18, 2017 02:13 PM)

                                  I watched it last year for the first time. It's one of those that I feels needs a second viewing before I can write a proper review. I bought it for my own library, found it very elegiac.
                                  The
                                  Spikeopath

                                  Hospital Number
                                  217

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                                    wrote last edited by
                                    #50

                                    gordonl56 — 9 years ago(January 18, 2017 05:28 AM)

                                    CONTAINS SPOILERS
                                    JOHNNY RINGO "The Reno Brothers" 1960
                                    JOHNNY RINGO was a western series that ran for 38 episodes during 1959-60. The series starred Don Durant as the title character with Karen Sharpe, Mark Goddard and Terence De Marney as series regulars. The series follows Durant, (Ringo) a former gunfighter who decides to go straight. He becomes the Sheriff in the small town of Velardi in the Arizona Territory. The series was one of several (Rifleman, Wanted Dead or Alive, Shotgun Slade etc) with a "gimmick gun". Durant carries a special LeMat revolver equipped with a shotgun barrel under the six gun barrel.
                                    This episode is the 21st episode of the series.
                                    This one has a pair of brothers looking for the men responsible for the death of their older brothers. They track down three of the men and collar them for the law. They then discover that the last man they want is hiding in the town of Velardi.
                                    The two brothers, Ben Cooper and James Beck hit town and start to ask around about the man they want. This fellow, Jacques Aubuchon, has been in town for a while. He hires a pair of gun hands, Robert Hoy and Emile Avery to help him get rid of the two brothers.
                                    The villains ambush the local stage outside of town and kill the driver. They then leave evidence that the brothers had done the deed. The brothers are soon gobbled up by Sheriff Durant and tossed in jail. They explain why they are in town and that they have been set up.
                                    The matter is soon settled after a blazing gun battle, where the bad types end up either dead, or in the jailhouse. The Territory Government then offers the two brothers jobs as Marshals.
                                    Not exactly the best episode, but it is always a pleasure to see stuntman turned actor Bobby Hoy in anything. The man was on screen from 1950 till 2007. His films roles include bits in SPARTACUS, THE MAN FROM THE ALAMO, AWAY ALL BOATS, OPERATION PETTICOAT, NEVADA SMITH, THE OUTLAW JOSIE WALES and THE ENFORCER.

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