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  3. What Classics Did You See Last Week (November 9–November 15)

What Classics Did You See Last Week (November 9–November 15)

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    Archived from the IMDb Discussion Forums — The Soapbox


    unex — 4 months ago(November 16, 2025 01:29 PM)

    What did you watch?

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      unex — 4 months ago(November 16, 2025 01:29 PM)

      The Stunt Man (1980) - A movie about a Vietnam vet with PTSD hiding out from the police by becoming a stunt man on a film that he wandered into. Peter O'Toole plays the director which he says he based on David Lean. The film within a film structure gives it a nice postmodern feel. It's probably underrated. I enjoyed it quite a bit, especially O'Toole.
      The Big Knife (1955) - Another movie about the film industry but the business side. Lots of people in this. Jack Palance as the movie star, Ida Lupino his wife, Everett Sloan his agent, Rod Steiger the evil studio head, Shelley Winters as a troublesome actress. The source material is obviously a play, the story is sort of like something from Hollywood Babylon, a cynical look at a time when the studio head was a dictator/devil. Maybe it gets too mawkish but it's mostly a good movie with good performances.

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        spiderwort — 4 months ago(November 16, 2025 05:02 PM)

        Haven't seen either of these in ages, unex, but I remember liking both, especially THE STUNT MAN. Interesting to know that O'Toole based his performance on David Lean, though I guess it shouldn't be a surprise.

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          unex — 4 months ago(November 21, 2025 01:16 PM)

          I was a little surprised because just based on photographs of David Lean I wouldn't have imagined him to be so flamboyant. He looks more reserved.

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            spiderwort — 4 months ago(November 23, 2025 01:26 PM)

            Yes, I would have to agree with that.

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              sheetsadam1 — 4 months ago(November 16, 2025 01:41 PM)

              Angels with Dirty Faces (1938, Michael Curtiz)

              • Phenomenal gangster film! I should have gotten around to this one much earlier!
                9.5/10
                The Rookie (1990, Clint Eastwood)
              • An obvious attempt to cash in on the success of
                Lethal Weapon
                , but lacking the humor that made that franchise so successful.
                4/10
                Also watched:
                Bring Her Back (2025, Danny & Michael Philippou)
              • A brilliant, emotionally devastating Australian horror film. Sally Hawkins gives one of the best performances I've seen in a long time. One of the year's best!
                Caught Stealing (2025, Darren Aronofksy)
              • An entertaining '90s-set crime thriller with some comedic elements. A pretty uncharacteristic entry in Aronofsky's filmography that mostly works.
                Poker Face season 2 (2025, Peacock)
              • Fans of
                Columbo
                or creator Rian Johnson's
                Knives Out
                film series will love this series and it hasn't lost any steam from the first season.
                Only Murders in the Building season 5 (2025, Hulu)
              • After going a bit far afield with the two previous seasons, this series takes a back-to-basics approach with the fifth season and it pays off in a big way.
                Draft Barron Trump
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                spiderwort — 4 months ago(November 16, 2025 05:10 PM)

                I
                love
                Angels with Dirty Faces
                , sheetsadam1. It's a wonderful film, with a meaningful script and great performances by all the cast. It received 3 Oscar nominations, for Best Actor (Cagney), Best director (Curtiz) and Best Writing, Original Story (Rowland Brown). I'm always amazed at how many wonderful films Curtiz made in his long career. What a director he was.
                I'm sorry that I haven't seen any of your other titles.

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                  sheetsadam1 — 4 months ago(November 16, 2025 11:21 PM)

                  I'm always amazed at how many wonderful films Curtiz made in his long career. What a director he was.
                  Yes, and across so many genres!
                  Mildred Pierce
                  is probably my favorite of his but this one came very close. All three Oscar nominations were well-deserved. Unfortunately, I haven't seen any of Cagney or Brown's competition in those categories so I can't weigh in on that. I'd likely have given Curtiz the nod over Capra (
                  You Can't Take It With You
                  ), but that seems like a matter of personal taste. Both were absolute masters.
                  Draft Barron Trump

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                    spiderwort — 4 months ago(November 19, 2025 11:14 PM)

                    Both were absolute masters.
                    I couldn't agree more!

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                      PygmyLion — 4 months ago(November 16, 2025 03:16 PM)

                      Smart Woman
                      1948 - Brian Ahearn, Constance Bennett - Crime/Courtroom - **1/2
                      The Locket
                      1946 - Lorraine Day, Brian Ahearn, Robert Mitchem - ***
                      The 39 Steps
                      1959 - Kenneth More, Taina Elg - **1/2
                      Pillow to Post
                      1945 - Ida Lupino, William Prince, Sydney Greenstreet - Comedy. Jean Howard (Lupino)needs a room near an Army base. The only open room is for couples, so Jean finds herself a Lieutenant Mallory (Prince) to fill the role for registering - but things get involved. Lupino does nicely in a comedy role - ***
                      Smart Girls Don't Talk
                      1948 - Virginia Mayo, Bruce Bennett - Crime - **1/2
                      The Silver Cord
                      1933 - Joel McCrea, Irene Dunne, Francis Dee, Eric Linden, Laura Hope Crews - Clinging mother (Crews) breaks up her younger son's (Linden) engagement (Dee), and then starts working on her older son's (McCrea) marriage (Dunne). ***
                      Macao
                      1952 - Robert Mitchum, Jane Russell, Gloria Grahame, William Bendix, Brad Dexter - Film noir - **1/2
                      Video -
                      Der Zigeunerbaron
                      (1975) - "The Gypsy Baron" - Operetta - Siegfried Jerusalem, Ivan Rebroff, Wolfgang Brendel, Ellen Shade - Music by Johann Strauss. Lots of tuneful waltz-like music is one highlight of this operetta taking place in Hungary in the early 1800s. ***1/2

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                        spiderwort — 4 months ago(November 16, 2025 05:29 PM)

                        Of your titles, PL, I've only seen
                        The Locket
                        and
                        Macao
                        and agree with your ratings for both.
                        I've been wanting to see
                        Pillow to Post
                        , but it keeps escaping me. One of these days, I hope to get to it. And I would love to see
                        The Silver Cord
                        . I love the cast, the story, and the director John Cromwell (actor James Cromwell's father). Hope I can find it.

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                          PygmyLion — 4 months ago(November 17, 2025 12:47 AM)

                          I believe
                          The Silver Cord
                          comes from a play. I watched it off the link on filmboards.
                          Another one of those 1930's movies that I run across and find that I like. Last week, it was
                          Private Number
                          (1936) and also
                          The Unguarded Hour
                          (1936). I started off this week with another one:
                          What Every Woman Knows
                          (1934).

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                            spiderwort — 4 months ago(November 19, 2025 11:33 PM)

                            I believe The Silver Cord comes from a play. I watched it off the link on filmboards.
                            Oh, man! I don't know why, but I am not able to watch any film on filmboards. T'is a mystery to me, despite people trying to help me. But I'll keep an eye out for it. Sounds like one I'd really like.

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                              spiderwort — 4 months ago(November 16, 2025 04:57 PM)

                              First viewings:
                              Ivan’s Childhood / Andrei Tarkovsky
                              (1962). During World War II, 12-year old Ivan (Nikolay Burlyaev) works as a spy on the eastern front, able to cross the German lines unnoticed to collect information. Three Soviet officers try to take care of him along the way. It’s so beautifully directed by Tarkovsky, but it’s also profoundly disturbing, leaving a haunting vision of war and what it does to children. I’ve read Takovsky’s great book about directing, “Sculpting in Time,” but this is the first of his films I’ve seen, and now I want to see every one of them. There’s no question that he’s a great director, and I would consider this film, his film debut, a masterpiece. Highly recommended. (Streaming on Plex)
                              Overlord / Stuart Cooper
                              (1975). A film that combines a fictional story about a young British soldier (Brian Stirner) training for D-Day with actual footage of the war shot by British military cameramen. Director Cooper brilliantly intercuts the archival and dramatized footage into sequences that make the events seem to occur simultaneously. And the cross-cutting from the bomb-droppings to the reality of charred corpses on the ground superbly conveys the film’s powerful anti-war sentiment. Meanwhile the fictional narrative provides a subjective viewpoint of the war, capturing the anxiety, excitement, and despair of going into battle. I can’t believe that I never even heard of this film before now. It apparently slipped through the cracks after its initial release, then, when it was shown at the Telluride Film Festival in 2004 and was re-released, it finally received some well-deserved recognition. It’s one of the best war films I’ve seen. Highly recommended. (On Max and YouTube)
                              What Every Woman Knows / Gregory LaCava
                              (1934). Three Scottish brothers help educate a young man so that he will marry their sister, a spinster. She helps him in his political career, advancing him to Parliament. Based upon a J.M. Barrie play, it’s a wise, sentimental comedy with fine performances by Hayes and Aherne, who get solid support from Donald Crisp, Lucille Watson, Henry Stephenson, Donald Meek and Madge Evans. It’s a film that I had never even heard of, but I loved it. It’s a delight, with wonderful performances and a wonderful script.
                              The Invention of Cinema: Cinema Finds its Voice / Eric Lange
                              (2021). A documentary about the development of sound in motion pictures, it covers work on films from back in the late 1890s until the release of The Jazz Singer in 1927. Fascinating and full of so much more than I already knew, it’s a must-see for those interested in film history. (On TCM until December 13.)
                              Re-watches:
                              Shoes / Lois Weber
                              (1916). A young girl (Mary MacLaren) is worn out from supporting her family because her father won’t work, and she desperately wants a new pair of shoes that won’t hurt her feet while she’s working. It’s a very touching 50 minute film by Lois Weber, the first prominent female director, writer, and producer in Hollywood. She was the first woman to direct a feature film and to own her own studio, and her films were almost always directly engaged with social issues like abortion, capital punishment, birth control, and power imbalances between men and women — all at a time before women could vote. This is my favorite of her films I’ve seen so far, though without question I've appreciated the others, too. From 1911 to 1934 she directed at least 140 films (probably more), though regrettably many are now lost. Here’s the film, colorized, but still good quality:
                              And here are two 7 & 12 minute documentaries about Lois Weber, absolutely worth viewing.
                              And here’s another 12 minute one, from “American Masters” on PBS:
                              https://www.pbs.org/video/she-was-first-woman-direct-feature-length-film-nl5qxb/

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                                sheetsadam1 — 4 months ago(November 16, 2025 11:43 PM)

                                I’ve read Takovsky’s great book about directing, “Sculpting in Time,” but this is the first of his films I’ve seen, and now I want to see every one of them.
                                You're in for a treat! His next film
                                Andrei Rublev
                                is my favorite of his and is available officially on YouTube.
                                Also, before you get to
                                Solaris
                                you may want to rewatch Kubrick's
                                2001
                                since Tarkovsky made his film in response to it.
                                Draft Barron Trump

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                                  spiderwort — 4 months ago(November 19, 2025 11:20 PM)

                                  Andrei Rublev
                                  is next on my list, though I have to say I wish it wasn't so long. But the subject really interests me, so I'm willing to give it a go. But
                                  Solaris
                                  is long, too, and its subject doesn't appeal to me as much, so I may not get to that one. We'll see.

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                                    spiderwort — 4 months ago(November 20, 2025 01:47 AM)

                                    P.S.
                                    @sheetsadam1
                                    :
                                    Stalker
                                    , also very long, looks quite interesting to me. Have you seen it and what did you think of it? Also,
                                    Mirror
                                    , which is shorter, looks interesting. Have you seen that one? I have to say that Tarkovsky's subjects are quit profound, something I think I realized from reading his "Sculpting in Time" book decades ago.

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                                      PygmyLion — 4 months ago(November 17, 2025 01:06 AM)

                                      I watched "What Every Woman Knows" this afternoon. Like you, I had never heard of it, but I enjoyed it. I thought Helen Hayes was outstanding. A young Brian Aherne seemed almost unrecognizable with the mop of hair. The supporting cast was very good.
                                      Also a bit of a romance. While I kenned some of the humor. I felt like I missed some of it too; being a person of the latter half of the twentieth century and never really knowing any Scotsmen, whereas most people back in 1934 (in America), probably knew a few 1st or 2nd generation Scotsmen.

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                                        spiderwort — 4 months ago(November 19, 2025 11:29 PM)

                                        Oh, I'm so glad you liked it, too. And Hayes was indeed outstanding. I thought young Aherne was pretty great, too, and you're right, I almost didn't recognize him at that age and with all that hair. I was very impressed by all the great Scottish accents.
                                        It was a real joy. Again, I'm glad you enjoyed it, too.

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                                          CoriSCapnSkip — 4 months ago(November 17, 2025 03:40 AM)

                                          Let It Be
                                          (1970) on November 9
                                          The Sandlot
                                          (1993) on November 12
                                          Now and Then
                                          (1995) on November 13
                                          The Mouse on the Mayflower
                                          (1968) on November 14
                                          The Thanksgiving That Almost Wasn't
                                          (1972) on November 15

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