"That this movie was made to symbolize Michael Myers as "White Rage" but it backfired spectacularly
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Archived from the IMDb Discussion Forums — Film and Television Discussion
kuatorises — 4 years ago(November 07, 2021 12:57 PM)
"That this movie was made to symbolize Michael Myers as "White Rage" but it backfired spectacularly
Kills cross dresser kid
Kills annoying black couple
Kills gays living in his house"
You need therapy. -
JSC178 — 3 years ago(October 17, 2022 11:31 AM)
I look at it as 2 continuities which provides plenty of material to enjoy:
1, 2, 4, and H20.
1, 2018, Kills, and Ends.
I know the police in H20 don't mention the events of 4 and only refer back to 1978's events, but that doesn't mean 4 didn't happen. There's enough there to connect 4 to H20. (Laurie mentioning she faked her death and the bloody scissors in the opening credits that Jamie used). I look at John as Laurie and Jimmy's son.
And after recently watching Halloween Ends the other night, I enjoy H1, 2018, Kills, and Ends as a what if Michael had been caught timeline. -
Jan_El_Senor — 3 years ago(October 17, 2022 01:50 PM)
After watching the new trilogy, it goes like this:
Halloween
-> All the other Myers movies (before the new trilogy) are stories/legends passed around Haddonfield, but never really happened -> the new trilogy
Grade "A" Fully Loaded
"Sexy as Hell" -
jbaker1-2 — 1 year ago(November 13, 2024 01:39 PM)
I'm just sick and tired of "sequelmania." Have been for literally decades. There's absolutely no valid reason (other than to milk uncritical audiences for every last dime) for every mediocre slasher flick, teen comedy or whatever to spawn a dozen or more increasingly crappy sequels.
All slasher flicks are pretty much the same. All that changes are the names and places. Moving the location from the Southwest to Appalachia doesn't change (or disguise) the fact that
Wrong Turn
and it's half-dozen cookie-cutter sequels are just
The Hills Have Eyes
with a new coat of paint, and under the surface, there isn't a nickel's worth of difference between the
Halloween
and
Friday the 13th
franchises (or
A Nightmare on Elm Street
, for that matter). If you've seen one, you've seen them all.
There's zero originality in the movie business these days. I guess it's just easier to just keep serving up the same old reheated slop as long as your audience is willing to pay to see it.
There are 8.2 billion people in the world. 8.19 billion of them have never heard of and don't give a fuck about Charlie Kirk. Get over it.